Meko > Meko's Quotes

“It's saying no. That's your first hint that something's alive. It says no. That's how you know a baby is starting to turn into a person. They run around saying no all day, throwing their aliveness at everything to see what it'll stick to. You can't say no if you don't have desires and opinions and wants of your own. You wouldn't even want to. No is the heart of thinking.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“He missed you
like a fish in a bowl
misses the open sea.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“There is no such thing as a people who are all wicked or even all good. Everyone chooses. But even they, even they looked at people and saw only tools. No one is a cup for another to drink from.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“All money is imaginary," answered the Calcatrix simply. "Money is magic everyone agrees to pretend is not magic. Observe! You treat it like magic, wield it like magic, fear it like magic! Why should a body with more small circles of copper or silver or gold than anyone else have an easy life full of treats every day and sleeping in and other people bowing down? The little circles can't get up and fight a battle or make a supper so splendid you get full just by looking at it or build a house of a thousand gables. They can do those things because everyone agrees to give them power. If everyone agreed to stop giving power to pretty metals and started giving it to thumbnails or mushroom caps or roof shingles or first kisses or tears or hours or puffin feathers, those little circles would just lay there tarnishing in the rain and not making anyone bow their noses down to the ground or stick them up in the air.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“But the trouble is, I do want to be surprised. I want to choose. I broke the heart of my fate so that I could choose. I never chose; I only saw a little girl who looked like me standing on a gear at the end of the world and laughing, and that's not choosing, not really. Wouldn't you rather I chose you? Wouldn't you rather I picked our future out of all the others anyone could have?”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“The trouble with lies is that they love company. Once you tell a single lie, that lie gets terribly excited and calls all its friends to visit. Soon you find yourself making room for them in every corner, turning down beds and lighting lamps to make them comfortable, feeding them and tidying them and mending them when they start to wear thin.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“She had a highly developed sense of humor which in some lights looked a bit like a sense of justice.”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“English loves to stay out all night dancing with other languages, all decked out in sparkling prepositions and irregular verbs. It is unruly and will not obey—just when you think you have it in hand, it lets down its hair along with a hundred nonsensical exceptions.”
― Catherynne M. Valente, The Boy Who Lost Fairyland

“Everybody's strange everywhere. Most of the trick of being a social animal is pretending you're not. But who do you fool? Nobody worth talking to.”
― Catherynne M. Valente, The Boy Who Lost Fairyland

“You're not Dostoevsky,' said the citizeness, who was getting muddled by Koroviev. Well, who knows, who knows,' he replied.
'Dostoevsky's dead,' said the citizeness, but somehow not very confidently.
'I protest!' Behemoth exclaimed hotly. 'Dostoevsky is immortal!”
― Mikhail Bulgakov, The Master and Margarita

“Love leaped out in front of us like a murderer in an alley leaping out of nowhere, and struck us both at once. As lightning strikes, as a Finnish knife strikes! She, by the way, insisted afterwards that it wasn’t so, that we had, of course, loved each other for a long, long time, without knowing each other, never having seen each other… ”
― Mikhail Bulgakov, The Master and Margarita

“The tongue can conceal the truth, but the eyes never! You're asked an unexpected question, you don't even flinch, it takes just a second to get yourself under control, you know just what you have to say to hide the truth, and you speak very convincingly, and nothing in your face twitches to give you away. But the truth, alas, has been disturbed by the question, and it rises up from the depths of your soul to flicker in your eyes and all is lost.”
― Mikhail Bulgakov, The Master and Margarita

“But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth?
– Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question.
– Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?”
― Mikhail Bulgakov, The Master and Margarita

“Once upon a time there was a lady. She had no children, and no happiness either. And at first she cried for a long time, but then she became wicked...”
― Mikhail Bulgakov, The Master and Margarita

“The most uncomplicated thing of all!’ he replied. ’For someone well acquainted with the fifth dimension, it costs nothing to expand space to the desired proportions. I’ll say more, respected lady - to devil knows what proportions! I, however,’ Koroviev went on chattering, ‘have known people who had no idea, not only of the fifth dimension, but generally of anything at all, and who nevertheless performed absolute wonders in expanding their space. Thus, for instance, one city-dweller, as I’ve been told, having obtained a three-room apartment on Zemlyanoy Val, transformed it instantly, without any fifth dimension or other things that addle the brain, into a four-room apartment by dividing one room in half with a partition.”
― Mikhail Bulgakov, The Master and Margarita