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  • #1
    Kurt Vonnegut Jr.
    “I'm not a drug salesman. I'm a writer."

    "What makes you think a writer isn't a drug salesman?”
    Kurt Vonnegut, Cat’s Cradle

  • #2
    Kurt Vonnegut Jr.
    “People have to talk about something just to keep their voice boxes in working order so they'll have good voice boxes in case there's ever anything really meaningful to say.”
    Kurt Vonnegut, Cat’s Cradle

  • #3
    Kurt Vonnegut Jr.
    “The Fourteenth Book is entitled, "What can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?"
    It doesn't take long to read The Fourteenth Book. It consists of one word and a period.
    This is it: "Nothing.”
    Kurt Vonnegut, Cat’s Cradle

  • #4
    Kurt Vonnegut Jr.
    “Maturity...is knowing what your limitations are...Maturity is a bitter disappointment for which no remedy exists, unless laughter can be said to remedy anything.”
    Kurt Vonnegut, Jr., Cat’s Cradle

  • #5
    Kurt Vonnegut Jr.
    “How nice -- to feel nothing, and still get full credit for being alive.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #6
    Kurt Vonnegut Jr.
    “And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #7
    Kurt Vonnegut Jr.
    “America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.

    Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #8
    William Golding
    “Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.”
    William Golding, Lord of the Flies

  • #9
    Joseph Conrad
    “It was written I should be loyal to the nightmare of my choice.”
    Joseph Conrad, Heart of Darkness

  • #10
    Joseph Conrad
    “We live as we dream - alone. While the dream disappears, the life continues painfully.”
    Joseph Conrad, Heart of Darkness

  • #11
    Joseph Conrad
    “Droll thing life is -- that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself -- that comes too late -- a crop of inextinguishable regrets.”
    Joseph Conrad, Heart of Darkness

  • #12
    Joseph Conrad
    “I don't like work--no man does--but I like what is in the work--the chance to find yourself. Your own reality--for yourself not for others--what no other man can ever know. They can only see the mere show, and never can tell what it really means.”
    Joseph Conrad, Heart of Darkness
    tags: work

  • #13
    John Maeda
    “Simplicity is about subtracting the obvious and adding the meaningful.”
    John Maeda, The Laws of Simplicity

  • #14
    Johann Wolfgang von Goethe
    “Whatever is the lot of humankind
    I want to taste within my deepest self.
    I want to seize the highest and the lowest,
    to load its woe and bliss upon my breast,
    and thus expand my single self titanically
    and in the end go down with all the rest.”
    Johann Wolfgang von Goethe, Faust, First Part

  • #15
    Johann Wolfgang von Goethe
    “When scholars study a thing, they strive to kill it first, if it's alive; then they have the parts and they've lost the whole, for the link that's missing was the living soul.”
    Johann Wolfgang von Goethe

  • #16
    Johann Wolfgang von Goethe
    “But who will dare to speak the truth out clear?
    The few who anything of truth have learned,
    And foolishly did not keep truth concealed,
    Their thoughts and visions to the common herd revealed,
    Since time began we've crucified and burned”
    Johann Wolfgang von Goethe, Faust, and the Urfaust

  • #17
    Italo Calvino
    “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.”
    Italo Calvino, Invisible Cities

  • #18
    Italo Calvino
    “There is no language without deceit.”
    Italo Calvino, Invisible Cities

  • #19
    Italo Calvino
    “Futures not achieved are only branches of the past: dead branches.”
    Italo Calvino, Invisible Cities

  • #20
    Italo Calvino
    “Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
    Italo Calvino, Invisible Cities

  • #21
    Italo Calvino
    “For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.”
    Italo Calvino, Invisible Cities

  • #22
    Italo Calvino
    “If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed.
    This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants.
    Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.”
    Italo Calvino, Invisible Cities

  • #23
    Leonardo Padura
    “It’s terrible to confirm that a system born to rescue human dignity has resorted to rewards, glorification, the encouragement of denunciations, and feeds on everything that is humanly vile. I feel the nausea rise in my throat when I hear people say: they’ve shot M., they’ve shot P., shot, shot, shot. The words, after hearing them so much, lose their meaning. The people say them with greater calm, as if they were saying: we’re going to the theater. I, who lived these years in fear and felt the compulsion to denounce (I confess so with terror, but without any feeling of guilt), have lost in my mind the brutal semantics of the verb ‘to shoot’ … I feel that we’ve reached the end of justice on earth, the limits of human dignity.”
    Leonardo Padura, The Man Who Loved Dogs



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