Nicholas > Nicholas's Quotes

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  • #1
    Virginia Woolf
    “The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none.”
    Virginia Woolf, The Second Common Reader

  • #2
    Johann Wolfgang von Goethe
    “Who are you then?"
    "I am part of that power which eternally wills evil and eternally works good.”
    Johann Wolfgang von Goethe, Faust, First Part

  • #3
    J.R.R. Tolkien
    “Faërie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons; it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.”
    J.R.R. Tolkien, Tolkien On Fairy-stories

  • #4
    Susan Cooper
    “Now especially since man has the strength to destroy the world, it is the responsibility of man to keep it alive, in all its beauty and marvelous joy.”
    Susan Cooper, Silver on the Tree

  • #5
    J.K. Rowling
    “Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”
    J.K. Rowling, Harry Potter and the Deathly Hallows

  • #6
    John Milton
    “...a dark
    Illimitable ocean, without bound,
    Without dimension; where length, breadth, and height,
    And time, and place are lost;”
    John Milton

  • #7
    “Smiley was soaked to the skin and God as a punishment had removed all taxis from the face of London.”
    John le Carré, Tinker, Tailor, Soldier, Spy

  • #8
    Mark Twain
    “There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.”
    Mark Twain, Mark Twain's Own Autobiography: The Chapters from the North American Review

  • #9
    Kelly Sue DeConnick
    “Knew you the second you set foot on my property, kid. Even as young as you were, how could I not? Folks want to blame someone for gals like us. “Her daddy was unkind” or “some fella broke her heart” … Hogwash. You and me’ve always been like this. Always a little removed. Always… dreaming.
    Of higher, further, faster… more. Always more. We came into this world spittin’ mad, runnin’ full bore… To or from what, I ain’t never been able to tell. Over the years, I’ve come to think of these particular traits as the shared attributes of a chosen people… the Lord put us here to punch holes in the sky.
    And when the soul is born with that kind of purpose… It’ll damn sure find a way. We’re gonna get where we’re going, you and me. Death and indignity be damned… we’ll get there…
    …And we will be the stars we were always meant to be.”
    Kelly Sue DeConnick, Captain Marvel, Vol. 1: In Pursuit of Flight

  • #10
    Vladimir Nabokov
    “And the rest is rust and stardust.”
    Vladimir Nabokov, Lolita

  • #11
    Jerry Holkins
    “Every creative act is open war against The Way It Is. What you are saying when you make something is that the universe is not sufficient, and what it really needs is more you. And it does, actually; it does. Go look outside. You can’t tell me that we are done making the world.”
    Jerry Holkins

  • #12
    Neil Gaiman
    “People want to forget the impossible. It makes their world safer.”
    Neil Gaiman, The Graveyard Book

  • #13
    Charles Dickens
    “Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster.”
    Charles Dickens, A Christmas Carol

  • #14
    Patrick Rothfuss
    “It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers... That way, when he finds the answers, they'll be precious to him. The harder the question, the harder we hunt. The harder we hunt, the more we learn.”
    Patrick Rothfuss, The Wise Man's Fear

  • #15
    Mikhail Bulgakov
    “Love leaped out in front of us like a murderer in an alley leaping out of nowhere, and struck us both at once. As lightning strikes, as a Finnish knife strikes! She, by the way, insisted afterwards that it wasn’t so, that we had, of course, loved each other for a long, long time, without knowing each other, never having seen each other… ”
    Mikhail Bulgakov, The Master and Margarita

  • #16
    Dante Alighieri
    “Through me you pass into the city of woe:
    Through me you pass into eternal pain:
    Through me among the people lost for aye.
    Justice the founder of my fabric moved:
    To rear me was the task of power divine,
    Supremest wisdom, and primeval love.
    Before me things create were none, save things
    Eternal, and eternal I shall endure.
    All hope abandon, ye who enter here.”
    Dante Alighieri, The Divine Comedy: The Inferno, the Purgatorio and the Paradiso

