Brenda > Brenda's Quotes

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  • #1
    Cormac McCarthy
    “It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner. That is the way it was and will be. That way and not some other way.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West
    tags: 248, war

  • #2
    Cormac McCarthy
    “The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #3
    Cormac McCarthy
    “All other trades are contained in that of war.

    Is that why war endures?

    No. It endures because young men love it and old men love it in them. Those that fought, those that did not.

    That's your notion.

    The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #4
    Cormac McCarthy
    “The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day.”
    Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

  • #5
    Bret Easton Ellis
    “...when I look over at Luis in one brief flashing moment his head looks like a talking vagina and it scares the bejesus out of me...”
    Bret Easton Ellis, American Psycho

  • #6
    Bret Easton Ellis
    “Hip," I murmur, remembering last night, how I lost it completely in a stall at Nell's---my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.”
    Bret Easton Ellis, American Psycho

  • #7
    Bret Easton Ellis
    “Why do I sense hostility on your part, Patrick?” she asks softly, then sips her wine.

    “Maybe because I’m hostile,” I spit out. “Maybe because you sense this.”
    Bret Easton Ellis, American Psycho

  • #8
    Bret Easton Ellis
    “The office Halloween party was at the Royalton last week and I went as a mass murderer, complete with a sign painted on my back that read MASS MURDERER (which was decidedly lighter than the sandwich board I had constructed earlier that day that read DRILLER KILLER), and beneath those two words I had written in blood Yep, that's me and the suit was also covered with blood, some of it fake, most of it real. In one fist I clenched a hank of Victoria Bell's hair, and pinned next to my boutonniere (a small white rose) was a finger bone I'd boiled the flesh off of. As elaborate as my costume was, Craig McDermott still managed to win first place in the competition. He came as Ivan Boesky, which I thought was unfair since a lot of people thought I'd gone as Michael Milken last year. The Patty Winters Show this morning was about Home Abortion Kits.”
    Bret Easton Ellis, American Psycho

  • #9
    Bret Easton Ellis
    “These questions are punctuated by other questions, as diverse as "Will I ever do time?" and "Did this girl have a trusting heart?" The smell of meat and blood clouds up the condo until I don't notice it anymore. And later my macabre joy sours and I'm weeping for myself, unable to find solace in any of this, crying out, sobbing "I just want to be loved," cursing the earth and everything I have been taught: principles, distinctions, choices, morals, compromises, knowledge, unity, prayer - all of it was wrong, without any final purpose. All it came down to was: die or adapt. I imagine my own vacant face, the disembodied voice coming from its mouth: These are terrible times. Maggots already writhe across the human sausage, the drool pouring from my lips dribbles over them, and still I can't tell if I'm cooking any of this correctly, because I'm crying too hard and I have never really cooked anything before.”
    Bret Easton Ellis, American Psycho

  • #10
    Bret Easton Ellis
    “Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.”
    Bret Easton Ellis, American Psycho

  • #11
    Bret Easton Ellis
    “So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?”

    “Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He...ate a balanced diet.”
    Bret Easton Ellis, American Psycho

  • #12
    Bret Easton Ellis
    “I'm resourceful," Price is saying. "I'm creative, I'm young, unscrupulous, highly motivate, highly skilled. In essence what I'm saying is that society cannot afford to lose me. I'm an asset
    Bret Easton Ellis, American Psycho

  • #13
    Bret Easton Ellis
    “Most importantly we have to promote general social concern and less materialism in young people.”
    Bret Easton Ellis, American Psycho

  • #14
    Bret Easton Ellis
    “I want to take you away from this," I say, motioning around the kitchen, spastic. "From sushi and elves and... STUFF.”
    Bret Easton Ellis, American Psycho

  • #15
    Bret Easton Ellis
    “To me she looks like a big black ant - a big black ant in an original Christian Lacroix - eating a urinal cake and I almost start laughing, but I also want to keep her at ease. I don't want her to get second thoughts about finishing the urinal cake. But she can't eat any more and with only two bites taken, pretending to be full, she pushes the tainted plate away, and at this moment I start feeling strange. Even though I marveled at her eating that thing, it also makes me sad and suddenly I'm reminded that no matter how satisfying it was to see Evelyn eating something I, and countless others, had pissed on, in the end the displeasure it caused her was at my expense - it's an anticlimax, a futile excuse to put up with her for three hours.”
    Bret Easton Ellis, American Psycho

  • #16
    E.B. White
    “If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day.”
    E.B. White

  • #17
    George Carlin
    “May the forces of evil become confused on the way to your house.”
    George Carlin

  • #18
    Poppy Z. Brite
    “They may hate us for sucking cock, but at least they can't accuse of making more little cocksuckers.”
    Poppy Z. Brite, Exquisite Corpse

  • #19
    Joseph Heller
    “There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

    "That's some catch, that Catch-22," he observed.

