Matthew > Matthew's Quotes

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  • #1
    Michael Swanwick
    “Perfection is death,' Anastasia said. 'The world is imperfect, but if it weren't, who would love it?”
    Michael Swanwick

  • #2
    Neil Gaiman
    “Name the different kinds of people,’ said Miss Lupescu. ‘Now.’

    Bod thought for a moment. ‘The living,’ he said. ‘Er. The dead.’ He stopped. Then, ‘... Cats?’ he offered, uncertainly.”
    Neil Gaiman, The Graveyard Book

  • #3
    Neil Gaiman
    “He couldn’t see why people made such a fuss about people eating their silly old fruit anyway, but life would be a lot less fun if they didn’t. And there was never an apple, in Adam’s opinion, that wasn’t worth the trouble you got into for eating it.”
    Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #4
    Neil Gaiman
    “25 And the Lord spake unto the Angel that guarded the eastern gate, saying 'Where is the flaming sword that was given unto thee?'
    26 And the Angel said, 'I had it here only a moment ago, I must have put it down some where, forget my own head next.'
    27 And the Lord did not ask him again.”
    Neil Gaiman & Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #5
    Neil Gaiman
    “There was a girl, and her uncle sold her. Put like that it seems so simple.

    No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.

    Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?

    We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

    Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

    A life that is, like any other, unlike any other.

    And the simple truth is this: There was a girl, and her uncle sold her.”
    Neil Gaiman, American Gods

  • #6
    “Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn.”
    Joss Whedon

  • #7
    “People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy.”
    Joss Whedon

  • #8
    “Every day's a negotiation and sometimes it's done with guns.”
    Joss Whedon

  • #9
    “All I ask is this: Do something. Try something. Speaking out, showing up, writing a letter, a check, a strongly worded e-mail. Pick a cause – there are few unworthy ones. And nudge yourself past the brink of tacit support to action. Once a month, once a year, or just once...Even just learning enough about a subject so you can speak against an opponent eloquently makes you an unusual personage. Start with that. Any one of you would have cried out, would have intervened, had you been in that crowd in Bashiqa. Well thanks to digital technology, you’re all in it now.”
    Joss Whedon

  • #10
    Steven Brust
    “No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style.”
    Steven Brust

  • #11
    Joe Abercrombie
    “Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice.
    Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it?
    Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?
    Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?”
    Joe Abercrombie, The Blade Itself



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