Darlene Gartside > Darlene's Quotes

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  • #1
    Stephen  King
    “Both Rowling and Meyer, they’re speaking directly to young people. … The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good.”
    Stephen King

  • #2
    J.K. Rowling
    “Whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.”
    J.K. Rowling

  • #3
    J.K. Rowling
    “Because that's what Hermione does,' said Ron, shrugging. 'When in doubt, go to the library.”
    J.K. Rowling, Harry Potter and the Chamber of Secrets

  • #4
    Frank Zappa
    “So many books, so little time.”
    Frank Zappa

  • #5
    Diana Gabaldon
    “I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.”
    Diana Gabaldon, Dragonfly in Amber

  • #6
    Diana Gabaldon
    “I'll scream!"
    "Likely. If not before, certainly during. I expect they'll hear ye at the next farm; you've got good lungs.”
    Diana Gabaldon, Outlander

  • #7
    John Lennon
    “You may say I'm a dreamer, but I'm not the only one. I hope someday you'll join us. And the world will live as one.”
    John Lennon

  • #8
    Jay Kristoff
    “I appear to have misplaced the fucks I give for what you think.”
    Jay Kristoff, Nevernight

  • #9
    Stephen  King
    “Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.”
    Stephen King, It

  • #10
    Stephen  King
    “Come on back and we’ll see if you remember the simplest thing of all – how it is to be children, secure in belief and thus afraid of the dark.”
    Stephen King, It

  • #11
    Stephen  King
    “Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.

    Yes, sure,' George said, looking into the stormdrain.

    And a balloon? I’ve got red and green and yellow and blue...'

    Do they float?'

    Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...'

    George reached.

    The clown seized his arm.

    And George saw the clown’s face change.
    What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.

    They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.

    They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–'

    George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.

    Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.

    Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.

    The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.”
    Stephen King, It

  • #12
    Stephen  King
    “He thrusts his fists against the posts and still insists he sees the ghosts”
    Stephen King, It

  • #13
    Ashley Jade
    “Because you begged her to kiss you…and she begged me to fuck her.”
    Ashley Jade, The Words

  • #14
    Shelby Mahurin
    “Hope isn’t the sickness. It’s the cure.”
    Shelby Mahurin, Gods & Monsters

  • #15
    Shelby Mahurin
    “You should both show your scars […] They mean you survived.”
    Shelby Mahurin, Gods & Monsters

  • #16
    Shelby Mahurin
    “There is no solution for grief. Only time.”
    Shelby Mahurin, Gods & Monsters

  • #17
    Shelby Mahurin
    “Deep down, I’d known how this would end all along. I’d sensed it from the moment we’d first met, from the time I’d first glimpsed the Balisarda in his bandolier—two star-crossed lovers brought together by fate or providence. By life and by death. By gods, or perhaps monsters. We would end with a stake and a match.”
    Shelby Mahurin, Gods & Monsters

  • #18
    Shelby Mahurin
    “Make up your mind. You can’t string me along forever, blowing hot one minute and cold the next. Do you want to love me, or do you want to kill me?”
    Shelby Mahurin, Gods & Monsters

  • #19
    Shelby Mahurin
    “You probably think I’m a prude.’
    ‘So? You shouldn’t care what we think, Célie- or anyone else, for that matter. Don’t forfeit your power like that.’
    ‘Because who cares if you’re a prude? Who cares if we’re whores? They’re just words.’
    ‘And we can’t get it right no matter what we do. We might as well do it our own way. Being a prude or being a whore are both better than being what they want us to be.’
    ‘What do they want us to be?’
    ‘Theirs.’
    ‘Be prudish and proud, Célie. We’ll be whorish and happy.”
    Shelby Mahurin, Gods & Monsters

  • #20
    Shelby Mahurin
    “Who the hell cares?” Beau hovered anxiously by the stairs, keeping watch. “It’s an enchanted lock for an enchanted door in an enchanted fucking castle. None of this makes sense. Just hurry up, will you? I think I heard something.”
    Shelby Mahurin, Gods & Monsters

  • #21
    Shelby Mahurin
    “Lou might not have been the only player on the board, but she was certainly the most critical. Only a fool wouldn’t recognize that.”
    Shelby Mahurin, Gods & Monsters

  • #22
    Shelby Mahurin
    “Only you can decide what your happiness looks like.”
    Shelby Mahurin, Gods & Monsters

  • #23
    Laurie Gilmore
    “The book club was going to have a field day.”
    Laurie Gilmore, The Pumpkin Spice Café

  • #24
    Richard Osman
    “In life you have to learn to count the good days. You have to tuck them in your pocket and carry them around with you. So I’m putting today in my pocket and I’m off to bed.”
    Richard Osman, The Thursday Murder Club

  • #25
    Richard Osman
    “After a certain age, you can pretty much do whatever takes your fancy. No one tells you off, except for your doctors and your children.”
    Richard Osman, The Thursday Murder Club

  • #26
    Richard Osman
    “Many years ago, everybody here would wake early because there was much to do and only so many hours in the day. Now they wake early because there is much to do and only so many days left.”
    Richard Osman, The Thursday Murder Club

  • #27
    Richard Osman
    “...There are silly, proper tears now. I'll let them fall. If you don't cry sometimes, you'll end up crying all the time.”
    Richard Osman, The Thursday Murder Club

  • #28
    Richard Osman
    “Some people love their children more than they love their partner,’ says Ibrahim, ‘and some people love their partner more than their children. And no one can ever admit to either thing.”
    Richard Osman, The Thursday Murder Club

  • #29
    Richard Osman
    “So every day Elizabeth opens her diary to a date two weeks ahead and writes herself a question. And every day she answers a question she set herself two weeks ago. This is her early-warning system. This is her team of scientists poring over seismology graphs. If there is going to be an earthquake, Elizabeth will be the first to know about it.”
    Richard Osman, The Thursday Murder Club

  • #30
    Laurie Gilmore
    “He was summer and she was fall. He was adventure and she was comfort. But right now, on the cusp between the two seasons, in this liminal space they’d carved out for themselves, they fit just right.”
    Laurie Gilmore, The Cinnamon Bun Book Store



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