    "It's the best there is," Doc Daneeka agreed.”
    Joseph Heller, Catch-22

  • #20
    Joseph Heller
    “It was miraculous. It was almost no trick at all, he saw, to turn vice into virtue and slander into truth, impotence into abstinence, arrogance into humility, plunder into philanthropy, thievery into honor, blasphemy into wisdom, brutality into patriotism, and sadism into justice. Anybody could do it; it required no brains at all. It merely required no character.”
    Joseph Heller, Catch-22

  • #21
    Joseph Heller
    “What is a country? A country is a piece of land surrounded on all sides by boundaries, usually unnatural. Englishmen are dying for England, Americans are dying for America, Germans are dying for Germany, Russians are dying for Russia. There are now fifty or sixty countries fighting in this war. Surely so many countries can't all be worth dying for.”
    Joseph Heller, Catch-22

  • #22
    Joseph Heller
    “What a lousy earth! He wondered how many people were destitute that same night even in his own prosperous country, how many homes were shanties, how many husbands were drunk and wives socked, and how many children were bullied, abused, or abandoned. How many families hungered for food they could not afford to buy? How many hearts were broken? How many suicides would take place that same night, how many people would go insane? How many cockroaches and landlords would triumph? How many winners were losers, successes failures, and rich men poor men? How many wise guys were stupid? How many happy endings were unhappy endings? How many honest men were liars, brave men cowards, loyal men traitors, how many sainted men were corrupt, how many people in positions of trust had sold their souls to bodyguards, how many had never had souls? How many straight-and-narrow paths were crooked paths? How many best families were worst families and how many good people were bad people? When you added them all up and then subtracted, you might be left with only the children, and perhaps with Albert Einstein and an old violinist or sculptor somewhere.”
    Joseph Heller, Catch-22

  • #23
    Joseph Heller
    “You have a morbid aversion to dying. You probably resent the fact that you're at war and might get your head blown off any second."

    "I more than resent it, sir. I'm absolutely incensed."

    "You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs, or hypocrites. Subconsciously there are many people you hate."

    "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously."

    "You're antagonistic to the idea of being robbed, exploited, degraded, humiliated, or deceived. Misery depresses you. Ignorance depresses you. Persecution depresses you. Violence depresses you. Corruption depresses you. You know, it wouldn't surprise me if you're a manic-depressive!"

    "Yes, sir. Perhaps I am."

    "Don't try to deny it."

    "I'm not denying it, sir," said Yossarian, pleased with the miraculous rapport that finally existed between them. "I agree with all you've said.”
    Joseph Heller, Catch-22

  • #24
    Joseph Heller
    “You know, that might be the answer – to act boastfully about something we ought to be ashamed of. That’s a trick that never seems to fail.”
    Joseph Heller, Catch-22

  • #25
    Joseph Heller
    “Where were you born?"
    "On a battlefield," [Yossarian] answered.
    "No, no. In what state were you born?"
    "In a state of innocence.”
    Joseph Heller, Catch-22

  • #26
    Joseph Heller
    “There's nothing mysterious about it, He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about, a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of Creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?”
    Joseph Heller, Catch-22

  • #27
    Joseph Heller
    “What would they do to me," he asked in confidential tones, "if I refused to fly them?"
    We'd probably shoot you," ex-P.F.C. Wintergreen replied.
    We?" Yossarian cried in surprise. "What do you mean, we? Since when are you on their side?"
    If you're going to be shot, whose side do you expect me to be on?" ex-P.F.C. Wintergreen retorted”
    Joseph Heller, Catch-22

  • #28
    Joseph Heller
    “Major Major had been born too late and too mediocre. Some men are born mediocre, some men achieve mediocrity, and some men have mediocrity thrust upon them. With Major Major it had been all three. Even among men lacking all distinction he inevitably stood out as a man lacking more distinction than all the rest, and people who met him were always impressed by how unimpressive he was.”
    Joseph Heller, Catch-22

  • #29
    Joseph Heller
    “Men," he began his address to the officers, measuring his pauses carefully. "You're American officers. The officers of no other army in the world can make that statement. Think about it.”
    Joseph Heller, Catch-22

  • #30
    Joseph Heller
    “History did not demand Yossarian's premature demise, justice could be satisfied without it, progress did not hinge upon it, victory did not depend on it. That men would die was a matter of necessity; WHICH men would die, though, was a matter of circumstance, and Yossarian was willing to be the victim of anything but circumstance. But that was war. Just about all he could find in its favor was that it paid well and liberated children from the pernicious influence of their parents.”
    Joseph Heller, Catch-22
    tags: death, war



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