Simone > Simone's Quotes

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  • #1
    Stephen  King
    “Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win.”
    Stephen King

  • #2
    Caitlyn Siehl
    “When is a monster not a monster? Oh, when you love it.”
    Caitlyn Siehl, Literary Sexts: A Collection of Short & Sexy Love Poems

  • #3
    Pablo Neruda
    “I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.”
    Pablo Neruda, 100 Love Sonnets

  • #4
    “When a monster stopped behaving like a monster, did it stop being a monster? Did it become something else?”
    Kristin Cashore, Graceling

  • #5
    Rosamund Hodge
    “He is a monster, I said. Maybe I m a monster to pity him”
    Rosamund Hodge, Cruel Beauty

  • #6
    Victoria Schwab
    “Victor stared at the wall as if it were still a window. “He doesn’t know how patient you are,” he said. “Doesn’t know you like I do.” Eli cleaned the blood from his hand. “No,” he said softly. “No one ever has.”
    V.E. Schwab, Vengeful

  • #7
    Emily Brontë
    “He's more myself than I am. Whatever our souls are made of, his and mine are the same.”
    Emily Brontë, Wuthering Heights

  • #8
    Catherynne M. Valente
    “You will always fall in love, and it will always be like having your throat cut, just that fast.”
    Catherynne M. Valente, Deathless

  • #9
    Djuna Barnes
    “I have been loved,' she said, 'by something strange, and it has forgotten me.”
    Djuna Barnes, Nightwood
    tags: love

  • #10
    Djuna Barnes
    “Matthew,' she said, 'have you ever loved someone and it became yourself?'
    For a moment he did not answer.  Taking up the decanter he held it to the light.
    'Robin can go anywhere, do anything,' Nora continued, 'because she forgets, and I nowhere because I remember.'  She came toward him.  'Matthew,' she said, 'you think I have always been like this.  Once I was remorseless, but this is another love — it goes everywhere; there is no place for it to stop — it rots me away.”
    Djuna Barnes, Nightwood
    tags: love

  • #11
    Djuna Barnes
    “God, children know something they can't tell; they like Red Riding Hood and the wolf in bed!”
    Djuna Barnes, Nightwood

  • #12
    Kirsty Logan
    “The Cruellest things do not hide in the dark.”
    Kirsty Logan, A Portable Shelter

  • #13
    Kirsty Logan
    “Our ghosts make us who we are. When we do not like our ghosts, we do not like ourselves. If no one ever died, maybe we would never learn what it meant to miss them. Maybe then we would not learn how to live a life that would be missed.”
    Kirsty Logan, A Portable Shelter

  • #14
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #15
    Milan Kundera
    “loves are like empires: when the idea they are founded on crumbles, they, too, fade away.”
    Milan Kundera, The Unbearable Lightness of Being

  • #16
    Catherynne M. Valente
    “Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.”
    Catherynne M. Valente, Deathless

  • #17
    Djuna Barnes
    “I was doing well enough until you came along and kicked my stone over, and out I came, all moss and eyes.”
    Djuna Barnes, Nightwood

  • #18
    Kirsty Logan
    “But life is not a fairy tale. It's brighter and darker, longer and briefer, duller and more magical. It's full of contradictions, but one thing it's not is neat.”
    Kirsty Logan, A Portable Shelter

  • #19
    Carmen Maria Machado
    “We can’t stop living. Which means we have to live, which means we are alive, which means we are humans and we are human: some of us are unkind and some of us are confused and some of us sleep with the wrong people and some of us make bad decisions and some of us are murderers. And it sounds terrible but it is, in fact, freeing: the idea that queer does not equal good or pure or right. It is simply a state of being—one subject to politics, to its own social forces, to larger narratives, to moral complexities of every kind. So bring on the queer villains, the queer heroes, the queer sidekicks and secondary characters and protagonists and extras. They can be a complete cast unto themselves. Let them have agency, and then let them go.”
    Carmen Maria Machado, In the Dream House

  • #20
    Carmen Maria Machado
    “We deserve to have our wrongdoing represented as much as our heroism, because when we refuse wrongdoing as a possibility for a group of people, we refuse their humanity.”
    Carmen Maria Machado, In the Dream House

  • #21
    Carmen Maria Machado
    “I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.”
    Carmen Maria Machado, In the Dream House

  • #22
    Leigh Bardugo
    “I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.”
    Leigh Bardugo, Crooked Kingdom

  • #23
    Victoria Schwab
    “Three words, large enough to tip the world. I remember you.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #24
    Victoria Schwab
    Don't you remember, she told him then, when you were nothing but shadow and smoke?
    Darling, he'd said in his soft, rich way, I was the night itself.
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #25
    Victoria Schwab
    “His heart has a draft. It lets in light. It lets in storms. It lets in everything.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #26
    Victoria Schwab
    “And there in the dark, he asks if it was really worth it.
    Were the instants of joy worth the stretches of sorrow?
    Were the moments of beauty worth the year of pain?
    And she turns her head, and looks at him, and says 'Always.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #27
    Friedrich Nietzsche
    “That which is done out of love is always beyond good and evil.”
    Nietzsche

  • #28
    Simone King
    “Gabriel used to love late nights and early mornings. Those moments when most of the world was still dozing and its minds went quiet to him. Not gone – never gone – but they turned to a white noise like the rush of the sea on a beach.

    He never used to care about not being able to touch a dreamer’s mind. It was a reprieve, a stolen beat to be alone in his own head without their thoughts and desires tugging him into a dozen different directions.

    It took a lot of early mornings as a kid, and late nights as a teenager, and some combination of both as an adult, to begin unpicking what he wanted from the pull of other people’s expectations.

    By the time he met Isaac, he knew for sure.

    Or, maybe, Isaac was the first thing he’d ever wanted so badly that it couldn’t possibly be anyone else’s.”
    Simone King, The God Key



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