Chris Wright > Chris's Quotes

“Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.”
― Camille Paglia

“We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But then you must take charge, you must take over, you are responsible.”
― Camille Paglia

“Men chase by night those they will not greet by day.”
― Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

“The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture”
― Camille Paglia

“Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.”
― Camille Paglia

“Art is something out of the ordinary commenting on the ordinary.”
― Camille Paglia

“My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.”
― Camille Paglia

“We must accept our pain
Change what we can
and laugh at the rest”
― Camille Paglia

“Leaving sex to the feminists is like letting your dog vacation at the taxidermist.”
― Camille Paglia

“It is capitalist America that produced the modern independent woman. Never in history have women had more freedom of choice in regard to dress, behavior, career, and sexual orientation. ”
― Camille Paglia

“For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.”
― Camille Paglia

“If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.”
― Camille Paglia

“Old school feminism, coveting social power, is blind to woman's cosmic sexual power. ”
― Camille Paglia

“Moralism and ignorance are responsible for the constant stereotyping of prostitutes by their lowest common denominator -- the sick, strung-out addicts, couched on city stoops, who turn tricks for drug money. . . . The most successful prostitutes in history have been invisible. That invisibility was produced by their high intelligence, which gives them the power to perceive, and move freely but undetected in the social frame. The prostitute is a superb analyst, not only in evading the law but in initiating the unique constellation of convention and fantasy that produces a stranger’s orgasm. She lives by her wits as much as her body. She is a psychologist, actor, and dancer, a performance artist of hyper-developed sexual imagination.”
― Camille Paglia, Vamps & Tramps: New Essays

“Criticism at its best is re-creative, not spirit-killing.”
― Camille Paglia, Break, Blow, Burn

“Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.”
― Camille Paglia

“Cats are autocrats of naked self-interest. They are both amoral and immoral, consciously breaking rules. Their ''evil'' look at such times is no human projection: the cat may be the only animal who savors the perverse or reflects upon it”
― Camille Paglia

“Straight men who visit prostitutes are valiantly striving to keep sex free from emotion, duty, family--in other words, from society, religion, and procreative Mother Nature.”
― Camille Paglia

“Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature.”
― Camille Paglia

“Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.”
― Camille Paglia

“The western mind makes definitions; it draws lines.”
― Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

“Venus of Willendorf carries her cave with her. She is blind, masked. Her ropes of corn-row hair look forward to the invention agriculture. She has a furrowed brow. Her facelessness is the impersonality of primitive sex and religion. There is no psychology or identity yet, because there is no society, no cohesion. Men cower and scatter at the blast of the elements. Venus of Willendorf is eyeless because nature can be seen but not known. She is remote even as she kills and creates. The statuette, so overflowing and protuberant, is ritually invisible. She stifles the eye. She is the cloud of archaic night.”
― Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

“The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.”
― Camille Paglia

“What fascinated me about English was what I later recognized as its hybrid etymoogy: blunt Anglo-Saxon concreteness, sleek Norman French urbanity, and polysyllabic Greco-Roman abstraction. The clash of these elements, as competitive as Italian dialects is invigorating, richly entertaining, and often funny, as it is to Shaskespeare, who gets tremendous effects out of their interplay. The dazzling multiplicity of sounds and word choices in English makes it brilliantly suited to be a language of poetry..”
― Camille Paglia, Break, Blow, Burn

“Every reading is partial, but that does not absolve us from the quest for meaning, which defines us as a species.”
― Camille Paglia, Break, Blow, Burn

“Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.”
― Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

“[Nietzsche thinks artists undersexed]:
“Their vampire, their talent, grudges them as a rule that squandering of force which one calls passion. If one has a talent, one is also its victim; one lives under the vampirism of one’s talent.”
-- Friedrich Nietzsche, as quoted in Camille Paglia's "Sexual Personae”
― Camille Paglia

“Education has become a prisoner of contemporaneity. It is the past, not the dizzy present, that is the best door to the future.”
― Camille Paglia

“My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.”
― Camille Paglia, Break, Blow, Burn

“Consciousness is a pitiful hostage of its flesh-envelope, whose surges, circuits, and secret murmurings it cannot stay or speed. This is the chthonian drama that has no climax but only an enedless round, cycle upon cycle. Microcosm mirrors macrocosm. Free will is stillborn in the red cells of our body, for there is no free will in nature. Our choices come to us prepackaged and special delivery, molded by hands not our own.”
― Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson