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  • #1
    Mark Haddon
    “And when the universe has finished exploding all the stars will slow down, like a ball that has been thrown into the air, and they will come to a halt and they will all begin to fall towards the centre of the universe again. And then there will be nothing to stop us seeing all the stars in the world because they will all be moving towards us, gradually faster and faster, and we will know that the world is going to end soon because when we look up into the sky at night there will be no darkness, just the blazing light of billions and billions of stars, all falling.”
    Mark Haddon, The Curious Incident of the Dog in the Night-time

  • #2
    Mark Haddon
    “And Father said, "Christopher, do you understand that I love you?"
    And I said "Yes," because loving someone is helping them when they get into trouble, and looking after them, and telling them the truth, and Father looks after me when I get into trouble, like coming to the police station, and he looks after me by cooking meals for me, and he always tells me the truth, which means that he loves me.”
    Mark Haddon, The Curious Incident of the Dog in the Night-Time

  • #3
    Mark Haddon
    “And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.”
    Mark Haddon, The Curious Incident of the Dog in the Night-Time

  • #4
    Margaret Atwood
    “Happy as a clam, is what my mother says for happy. I am happy as a clam: hard-shelled, firmly closed.”
    Margaret Atwood, Cat’s Eye

  • #5
    Margaret Atwood
    “But I began then to think of time as having a shape, something you could see, like a series of liquid transparencies, one laid on top of another.”
    Margaret Atwood, Cat’s Eye

  • #6
    Margaret Atwood
    “This is what I miss, Cordelia: not something that’s gone, but something that will never happen. Two old women giggling over their tea.”
    Margaret Atwood, Cat’s Eye

  • #7
    Shel Silverstein
    “My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.”
    Shel Silverstein, Where the Sidewalk Ends

  • #8
    Shel Silverstein
    “Are wild strawberries really wild?
    Will they scratch an adult, will they snap at a child?

    Should you pet them, or let them run free where they roam?
    Could they ever relax in a steam-heated home?

    Can they be trained to not growl at the guests?
    Will a litterbox work or would they make a mess?

    Can we make them a Cowberry, herding the cows,
    or maybe a Muleberry pulling the plows,
    or maybe a Huntberry chasing the grouse,
    or maybe a Watchberry guarding the house,

    and though they may curl up at your feet oh so sweetly
    can you ever feel that you trust them completely?

    Or should we make a pet out of something less scary,
    like the Domestic Prune or the Imported Cherry,

    Anyhow, you've been warned and I will not be blamed
    if your Wild Strawberries cannot be tamed.”
    Shel Silverstein, Where the Sidewalk Ends

  • #9
    Joseph Conrad
    “They had behind them, to my mind, the terrific suggestiveness of words heard in dreams, of phrases spoken in nightmares.”
    Joseph Conrad, Heart of Darkness

  • #10
    Joseph Conrad
    “We live in the flicker -- may it last as long as the old earth keeps rolling! But darkness was here yesterday.”
    Joseph Conrad, Heart of Darkness

  • #11
    Jonathan Safran Foer
    “I regret that it takes a life to learn how to live.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #12
    Jonathan Safran Foer
    “I hope that one day you will have the experience of doing something you do not understand for someone you love.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #13
    Jonathan Safran Foer
    “I said, I want to tell you something.
    She said, you can tell me tomorrow.
    I had never told her how much I loved her.
    She was my sister.
    We slept in the same bed.
    There was never a right time to say it.
    It was always unnecessary.
    The books in my father's shed were sighing.
    The sheets were rising and falling around me with Anna's breathing.
    I thought about waking her.
    But it was unnecessary.
    There would be other nights.
    And how can you say I love you to someone you love?
    I rolled onto my side and fell asleep next to her.
    Here is the point of everything I have been trying to tell you ... It's always necessary.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #14
    Jonathan Safran Foer
    “I thought about all of the things that everyone ever says to each other, and how everyone is going to die, whether it's in a millisecond, or days, or months, or 76.5 years, if you were just born. Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #15
    Jonathan Safran Foer
    “I hated myself for going, why couldn't I be the kind of person who stays?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #16
    Jonathan Safran Foer
    “In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close
    tags: love

  • #17
    Oscar Wilde
    “You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #18
    Oscar Wilde
    “Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.”
    Oscar Wilde, The Picture of Dorian Gray

  • #19
    Oscar Wilde
    “The secret of remaining young is never to have an emotion that is unbecoming.”
    Oscar Wilde, The Picture of Dorian Gray

  • #20
    Maira Kalman
    “My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.”
    Maira Kalman, The Principles of Uncertainty

  • #21
    Roberto Bolaño
    “Every hundred feet the world changes”
    Roberto Bolaño, 2666

  • #22
    Oscar Wilde
    “Every woman becomes their mother. That's their tragedy. And no man becomes his. That's his tragedy.”
    Oscar Wilde, The Importance of Being Earnest

  • #23
    Norton Juster
    “Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life. ”
    Norton Juster, The Phantom Tollbooth
    tags: time

  • #24
    Norton Juster
    “You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.”
    Norton Juster, The Phantom Tollbooth

  • #25
    Norton Juster
    “A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.”
    Norton Juster, The Phantom Tollbooth

  • #26
    Norton Juster
    “Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.”
    Norton Juster, The Phantom Tollbooth

  • #27
    Norton Juster
    “Let me try once more," Milo said in an effort to explain. "In other words--"
    "You mean you have other words?" cried the bird happily. "Well, by all means, use them. You're certainly not doing very well with the ones you have now.”
    Norton Juster, The Phantom Tollbooth

  • #28
    Norton Juster
    “And now," he continued, speaking to Milo, "where were you on the night of July 27?"

    "What does that have to do with it?" asked Milo.

    "It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.”
    Norton Juster, The Phantom Tollbooth

  • #29
    Norton Juster
    “Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.”
    Norton Juster, The Phantom Tollbooth

  • #30
    Norton Juster
    “In this box are all the words I know…Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is to use them well and in the right places.”
    Norton Juster, The Phantom Tollbooth



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