Claudia Putnam > Claudia's Quotes

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  • #1
    Claudia Putnam
    “I beam back at her. Fuck the surgery, fuck the kids, fuck the men in our lives or no longer in our lives. This is sweet. When she catches up with me, I say, How many, just how many forty-plus women would do that?

    We gaze back up at the face bleeding into the chute we’ve just skied. We *did* that, I crow. Someone should love us just for that. --Hangfire”
    Claudia Putnam

  • #2
    Claudia Putnam
    “Cairn Stone

    This is the rock he lifted
    to lay upon a cairn
    in a high place.

    This rock, warmed by the near sun,
    felt right, somehow, in his hand.

    He decided to carry it down
    to his mother, who lay in bed,
    recovering.

    It is so easy to please
    a mother. Just to think of her
    for a moment, from a high place,
    and to carry that thought to her

    in the form of a stone.”
    Claudia Putnam, Wild Thing in Our Known World

  • #3
    Rick Moody
    “I think literature is best when it's voicing what we would prefer not to talk about.”
    Rick Moody

  • #4
    Claudia Putnam
    “I have read that long ago there was a land of glass castles that sank beneath the sea. It was not called Atlantis, but Lyonesse. This happened before history and across the ocean, but when I was little I wondered about that place, how it could be so beautiful and so lost. Sometimes it seemed that the land around my New England home was like that flooded country, with mud where the streets of gold should be and mayflies swarming where there should be lovely fishes, but here and there a shard of crystal to call the heart to beauty. --"Wetlands," in Phoebe.”
    Claudia Putnam

  • #5
    David Foster Wallace
    “I'd like to be the sort of person who can enjoy things at the time, instead of having to go back in my head and enjoy them.”
    David Foster Wallace

  • #6
    Patti Smith
    “No one expected me. Everything awaited me.”
    Patti Smith, Just Kids

  • #7
    Ayelet Waldman
    “Even if i'm setting myself up for failure, I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obseessing about what will happen, or what has happened, and more time reveling in what is. A mother who doesn't fret over failings and slights, who realizes her worries and anxieties are just thoughts, the continuous chattering and judgement of a too busy mind. A mother who doesn't worry so much about being bad or good but just recognizes that she's both, and neither. A mother who does her best, and for whom that is good enough, even if, in the end, her best turns out to be, simply, not bad. ”
    Ayelet Waldman, Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace

  • #9
    I'm selfish, impatient and a little insecure. I make mistakes, I am out of control
    “I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
    Marilyn Monroe

  • #10
    Rachel Kushner
    “I’d been listening to men talk since I arrived in New York City. That’s what men like to do. Talk. Profess like experts. When one finally came along who didn’t say much, I listened.”
    Rachel Kushner, The Flamethrowers

  • #11
    Rachel Kushner
    “(Later, Giddle's response when I told her I was in love: "Oh God, I'm so sorry. Love is awful. It ruins every normal thing, everything but itself. It makes you crazy and for nothing, because it's so disappointing. But good luck with that.")”
    Rachel Kushner, The Flamethrowers
    tags: love

  • #12
    Rachel Kushner
    “The answer is not coming. I have to find an arbitrary point inside the spell of waiting, the open absence, and tear myself away. Leave, with no answer. Move on to the next question.”
    Rachel Kushner, The Flamethrowers

  • #13
    Rachel Kushner
    “A funny thing about women and machines: the combination made made curious. They seemed to think it had something to do with them.”
    Rachel Kushner, The Flamethrowers

  • #14
    Rachel Kushner
    “People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.”
    Rachel Kushner, The Flamethrowers

  • #15
    Edna St. Vincent Millay
    “You see, I am a poet, and not quite right in the head, darling. It’s only that.”
    Edna St. Vincent Millay

  • #16
    Philip Roth
    “He had learned the worst lesson that life can teach - that it makes no sense.”
    Philip Roth, American Pastoral

  • #17
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #18
    Jim Harrison
    “I like grit, I like love and death, I'm tired of irony.”
    Jim Harrison

  • #19
    Anthony Doerr
    “we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother’s birth canal and we howl. Then the world starts in on us.”
    Anthony Doerr, All the Light We Cannot See