  • #17
    Ursula K. Le Guin
    “He knew once more, at last, after this long, bitter, wasted time, who he was and where he was.
    But where he must go in the years to come, that he could not see; and he feared to see it.”
    Ursula K. Le Guin, A Wizard of Earthsea

  • #18
    Patrick Rothfuss
    “The three boys, one dark, one light, and one—for lack of a better word—fiery, do not notice the night. Perhaps some part of them does, but they are young, and drunk, and busy knowing deep in their hearts that they will never grow old or die. They also know that they are friends, and they share a certain love that will never leave them. The boys know many other things, but none of them seem as important as this. Perhaps they are right.”
    Patrick Rothfuss, The Name of the Wind

  • #19
    Terry Pratchett
    “Stories of imagination tend to upset those without one.”
    Terry Pratchett

  • #20
    Philip Pullman
    “You're in a world full of color and you want to see it in black and white.”
    Philip Pullman, The Secret Commonwealth

  • #21
    Kurt Vonnegut Jr.
    “There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.”
    Kurt Vonnegut, Slaughterhouse-five

  • #22
    Matt Ruff
    “But stories are like people, Atticus. Loving them doesn’t make them perfect. You try to cherish their virtues and overlook their flaws. The flaws are still there, though. "

    "But you don’t get mad. Not like Pop does."

    "No, that’s true, I don’t get mad. Not at stories. They do disappoint me sometimes." He looked at the shelves. "Sometimes, they stab me in the heart.”
    Matt Ruff, Lovecraft Country

  • #23
    Mark Twain
    “High and fine literature is wine, and mine is only water; but everybody likes water.”
    Mark Twain

  • #24
    Ursula K. Le Guin
    “We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.”
    Ursula K. LeGuin

  • #25
    Ursula K. Le Guin
    “Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it.”
    Ursula K. Le Guin, The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination

  • #26
    Guillermo del Toro
    “In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.”
    Guillermo del Toro

  • #27
    Neil Gaiman
    “If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.”
    Neil Gaiman , Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #28
    G.K. Chesterton
    “Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess players do... Perhaps the strongest case of all is this: that only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the ugly and alien logic of predestination. Poetry was not the disease, but the medicine... He was damned by John Calvin... Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea, and so make it finite. The result is mental exhaustion... The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits... The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason... Materialists and madmen never have doubts... Mysticism keeps men sane. As long as you have the mystery you have health; when you destroy mystery you create morbidity.”
    G.K. Chesterton, Orthodoxy

  • #29
    Alan             Moore
    “Dear God, what is this Aethyr I am come upon? What spirits are thee, labouring in what heavenly light? No... No, this is dazzle, but not yet divinity. Nor are these heathen wraiths about me spirits, lacking even that vitality. What, then? Am I, like Saint John the Divine, vouchsafed a glimpse of those last times? Are these the days my death shall spare me? It would seem we are to suffer an apocalypse of cockatoos... Morose, barbaric children playing joylessly with their unfathomable toys. Where comes this dullness in your eyes? How has your century numbed you so? Shall man be given marvels only when he is beyond all wonder?
    Your days were born in blood and fires, whereof in you I may not see the meanest spark! Your past is pain and iron! Know yourselves! With all your shimmering numbers and your lights, think not to be inured by history. Its black root succours you. It is INSIDE you. Are you asleep to it, that cannot feel its breath upon your neck, nor see what soaks its cuffs? See me! Wake up and look upon me! I am come amongst you. I am with you always! You are the sum of all preceding you, yet seem indifferent to yourselves. A culture grown disinterested, even in its own abysmal wounds.
    ...
    How would I seem to you? Some antique fiend or penny dreadful horror, yet YOU frighten ME! You have not souls. With you I am alone. Alone in an Olympus. Though accomplished in the sciences, your slightest mechanisms are beyond my grasp. They HUMBLE me, yet touch you not at all. This disaffection. THIS is Armageddon.”
    Alan Moore, From Hell

  • #30
    Virginia Woolf
    “Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world.”
    Virginia Woolf, Orlando



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