Emily > Emily's Quotes

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  • #1
    Toni Morrison
    “If there's a book that you want to read, but it hasn't been written yet, then you must write it.”
    Toni Morrison

  • #2
    Diane Setterfield
    “There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.”
    Diane Setterfield, The Thirteenth Tale

  • #3
    Catherynne M. Valente
    “She sounds like someone who spends a lot of time in libraries, which are the best sorts of people.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #4
    Anthony Doerr
    “So how, children, does the brain, which lives without a spark of light, build for us a world full of light?”
    Anthony Doerr, All the Light We Cannot See

  • #5
    Dia Reeves
    “The rain echoed in the shadowy attic space and made me feel small and fragile, like a lace glove left behind on moving day - mateless and abandoned.”
    Dia Reeves, Bleeding Violet

  • #6
    William Shakespeare
    “Ay me! for aught that ever I could read,
    could ever hear by tale or history,
    the course of true love never did run smooth.”
    William Shakespeare, A Midsummer Night’s Dream

  • #7
    “I love writing. I love the swirl and swing of words as they tangle with human emotions.”
    James Michener

  • #8
    Catherine Fisher
    “Underground, the stars are legend.”
    Catherine Fisher, Incarceron

  • #9
    N.K. Jemisin
    “We can never be gods, after all--but we can become something less than human with frightening ease.”
    N.K. Jemisin, The Hundred Thousand Kingdoms

  • #10
    Bertolt Brecht
    “Hungry man, reach for the book: it is a weapon.”
    Bertolt Brecht

  • #11
    Karen Lord
    “I am experiencing a measure of excitement combined with increasing pleasure, which is perhaps manifesting as an expression of amusement."
    It was the first time he had ever used the scales to describe his emotions. "I love it when you talk dirty," I whispered ...”
    Karen Lord, The Best of All Possible Worlds

  • #12
    “There were also very special or dangerous items that had to be fetched in person, or even by large parties of armed librarians.”
    Garth Nix, Lirael

  • #13
    Anthony Doerr
    “That something so small could be so beautiful. Worth so much. Only the strongest people can turn away from feelings like that.”
    Anthony Doerr, All the Light We Cannot See

  • #14
    Margaret Atwood
    “Ignoring isn’t the same as ignorance, you have to work at it.”
    Margaret Atwood, The Handmaid's Tale

  • #15
    Margaret Atwood
    “But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.”
    Margaret Atwood, The Handmaid’s Tale

  • #16
    Margaret Atwood
    “Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.”
    Margaret Atwood, The Handmaid’s Tale

  • #17
    Anthony Doerr
    “To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.”
    Anthony Doerr, All the Light We Cannot See

  • #18
    Katie Waitman
    “He gave us music that reached into the ear like a lover's tongue and changed the color of our feelings. He presented movement so exquisite and fluid it coaxed our souls out of our bodies to dance with him, weightless in the perfume of divinity.”
    Katie Waitman, The Merro Tree

  • #19
    Laline Paull
    “You have wings and courage and a brain. Do not annoy me by asking permission." Lily 500 in The Bees”
    Laline Paull, The Bees

  • #20
    Reza Aslan
    “Even the Quran, which Sufis respect as the direct speech of God, lacks the capacity to shed light upon God’s essence. As one Sufi master has argued, why spend time reading a love letter (by which he means the Quran) in the presence of the Beloved who wrote it?”
    Reza Aslan, No god but God: The Origins, Evolution and Future of Islam

  • #21
    Karen Lord
    “She had imagined her mind would be bare before his, naked under a scorching desert sun, with neither shelter nor refuge. Instead, it was like playing hide-and-seek in the light and shadow of a forest, discovering and inventing a new language of double meaning, subtlety, poetry, and image. As a linguist, she was captivated; as a lover, she was enraptured. Nothing could be said the same way twice.”
    Karen Lord, The Best of All Possible Worlds

  • #22
    Cassandra Clare
    “Do not let any of them tell you who you are. You are the flame that cannot be put out. You are the star that cannot be lost. You are who you have always been, and that is enough and more than enough. Anyone who looks at you and sees darkness is blind.”
    Cassandra Clare, Nothing but Shadows

  • #23
    Sherryl Jordan
    “What is your name?' she asked.

    The youth ignored her, lowering his eyelids against the sun. She repeated her question. Again he ignored her, so she touched his arm, and he turned his head and looked at her, suddenly back from his own world, his eyes wary, half afraid. But he saw no anger in her; only the stains of tears, and an awful despair. His face changed, and a look of profound sorrow and compassion came over him. Very slowly he lifted his hand and wiped the tears from her cheeks. No other man could have touched her that morning; but the mad youth, with his extraordinary tenderness, gave such a depth of consolation that she found herself leaning her cheek against his hand, and sobbing. He wept with her, and there wove between them an understanding, a unity deep and poignant and powerful.”
    Sherryl Jordan, The Raging Quiet

  • #24
    Philip Pullman
    “After nourishment, shelter and companionship, stories are the thing we need most in the world.”
    Philip Pullman

  • #25
    C. JoyBell C.
    “The coward says in his heart “There is no love.” Because, standing in the shadows of the big, grand, and powerful existence of love, his small spirit is left feeling even smaller and less significant. And so he chooses to deny the existence of love altogether. Because he is too small to have it.”
    C. JoyBell C.

  • #26
    Hermann Hesse
    “So she thoroughly taught him that one cannot take pleasure without giving pleasure, and that every gesture, every caress, every touch, every glance, every last bit of the body has its secret, which brings happiness to the person who knows how to wake it. She taught him that after a celebration of love the lovers should not part without admiring each other, without being conquered or having conquered, so that neither is bleak or glutted or has the bad feeling of being used or misused.”
    Hermann Hesse, Siddhartha

  • #27
    Patricia A. McKillip
    “The odd thing about people who had many books was how they always wanted more.”
    Patricia A. McKillip, The Bell at Sealey Head

  • #28
    Mark Forsyth
    “John Ronald Reuel Tolkien wrote his first story aged seven. It was about a “green great dragon.” He showed it to his mother who told him that you absolutely couldn’t have a green great dragon, and that it had to be a great green one instead. Tolkien was so disheartened that he never wrote another story for years.
    The reason for Tolkien’s mistake, since you ask, is that adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you’ll sound like a maniac. It’s an odd thing that every English speaker uses that list, but almost none of us could write it out. And as size comes before colour, green great dragons can’t exist.”
    Mark Forsyth, The Elements of Eloquence: How to Turn the Perfect English Phrase

  • #29
    Try to imagine a life without timekeeping. You probably can’t. You know the month, the
    “Try to imagine a life without timekeeping. You probably can’t. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. an alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that no other creature endures. A fear of time running out.”
    Mitch Albom, The Time Keeper

  • #30
    W.E.B. Du Bois
    “Lo! we are diseased and dying, cried the dark hosts; we cannot write, our voting is vain; what need of education, since we must always cook and serve? And the Nation echoed and enforced this self-criticism, saying: Be content to be servants, and nothing more; what need of higher culture for half-men?”
    W.E.B. Du Bois, The Souls of Black Folk



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