Kristine Brancolini > Kristine's Quotes

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  • #1
    Gillian Flynn
    “There’s something disturbing about recalling a warm memory and feeling utterly cold.”
    Gillian Flynn, Gone Girl

  • #2
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #3
    Gillian Flynn
    “The question I've asked more often during our marriage, if not out loud, if not to the person who could answer. I supposed these questions stormcloud over every marriage: What are you thinking how are you feeling? Who are you? What have we done to each other? What will we do?”
    Gillian Flynn, Gone Girl

  • #4
    Lene Kaaberbøl
    “If the boy did have a good and loving mother somewhere, surely they would find her.

    God only knew how she wanted to believe it. Every single day, she practiced her detachment skills, trying not to care about everything that was wrong with the world. Or rather...to care, but in a suitably civilized manner, with an admirable commitment that might still be set aside when she came home to Morten and her family, complete with well-reasoned and coherent opinions of the humanist persuasion. Right now she felt more like one of those manic women from the animal protection societies, with wild hair and ever wilder eyes. Desperate.”
    Lene Kaaberbøl, The Boy in the Suitcase

  • #5
    “Sitting in this small pub with its cool flagged floor, listening to the murmuring voices of the haymakers and the click of dominoes falling, drinking beer here in the midle of summer in England in 1914, he suddenly felt a stillness creep up on him as if he were suffering from a form of mental palsy -- as if time had stopped and the world's turning, also. It was a strange sensation -- that he would be for ever stuck in this late June day in 1914 like a fly in amber -- the past as irrelevant to him as the future. A perfect statis; the most alluring inertia.”
    William Boyd, Waiting for Sunrise

  • #6
    Arnaldur Indriðason
    “He went into the kitchen. It was eight in the evening. He tried to shut the bright spring evening out with the curtains, but it forced its way past them in places, dust-filled sunbeams that lit up the gloom in his flat. Spring and summer were not Erlendur's seasons. Too bright. Too frivolous. He wanted heavy, dark winters. Finding nothing edible in the kitchen, he sat down at the table with his chin resting in his hand.”
    Arnaldur Indridason, Silence of the Grave

  • #7
    F. Scott Fitzgerald
    “I don't want to repeat my innocence. I want the pleasure of losing it again.”
    F. Scott Fitzgerald, This Side of Paradise

  • #8
    Jess Walter
    “Stories are people. I'm a story, you're a story...your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for awhile, we're less alone.”
    Jess Walter

  • #9
    Jess Walter
    “A writer needs four things to achieve greatness, Pasquale: desire, disappointment, and the sea.”
    “That’s only three.”
    Alvis finished his wine. “You have to do disappointment twice.”
    Jess Walter, Beautiful Ruins

  • #10
    Jess Walter
    “But aren't all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos-- we know what's out there. It's what isn't that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet lags-- four states and twelve hundred miles traversed in an afternoon-- but true quests aren't measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant-- sail for Asia and stumble on America-- and the hope of scarecrows and tin men: that you find out you had the thing you sought all along.”
    Jess Walter, Beautiful Ruins

  • #11
    Jess Walter
    “Life, he thought, is a blatant act of imagination.”
    Jess Walter, Beautiful Ruins

  • #12
    Gillian Flynn
    “I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it.”
    Gillian Flynn, Dark Places

  • #13
    Kate Atkinson
    “What if we had a chance to do it again and again, until we finally did get it right? Wouldn't that be wonderful?”
    Kate Atkinson, Life After Life

  • #14
    Kate Atkinson
    “I feel as if I’m waiting for something dreadful to happen, and then I realize it already has.”
    Kate Atkinson, Life After Life

  • #15
    Kate Atkinson
    “Sometimes it was harder to change the past than it was the future.”
    Kate Atkinson, Life After Life

  • #16
    Kate Atkinson
    “Ursula craved solitude but she hated loneliness”
    Kate Atkinson, Life After Life

  • #17
    Kate Atkinson
    “Ursula craved solitude but she hated loneliness, a conundrum that she couldn’t even begin to solve.”
    Kate Atkinson, Life After Life

  • #18
    Tupelo Hassman
    “No matter how smart you might appear to be later with your set of diplomas on their fine white parchment, the mistakes you made before the real lessons sunk in never fade. No matter how high you hang those official documents with their official seals and signatures, how shinning and polished the frame, your reflection in the glass will never let you forget how stupid you felt when you didn't know any better.”
    Tupelo Hassman, Girlchild

  • #19
    Tupelo Hassman
    “I may not have been born captain of this boat, but I was born to rock it.”
    Tupelo Hassman, Girlchild

  • #20
    Cheryl Strayed
    “The clamor of 'What have I gotten myself into?' was a mighty shout. It could not be drowned out. The only possible distraction was my vigilant search for rattlesnakes. I expected one around every bend, ready to strike. The landscape was made for them, it seemed. And also for mountain lions and wilderness-savvy serial killers.

    But I wasn't thinking of them.

    It was a deal I'd made with myself months before and the only thing that allowed me to hike alone. I knew that if I allowed fear to overtake me, my journey was doomed. Fear, to a great extent, is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told. I decided I was safe. I was strong. I was brave. Nothing could vanquish me. Insisting on this story was a form of mind control, but for the most part, it worked. Every time I heard a sound of unknown origin or felt something horrible cohering in my imagination, I pushed it away. I simply did not let myself become afraid. Fear begets fear. Power begets power. I willed myself to beget power. And it wasn't long before I actually wasn't afraid.”
    Cheryl Strayed, Wild: From Lost to Found on the Pacific Crest Trail

  • #21
    TaraShea Nesbit
    “We felt in control of ourselves, we felt hopeful that we had made the right choice, we felt weary, we felt all of thee things at the same time, but more so: we felt we could not turn back.”
    TaraShea Nesbit, The Wives of Los Alamos

  • #22
    Gianrico Carofiglio
    “For those few minutes I experienced a feeling of complete mastery, a perfect, unstable equilibrium. The kind of perfection that belongs only to things that are temporary, destined to end shortly.”
    Gianrico Carofiglio

  • #23
    Lily King
    “You don’t realise how language actually interferes with communication until you don’t have it, how it gets in the way like an overdominant sense.”
    Lily King, Euphoria

  • #24
    “One of the loudest voices to address this issue belonged to the American Library Association (ALA). Librarians felt duty-bound to try to stop Hitler from succeeding in his war of ideas against the United States. They had no intention of purging their shelves or watching their books burn, and they were not going to wait until war was declared to take action.”
    Molly Guptill Manning, When Books Went to War: The Stories That Helped Us Win World War II

  • #25
    Sophia Nikolaidou
    “Grandma calls it the Socratic Method. She considers it the highest pedagogical technique. I call it cornering a person. Instead of just telling you what I want you to know, I ambush you with questions. You try to escape, but you can’t. You can run whichever way you like, but in the end you’ll fall right into my trap.”
    Sophia Nikolaidou, The Scapegoat

  • #26
    Silvia Moreno-Garcia
    “Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there's power in the myth. Yes, the things you name have power.”
    Silvia Moreno-Garcia, Gods of Jade and Shadow



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