  • #20
    Laura Moriarty
    “You could push people away, past their limits, even accidentally, and then it was just too late to get them back”
    Laura Moriarty, The Rest of Her Life

  • #21
    Smith Henderson
    “There was a time with his wife on this river or a river just like it, it can't be this river, but in his memory it is this one. A time on a wash just like this where he lay shirtless with her shivering in the August night, jeans pasted dark and wet to his knocking legs, his torso white to glowing in the moonlight. Her hair tendriled and framed about her face like an outlandish black tattoo. Her wet dress like a sleeve of molting skin, which of a sort it had been that whole night in their dancing. Her heart in its red and white cage knocking just inches from his own, like two young prisoners tapping out simpleton Morse I am here I am here I am here. Here I am for your pleasure for you forever. On a river like this where he impregnated her. A river promise too, he said I love you I love you. Seventeen years old. A pleasure so total that even then he knew he had mortgaged years to her and he did not care.”
    Smith Henderson, Fourth of July Creek

  • #22
    Carson McCullers
    “First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.

    Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.

    It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.”
    carson mccullers, The Ballad of the Sad Café and Other Stories

  • #23
    Fyodor Dostoevsky
    “To kill for murder is a punishment incomparably worse than the crime itself. Murder by legal sentence is immeasurably more terrible than murder by brigands. Anyone murdered by brigands, whose throat is cut at night in a wood, or something of that sort, must surely hope to escape till the very last minute. There have been instances when a man has still hoped for escape, running or begging for mercy after his throat was cut. But in the other case all that last hope, which makes dying ten times as easy, is taken away for certain. There is the sentence, and the whole awful torture lies in the fact that there is certainly no escape, and there is no torture in the world more terrible.”
    Fyodor Dostoevsky, The Idiot

  • #24
    Roy F. Baumeister
    “What stress really does, though, is deplete willpower, which diminishes your ability to control those emotions.”
    Roy F. Baumeister, Willpower: Rediscovering the Greatest Human Strength

  • #25
    Chimamanda Ngozi Adichie
    “The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.”
    Chimamanda Ngozi Adichie, Americanah

  • #26
    J.R. Moehringer
    “I hate when people ask what a book is about. People who read for plot, people who suck out the story like the cream filling in an Oreo, should stick to comic strips and soap operas. . . . Every book worth a damn is about emotions and love and death and pain. It's about words. It's about a man dealing with life. Okay?”
    J.R. Moehringer

  • #27
    John Gardner
    “We need to stop excusing mediocre and downright pernicious art, stop 'taking it for what it’s worth' as we take our fast foods, our overpriced cars that are no good, the overpriced houses we spend all our lives fixing, our television programs, our schools thrown up like barricades in the way of young minds, our brainless fat religions, our poisonous air, our incredible cult of sports, and our ritual of fornicating with all pretty or even horse-faced strangers. We would not put up with a debauched king, but in a democracy all of us are kings, and we praise debauchery as pluralism. This book is of course no condemnation of pluralism; but it is true that art is in one sense fascistic: it claims, on good authority, that some things are healthy for individuals and society and some things are not.”
    John Champlin Gardner, On Moral Fiction

  • #28
    Anton Chekhov
    “Perhaps man has a hundred senses, and when he dies only the five senses that we know perish with him, and the other ninety-five remain alive.”
    Anton Chekhov, The Cherry Orchard

  • #29
    Jim Harrison
    “The world gave one so many reasons to be pissed off at it.”
    Jim Harrison, The Ancient Minstrel: Novellas

  • #30
    Jim Harrison
    “At heart he was a secret Quaker and football was pure violence. The coach was always telling him to “hit them harder.” The coach wanted him to put opposing players “out of commission.” He kept it to himself but wondered what the point of the “game” was if your intention was to hurt people badly.”
    Jim Harrison, The Ancient Minstrel: Novellas

  • #31
    Han Kang
    “Perhaps the only things he truly loved were his images—those he’d filmed, or then again, perhaps only those he had yet to film.”
    Han Kang, The Vegetarian



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