Klaas > Klaas's Quotes

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  • #1
    Haruki Murakami
    “If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
    Haruki Murakami, Norwegian Wood

  • #2
    Haruki Murakami
    “What happens when people open their hearts?"
    "They get better.”
    Haruki Murakami, Norwegian Wood

  • #3
    Haruki Murakami
    “Taking crazy things seriously is a serious waste of time.”
    Haruki Murakami, Kafka on the Shore

  • #4
    Yasunari Kawabata
    “Put your soul in the palm of my hand for me to look at, like a crystal jewel. I'll sketch it in words...”
    Yasunari Kawabata

  • #5
    Gabriel García Márquez
    “It's enough for me to be sure that you and I exist at this moment.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #6
    Gabriel García Márquez
    “No medicine cures what happiness cannot.”
    Gabriel García Márquez

  • #7
    Gabriel García Márquez
    “She would defend herself, saying that love, no matter what else it might be, was a natural talent. She would say: You are either born knowing how, or you never know.”
    Gabriel García Márquez, Love in the Time of Cholera

  • #8
    Marlon James
    “The dream didn’t leave, people just don’t know a nightmare when they right in the middle of one.”
    Marlon James, A Brief History of Seven Killings

  • #9
    Marlon James
    “But sometimes when you’re too careful it just turns into a different kind of carelessness.”
    Marlon James, A Brief History of Seven Killings

  • #10
    Haruki Murakami
    “I was always attracted not by some quantifiable, external beauty, but by something deep down, something absolute. Just as some people have a secret love for rainstorms, earthquakes, or blackouts, I liked that certain undefinable something directed my way by members of the opposite sex. For want of a better word, call it magnetism. Like it or not, it’s a kind of power that snares people and reels them in.”
    Haruki Murakami, South of the Border, West of the Sun

  • #11
    Haruki Murakami
    “We were, the two of us, still fragmentary beings, just beginning to sense the presence of an unexpected, to be-aquired reality that would fill us and make us whole.”
    Haruki Murakami, South of the Border, West of the Sun

  • #12
    Jonathan Franzen
    “And when the event, the big change in your life, is simply an insight—isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before? You see things more clearly and you know that you're seeing them more clearly. And it comes to you that this is what it means to love life, this is all anybody who talks seriously about God is ever talking about. Moments like this.”
    Jonathan Franzen, The Corrections

  • #13
    Jonathan Franzen
    “And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary?”
    Jonathan Franzen, The Corrections

  • #14
    Julian Barnes
    “How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but—mainly—to ourselves.”
    Julian Barnes, The Sense of an Ending

  • #15
    Julian Barnes
    “ You put together two people who have not been put together before. Sometimes it is like that first attempt to harness a hydrogen balloon to a fire balloon: do you prefer crash and burn, or burn and crash?
    But sometimes it works, and something new is made, and the world is changed. Then, at some point, sooner or later, for this reason or that, one of them is taken away. and what is taken away is greater than the sum of what was there. this may not be mathematically possible; but it is emotionally possible.”
    Julian Barnes, Levels of Life

  • #16
    J.D. Salinger
    “I think that one of these days," he said, "you're going to have to find out where you want to go. And then you've got to start going there. But immediately. You can't afford to lose a minute. Not you.”
    J.D. Salinger, The Catcher in the Rye

  • #17
    Haruki Murakami
    “I dream. Sometimes I think that's the only right thing to do.”
    Haruki Murakami, Sputnik Sweetheart

  • #18
    Yukio Mishima
    “When people concentrate on the idea of beauty, they are, without realizing it, confronted with the darkest thoughts that exist in this world. That, I suppose, is how human beings are made.”
    Yukio Mishima, The Temple of the Golden Pavilion

  • #19
    Fyodor Dostoevsky
    “The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I’ve long ceased perhaps to have faith in them, yet from old habit one’s heart prizes them. Here they have brought the soup for you, eat it, it will do you good. It’s first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it’s a most precious graveyard, that’s what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I’m convinced in my heart that it’s long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky — that’s all it is. It’s not a matter of intellect or logic, it’s loving with one’s inside, with one’s stomach.”
    Fyodor Dostoevsky, The Brothers Karamazov

  • #20
    Anton Chekhov
    “There is nothing more awful, insulting, and depressing than banality.”
    Anton Pavlovič Čechov

  • #21
    Philip Roth
    “Because we don't know, do we? Everyone knows… How what happens the way it does? What underlies the anarchy of the train of events, the uncertainties, the mishaps, the disunity, the shocking irregularities that define human affairs? Nobody knows. 'Everyone knows' is the invocation of the cliché and the beginning of the banalization of experience, and it's the solemnity and the sense of authority that people have in voicing the cliché that's so insufferable. What we know is that, in an unclichéd way, nobody knows anything. You can't know anything. The things you know you don't know. Intention? Motive? Consequence? Meaning? All the we don't know is astonishing. Even more astonishing is what passes for knowing.”
    Philip Roth, The Human Stain

  • #22
    Philip Roth
    “All that we don’t know is astonishing. Even more astonishing is what passes for knowing.”
    Philip Roth

  • #23
    Osamu Dazai
    “People talk of “social outcasts.” The words apparently denote the miserable losers of the world, the vicious ones, but I feel as though I have been a “social outcast” from the moment I was born. If ever I meet someone society has designated as an outcast, I invariably feel affection for him, an emotion which carries me away in melting tenderness.”
    Osamu Dazai, No Longer Human

  • #24
    Osamu Dazai
    “I have always shook with fright before human beings. Unable as I was to feel the least particle of confidence in my ability to speak and act like a human being, I kept my solitary agonies locked in my breast. I kept my melancholy and my agitation hidden, careful lest any trace should be left exposed. I feigned an innocent optimism; I gradually perfected myself in the role of the farcical eccentric.”
    Osamu Dazai, No Longer Human

  • #25
    Yukio Mishima
    “Do I, then, belong to the heavens?
    Why, if not so, should the heavens
    Fix me thus with their ceaseless blue stare,
    Luring me on, and my mind, higher
    Ever higher, up into the sky,
    Drawing me ceaselessly up
    To heights far, far above the human?
    Why, when balance has been strictly studied
    And flight calculated with the best of reason
    Till no aberrant element should, by rights, remain-
    Why, still, should the lust for ascension
    Seem, in itself, so close to madness?
    Nothing is that can satify me;
    Earthly novelty is too soon dulled;
    I am drawn higher and higher, more unstable,
    Closer and closer to the sun's effulgence.
    Why do these rays of reason destroy me?
    Villages below and meandering streams
    Grow tolerable as our distance grows.
    Why do they plead, approve, lure me
    With promise that I may love the human
    If only it is seen, thus, from afar-
    Although the goal could never have been love,
    Nor, had it been, could I ever have
    Belonged to the heavens?
    I have not envied the bird its freedom
    Nor have I longed for the ease of Nature,
    Driven by naught save this strange yearning
    For the higher, and the closer, to plunge myself
    Into the deep sky's blue, so contrary
    To all organic joys, so far
    From pleasures of superiority
    But higher, and higher,
    Dazzled, perhaps, by the dizzy incandescence
    Of waxen wings.

    Or do I then
    Belong, after all, to the earth?
    Why, if not so, should the earth
    Show such swiftness to encompass my fall?
    Granting no space to think or feel,
    Why did the soft, indolent earth thus
    Greet me with the shock of steel plate?
    Did the soft earth thus turn to steel
    Only to show me my own softness?
    That Nature might bring home to me
    That to fall, not to fly, is in the order of things,
    More natural by far than that improbable passion?
    Is the blue of the sky then a dream?
    Was it devised by the earth, to which I belonged,
    On account of the fleeting, white-hot intoxication
    Achieved for a moment by waxen wings?
    And did the heavens abet the plan to punish me?
    To punish me for not believing in myself
    Or for believing too much;
    Too earger to know where lay my allegiance
    Or vainly assuming that already I knew all;
    For wanting to fly off
    To the unknown
    Or the known:
    Both of them a single, blue speck of an idea?”
    Yukio Mishima, Sun & Steel

  • #26
    Ivan Turgenev
    “O youth! youth! you go your way heedless, uncaring – as if you owned all the treasures of the world; even grief elates you, even sorrow sits well upon your brow. You are self-confident and insolent and you say, 'I alone am alive – behold!' even while your own days fly past and vanish without trace and without number, and everything within you melts away like wax in the sun .. like snow .. and perhaps the whole secret of your enchantment lies not, indeed, in your power to do whatever you may will, but in your power to think that there is nothing you will not do: it is this that you scatter to the winds – gifts which you could never have used to any other purpose. Each of us feels most deeply convinced that he has been too prodigal of his gifts – that he has a right to cry, 'Oh, what could I not have done, if only I had not wasted my time.”
    Ivan Turgenev, First Love

  • #27
    Ivan Turgenev
    “It's all romanticism, nonsense, rottenness, art.”
    Ivan Turgenev, Fathers and Sons

  • #28
    Ivan Turgenev
    “Take for yourself what you can, and don't be ruled by others; to belong to oneself - the whole savour of life lies in that.”
    Ivan Turgenev, Spring Torrents

  • #29
    Thomas Mann
    “In books we never find anything but ourselves. Strangely enough, that always gives us great pleasure, and we say the author is a genius.”
    Thomas Mann

  • #30
    François Truffaut
    “Today, I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between; I am not interested in all those films that do not pulse.”
    Francois Truffaut, The Films in My Life



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