Jamila > Jamila's Quotes

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  • #1
    J.K. Rowling
    “Not my daughter, you bitch!”
    J.K. Rowling, Harry Potter and the Deathly Hallows

  • #2
    Robin Hobb
    “The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire . . . That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing. ”
    Robin Hobb

  • #3
    Sylvia Plath
    “Is there no way out of the mind?”
    Sylvia Plath

  • #4
    F. Scott Fitzgerald
    “I don't want to repeat my innocence. I want the pleasure of losing it again.”
    F. Scott Fitzgerald, This Side of Paradise

  • #5
    “The formation of a diaspora could be articulated as the quintessential journey into becoming; a process marked by incessant regoupings, recreations, and reiteration. Together these stressed actions strive to open up new spaces of discursive and performative postcolonial consciousness.”
    Okwui Enwezor

  • #6
    Andrew Lam
    “Precious things lost are transmutable. They refuse oblivion. They simply wait to be rendered into testimonies, into stories and songs.”
    Andrew Lam, Perfume Dreams: Reflections on the Vietnamese Diaspora

  • #7
    Monique Truong
    “I am forced to admit that I am, to them, nothing but a series of destinations with no meaningful expanses in between. ”
    Monique Truong, The Book of Salt

  • #8
    “Sometimes diaspora art expresses a longing for home, and frequently it tries to construct a collective identity out of its mostly heterogeneous reality.”
    Sieglinde Lemke

  • #9
    Henning Mankell
    “Our exile organizations have been our way of replacing the cities and villages we have lost.”
    Henning Mankell, The Dogs of Riga

  • #10
    Junot Díaz
    “She is sixteen and her skin is the darkness before the black, the plum of the day’s light, her breasts like sunsets trapped beneath her skin, but for all her youth and beauty she has a sour distrusting expression that only dissolves under the weight of immense pleasure. Her dreams are spare, lack the propulsion of a mission, her ambition is without traction. Her fiercest hope? That she will find a man. What she doesn’t yet know: the cold, the backbreaking drudgery of the factorias, the loneliness of Diaspora, that she will never again live in Santo Domingo, her own heart. What else she doesn’t know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.”
    Junot Díaz, The Brief Wondrous Life of Oscar Wao

  • #11
    Suheir Hammad
    “I understand now my father really thought he was doing me good. Education means a lot to Palestinians. We’ve become some of the most educated people in the world through our diaspora. We’ve had to be. When you ain’t got land, your degree may be your only solid ground. May father felt (feels) that being a doctor would give me security. How can I explain that I’m not safe from anything if I don’t write?”
    Suheir Hammad

  • #12
    Junot Díaz
    “What we [writers] do might be done in solitude and with great desperation, but it tends to produce exactly the opposite. It tends to produce community and in many people hope and joy.”
    Junot Diaz

  • #13
    Junot Díaz
    “Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.”
    Junot Díaz, Drown

  • #14
    Grace Nichols
    “I have crossed an ocean
    I have lost my tongue
    from the root of the old one
    a new one has sprung”
    Grace Nichols, The Fat Black Woman's Poems

  • #15
    Toni Morrison
    “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”
    Toni Morrison, Beloved

  • #16
    Paulo Freire
    “The teacher is of course an artist, but being an artist does not mean that he or she can make the profile, can shape the students. What the educator does in teaching is to make it possible for the students to become themselves.”
    Paulo Freire, We Make the Road by Walking: Conversations on Education and Social Change

  • #17
    Paulo Freire
    “The more we become able to become a child again, to keep ourselves childlike, the more we can understand that because we love the world and we are open to understanding, to comprehension, that when we kill the child in us, we are no longer.”
    Paulo Freire, We Make the Road by Walking: Conversations on Education and Social Change

  • #18
    Hélène Cixous
    “Wouldn't the worst be, isn't the worst, in truth, that women aren't castrated, that they have only to stop listening to the Sirens (for the Sirens were men) for history to change its meaning? You only have to look at the Medusa straight on to see her. And she's not deadly. She's beautiful and she's laughing.”
    Hélène Cixous

  • #19
    Hélène Cixous
    “I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.”
    Hélène Cixous

  • #20
    Hélène Cixous
    “We must kill the false woman who is preventing the live one from breathing.”
    Hélène Cixous

  • #21
    Hélène Cixous
    “There is no greater love than the love the wolf feels for the lamb-it-doesn’t-eat.”
    Hélène Cixous, Stigmata: Escaping Texts

  • #22
    Hélène Cixous
    “Love is when you suddenly wake up as a cannibal, and not just any old cannibal, or else wake up destined for devourment.”
    Hélène Cixous, Stigmata: Escaping Texts

  • #23
    Clarissa Pinkola Estés
    “Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many endings, and many many beginnings- all in the same relationship.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #24
    Amiri Baraka
    “I am inside someone
    who hates me. I look
    out from his eyes. Smell
    what fouled tunes come in
    to his breath. Love his
    wretched women.”
    Amiri Baraka

  • #25
    Mark Twain
    “Good friends, good books, and a sleepy conscience: this is the ideal life.”
    Mark Twain

  • #26
    Pablo Neruda
    “I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too.”
    Pablo Neruda

  • #27
    William Faulkner
    “Perhaps they were right putting love into books. Perhaps it could not live anywhere else.”
    William Faulkner

  • #28
    Monique Truong
    “The irony of acquiring a foreign tongue is that I have amassed just enough cheap, serviceable words to fuel my desires and never, never enough lavish, imprudent ones to feed them. It is true, though, that there are some French words that I have picked up quickly, in fact, words that I cannot remember not knowing. As if I had been born with them in my mouth, as if they were seeds of a sour fruit that someone else ate and then ungraciously stuffed its remains into my mouth. ”
    Monique Truong, The Book of Salt

  • #29
    Amy Hempel
    “We can only die in the future, I thought; right now we are always alive.”
    Amy Hempel, The Collected Stories

  • #30
    Jacqueline Woodson
    “When there are many worlds
    you can choose the one
    you walk into each day.”
    Jacqueline Woodson, Brown Girl Dreaming



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