Simona > Simona's Quotes

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  • #1
    Sarah Hall
    “He told her the flowers in her painting contained exactly the purple substance of the flowers on the desk in front of her [...] Let us open the window and see if your painting can entice the butterflies.”
    Sarah Hall, How to Paint a Dead Man

  • #2
    John Green
    “Nothing ever happens like you imagine it will”
    John Green, Paper Towns

  • #3
    John Green
    “What a treacherous thing to believe that a person is more than a person.”
    John Green, Paper Towns

  • #3
    Yann Martel
    “It was a huge zoo, spread over numberless acres, big enough to require a train to explore it, though it seemed to get smaler as I grew older, train included. Now it's so small it fits in my head.”
    Yann Martel

  • #4
    Sarah Hall
    “The two of you are different now, calmer. There is still sex, occasionally, but is no longer a priority to seduce or be seduced by him.”
    Sarah Hall, How to Paint a Dead Man
    tags: seduce, sex

  • #5
    Leslie Marmon Silko
    “He had to keep busy; he had to keep moving so that the sinews connected behind his eyes did not slip loose and spin his eyes to the interior of his skull where the scenes waited for him.”
    Leslie Marmon Silko, Ceremony

  • #6
    John Green
    “The pleasure isn't in doing the thing, the pleasure is in planning it.”
    John Green, Paper Towns

  • #8
    Sarah Hall
    “Personal effects: how irrelevant they are, how sad, how lost, how vagrant, without the force that gives them purpose.”
    Sarah Hall, How to Paint a Dead Man

  • #9
    Shaun Tan
    “Have you ever wondered
    What happens to all the
    poems people write?
    The poems they never
    let anyone else read?
    Perhaps they are
    Too private and personal

    Perhaps they are just not good enough.

    Perhaps the prospect
    of such a heartfelt
    expression being seen as
    clumsy
    shallow silly
    pretentious saccharine
    unoriginal sentimental
    trite boring
    overwrought obscure stupid
    pointless
    or
    simply embarrassing

    is enough to give any aspiring
    poet good reason to
    hide their work from
    public view.

    forever.

    Naturally many poems are IMMEDIATELY DESTROYED.
    Burnt shredded flushed away
    Occasionally they are folded
    Into little squares
    And wedged under the corner of
    An unstable piece of furniture
    (So actually quite useful)

    Others are
    hidden behind
    a loose brick
    or drainpipe
    or
    sealed into
    the back of an
    old alarm clock
    or
    put between the pages of
    AN OBSCURE BOOK
    that is unlikely
    to ever be opened.

    someone might find them one day,
    BUT PROBABLY NOT
    The truth is that unread poetry
    Will almost always be just that.
    DOOMED
    to join a vast invisible river
    of waste that flows out of suburbia.

    well
    Almost always.

    On rare occasions,
    Some especially insistent
    pieces of writing will escape
    into a backyard
    or a laneway
    be blown along
    a roadside embankment
    and finally come
    to rest in a
    shopping center
    parking lot

    as so many
    things do

    It is here that
    something quite
    Remarkable
    takes place

    two or more pieces of poetry
    drift toward each other
    through a strange
    force of attraction
    unknown
    to science
    and ever so slowly
    cling together
    to form a tiny,
    shapeless ball.

    Left undisturbed,
    this ball gradually
    becomes larger and rounder as other
    free verses
    confessions secrets
    stray musings wishes and unsent
    love letters
    attach themselves
    one by one.

    Such a ball creeps
    through the streets
    Like a tumbleweed
    for months even years

    If it comes out only at night it has a good
    Chance of surviving traffic and children
    and through a
    slow rolling motion
    AVOIDS SNAILS
    (its number one predator)

    At a certain size, it instinctively
    shelters from bad weather, unnoticed
    but otherwise roams the streets
    searching
    for scraps
    of forgotten
    thought and feeling.

    Given
    time and luck
    the poetry ball becomes
    large HUGE ENORMOUS:
    A vast accumulation of papery bits
    That ultimately takes to the air, levitating by
    The sheer force of so much unspoken emotion.
    It floats gently
    above suburban rooftops
    when everybody is asleep
    inspiring lonely dogs
    to bark in the middle
    of the night.

    Sadly
    a big ball of paper
    no matter how large and
    buoyant, is still a fragile thing.

    Sooner or
    LATER
    it will be surprised by
    a sudden
    gust of wind
    Beaten by
    driving rain
    and
    REDUCED
    in a matter
    of minutes
    to
    a billion
    soggy
    shreds.

    One morning
    everyone will wake up
    to find a pulpy mess
    covering front lawns
    clogging up gutters
    and plastering car
    windscreens.

    Traffic will be delayed
    children delighted
    adults baffled
    unable to figure out
    where it all came from

    Stranger still
    Will be the
    Discovery that
    Every lump of
    Wet paper
    Contains various
    faded words pressed into accidental
    verse.

    Barely visible
    but undeniably present
    To each reader
    they will whisper
    something different
    something joyful
    something sad
    truthful absurd
    hilarious profound and perfect
    No one will be able to explain the
    Strange feeling of weightlessness
    or the private smile
    that remains
    Long after the street sweepers
    have come and gone.”
    Shaun Tan, Tales from Outer Suburbia

  • #10
    Richelle E. Goodrich
    “Happiness is a simple game of lost and found: Lose the things you take for granted, and you will feel great happiness once they are found.”
    Richelle E. Goodrich, Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year

  • #11
    Ian McEwan
    “It was not always the case that a large minority comprising the weakest members of society wore special clothes, were freed from the routines of work and of many constraints on their behaviour and were able to devote much of their time to play. It should be remembered that childhood is not a natural occurrence. There was a time when children were treated like small adults. Childhood is an invention, a social construct, made possible by society as it increased in sophistication and resource.”
    Ian McEwan, The Child in Time



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