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  • #1
    Vladimir Nabokov
    “Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.”
    Vladimir Nabokov, Lectures on Literature

  • #2
    Northrop Frye
    “A snowflake is probably quite unconscious of forming a crystal, but what it does may be worth study even if we are willing to leave its inner mental processes alone.”
    Northrop Frye, Anatomy of Criticism

  • #3
    D.H. Lawrence
    “Owing to the flood of shallow books which really are exhausted in one reading, the modern mind tends to think every book is the same, finished in one reading. But it is not so. And gradually the modern mind will realize it again. The real joy of a book lies in reading it over and over again, and always finding something different, coming upon another meaning, another level of meaning. It is, as usual, a question of values: we are so overwhelmed with quantities of books, that we hardly realize any more that a book can be valuable, valuable like a jewel, or a lovely picture, into which you can look deeper and deeper and get a more profound experience very time. It is far, far better to read one book six times, at intervals, than to read six several books.”
    D.H. Lawrence, Apocalypse

  • #4
    Pauline Kael
    “A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.”
    Pauline Kael, For Keeps: 30 Years at the Movies

  • #5
    John   Gray
    “All prevailing philosophies embody the fiction that human life can be altered at will. Better aim for the impossible, they say, than submit to fate. Invariably, the result is a cult of human self-assertion that soon ends in farce. The line of thinking that is traced in this book runs in an opposite direction—not only in questioning the idea of progress but also, and more fundamentally, in rejecting the idea that it is only through action that life can be meaningful. Politics is only a small part of human existence, and the human animal only a very small part of the world. Science and technology have given us powers we never had before, but not the ability to refashion our existence as we wish. Poetry and religion are more realistic guides to life.”
    John N. Gray, Gray's Anatomy: Selected Writings

  • #6
    Susan Sontag
    “A work of art encountered as a work of art is an experience, not a statement or an answer to a question. Art is not only about something; it is something. A work of art is a thing _in_ the world, not just a text or commentary _on_ the world.”
    Susan Sontag, Against Interpretation and Other Essays
    tags: art



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