Maja > Maja's Quotes

“The thing I realize is, that it's not what you take, it's what you leave.”
― Jennifer Niven, All the Bright Places

“You are all the colors in one, at full brightness.”
― Jennifer Niven, All the Bright Places

“We do not remember days, we remember moments.”
― Jennifer Niven, All the Bright Places

“The great thing about this life of ours is that you can be someone different to everybody.”
― Jennifer Niven, All the Bright Places

“The problem with people is they forget that most of the time it's the small things that count.”
― Jennifer Niven, All the Bright Places

“It's my experience that people are a lot more sympathetic if they can see you hurting, and for the millionth time in my life I wish for measles or smallpox or some other easily understood disease just to make it easier on me and also on them.”
― Jennifer Niven, All the Bright Places

“You make me lovely, and it’s so lovely to be lovely to the one I love.…”
― Jennifer Niven, All the Bright Places

“You have been in every way all that anyone could be.… If anybody could have saved me it would have been you.”
― Jennifer Niven, All the Bright Places

“sometimes there’s beauty in the tough words—it’s all in how you read them.”
― Jennifer Niven, All the Bright Places

“I learned that there is good in this world, if you look hard enough for it. I learned that not everyone is disappointing, including me, and that a 1,257-foot bump in the ground can feel higher than a bell tower if you’re standing next to the right person.”
― Jennifer Niven, All the Bright Places

“I know life well enough to know you can’t count on things staying around or standing still, no matter how much you want them to. You can’t stop people from dying. You can’t stop them from going away. You can’t stop yourself from going away either. I know myself well enough to know that no one else can keep you awake or keep you from sleeping.”
― Jennifer Niven, All the Bright Places

“She is oxygen, carbon, hydrogen, nitrogen, calcium, and phosphorus. The same elements that are inside the rest of us, but I can’t help thinking she’s more than that and she’s got other elements going on that no one’s ever heard of, ones that make her stand apart from everybody else. I feel this brief panic as I think, What would happen if one of those elements malfunctioned or just stopped working altogether? I make myself push this aside and concentrate on the feel of her skin until I no longer see molecules but Violet.”
― Jennifer Niven, All the Bright Places

“No more winter at all. Finch, you brought me spring.”
― Jennifer Niven, All the Bright Places

“I am on the highest branch.
We are written in paint.
I believe in signs.
The glow of Ultraviolet.
A lake. A prayer. It's so lovely to be lovely in Private.”
― Jennifer Niven, All the Bright Places

“Stars in the sky, stars on the ground. It’s hard to tell where the sky ends and the earth begins. I feel the need to say something grand and poetic, but the only thing I come up with is “It’s lovely.”
― Jennifer Niven, All the Bright Places

“People rarely bring flowers to a suicide.”
― Jennifer Niven, All the Bright Places

“What if life could be this way? Only the happy parts, none of the terrible, not even the mildly unpleasant. What if we could just cut out the bad and keep the good? This is what I want to do with Violet - give her only the good, keep away the bad, so that good is all we ever have around us.”
― Jennifer Niven, All the Bright Places

“Sorry wastes time. You have to live your life like you'll never be sorry. It's easier just to do the right thing from the start so there's nothing to apologize for.”
― Jennifer Niven, All the Bright Places

“You deserve better. I can’t promise you I’ll stay around, not because I don’t want to. It’s hard to explain. I’m a fuckup. I’m broken, and no one can fix it. I’ve tried. I’m still trying. I can’t love anyone because it’s not fair to anyone who loves me back. I’ll never hurt you, not like I want to hurt Roamer. But I can’t promise I won’t pick you apart, piece by piece, until you’re in a thousand pieces, just like me. You should know what you’re getting into before getting involved.”
― Jennifer Niven, All the Bright Places

“You know what I like about you, Finch? You’re interesting. You’re different. And I can talk to you. Don’t let that go to your head.”
… “You know what I like about you, Ultraviolet Remarkey-able? Everything.”
― Jennifer Niven, All the Bright Places

“When you consider things like the stars, our affairs don’t seem to matter very much, do they?”
― Jennifer Niven, All the Bright Places

“Listen, I’m the freak. I’m the weirdo. I’m the troublemaker. I start fights. I let people down. Don’t make Finch mad, whatever you do. Oh, there he goes again, in one of his moods. Moody Finch. Angry Finch. Unpredictable Finch. Crazy Finch. But I’m not a compilation of symptoms. Not a casualty of shitty parents and an even shittier chemical makeup. Not a problem. Not a diagnosis. Not an illness. Not something to be rescued. I’m a person.”
― Jennifer Niven, All the Bright Places

“I remember running down a road on my way to a nursery of flowers. I remember her smile and her laugh when I was my best self and she looked at me like I could do no wrong and was whole. I remember how she looked at me the same way even when I wasn’t. I remember her hand in mine and how that felt, as if something and someone belonged to me.”
― Jennifer Niven, All the Bright Places

“Because it's not a lie if it's how you feel.”
― Jennifer Niven, All the Bright Places

“You saved my life. Why couldn't I save yours?”
― Jennifer Niven, All the Bright Places

“But I bring it up to let you know that this is the way I feel right now. Like Pluto and Jupiter are aligned with the earth and I’m floating.”
― Jennifer Niven, All the Bright Places

“And next time you're planning to injure yourself to get me attention, just remember that a little sweet talk works wonders.”
― Cassandra Clare, City of Bones

“His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.”
― Cassandra Clare, City of Glass

“While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”

Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”

… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”

“You don’t have to do this, Clary, it’s a trick—” (Simon)

...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”

“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.

Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.

He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.

His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...

His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.

...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”

The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.”
― Cassandra Clare, City of Ashes

“But isn't that what love is, Clarissa? Ownership? 'I am my beloved's and my beloved is mine,' as the Song of Songs goes."
"No. And don't quote the Bible at me. I don't think you get it...It's not just that someone belongs to you, it's that you give yourself to them. I doubt you've ever given anything to anyone. Except maybe nightmares."
"To give yourself to someone?" The thin smile didn't waver. "As you've given yourself to Jonathan?"
"What?"
"You think I haven't seen the way you two look at each other? The way he says your name? You may not think I can feel, but that doesn't mean I can't see feelings in others.”
― Cassandra Clare, City of Ashes