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  • #273
    Warsan Shire
    “Don't assume, ask. Be kind. Tell the truth. Don't say anything you can't stand behind fully. Have integrity. Tell people how you feel.”
    Warsan Shire

  • #274
    Warsan Shire
    “You tried to change didn’t you?
    closed your mouth more
    tried to be softer
    prettier
    less volatile, less awake
    but even when sleeping you could feel
    him travelling away from you in his dreams
    so what did you want to do love
    split his head open?
    you can’t make homes out of human beings
    someone should have already told you that
    and if he wants to leave
    then let him leave
    you are terrifying
    and strange and beautiful
    something not everyone knows how to love.”
    Warsan Shire

  • #275
    Warsan Shire
    “Your daughter is ugly.
    She knows loss intimately,
    carries whole cities in her belly.

    As a child, relatives wouldn’t hold her.
    She was splintered wood and sea water.
    They said she reminded them of the war.

    On her fifteenth birthday you taught her
    how to tie her hair like rope
    and smoke it over burning frankincense.

    You made her gargle rosewater
    and while she coughed, said
    macaanto girls like you shouldn’t smell
    of lonely or empty.

    You are her mother.
    Why did you not warn her,
    hold her like a rotting boat
    and tell her that men will not love her
    if she is covered in continents,
    if her teeth are small colonies,
    if her stomach is an island
    if her thighs are borders?

    What man wants to lay down
    and watch the world burn
    in his bedroom?

    Your daughter’s face is a small riot,
    her hands are a civil war,
    a refugee camp behind each ear,
    a body littered with ugly things

    but God,
    doesn’t she wear
    the world well.”
    Warsan Shire

  • #276
    Warsan Shire
    “The ego hurts you like this: you become obsessed with the one person who does not love you. blind to the rest who do.”
    Warsan Shire

  • #277
    Warsan Shire
    “all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father?

    hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth.

    that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer.

    you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about.

    last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.”
    Warsan Shire

  • #279
    Warsan Shire
    “How far have you walked for men who’ve never held your feet in their laps?”
    Warsan Shire
    tags: love

  • #280
    Warsan Shire
    “you were like an ulcer on the inside of my cheek that my tongue could not stop touching.

    loving you was like watching a stranger clean a week old wound; i felt sick, but i wanted more.”
    Warsan Shire

  • #281
    Warsan Shire
    “We emotionally manipulated each other until we thought it was love.”
    Warsan Shire

  • #282
    Warsan Shire
    “There’s nothing rebellious about loving something that can’t love you. You’re a woman, you should have known that men in the city would split you in half searching for their fathers in between your legs.”
    Warsan Shire

  • #284
    Warsan Shire
    “Perhaps, the problem is not the intensity of your love, but the quality of the people you are loving.”
    Warsan Shire

  • #285
    Warsan Shire
    “Not everyone is okay with living like an open wound. But the thing about open wounds is that, well, you aren’t ignoring it. You’re healing; the fresh air can get to it. It’s honest. You aren’t hiding who you are. You aren’t rotting. People can give you advice on how to heal without scarring badly. But on the other hand there are some people who’ll feel uncomfortable around you. Some will even point and laugh. But we all have wounds.”
    Warsan Shire

  • #286
    Warsan Shire
    “His eyes were the same colour as the sea in a postcard someone sends you when they love you, but not enough to stay.”
    Warsan Shire

  • #287
    Warsan Shire
    “Sad people have the gift of time, while the world dizzies everyone else; they remain stagnant, their bodies refusing to follow pace with the universe. With these kind of people everything aches for too long, everything moves without rush, wounds are always wet.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #288
    Warsan Shire
    “all the girls you’ve ever loved, i think i loved them too.
    interlude for the grand sonata
    every mouth you’ve ever kissed
    was just practice
    all the bodies you’ve ever undressed
    and ploughed into
    were preparing you for me.
    i don’t mind tasting them in the
    memory of your mouth
    they were a long hallway
    a door half-open
    a single suitcase still on the conveyor belt
    was it a long journey?
    did it take you long to find me?
    you’re here now,
    welcome home.”
    Warsan Shire

  • #289
    Warsan Shire
    “you can't make homes out of human beings someone should have already told you that
    and if he wants to leave
    then let him leave
    you are terrifying
    and strange and beautiful
    something not everyone knows how to love.”
    Warsan Shire

  • #290
    Warsan Shire
    “The sun is perfect and you woke this morning. You have enough language in your mouth to be understood. You have a name, and someone wants to call it. Five fingers on your hand and someone wants to hold it. If we just start there, every beautiful thing that has and will ever exist is possible. If we start there, everything, for a moment, is right in the world.”
    Warsan Shire

  • #291
    Warsan Shire
    “Document the moments you feel most in love with yourself - what you’re wearing, who you’re around, what you’re doing. Recreate and repeat.”
    Warsan Shire

  • #292
    Warsan Shire
    “Grandfather’s Hands
     
     
     
     
     
     
    Your grandfather’s hands were brown.
    Your grandmother kissed each knuckle,
     
    circled an island into his palm
    and told him which parts they would share,
    which part they would leave alone.
     
    She wet a finger to draw where the ocean would be
    on his wrist, kissed him there,
    named the ocean after herself.
     
    Your grandfather’s hands were slow but urgent.
    Your grandmother dreamt them,
     
    a clockwork of fingers finding places to own–
    under the tongue, collarbone, bottom lip,
    arch of foot.
     
    Your grandmother names his fingers after seasons–
    index finger, a wave of heat,
    middle finger, rainfall.
     
    Some nights his thumb is the moon
    nestled just under her rib.

    “Your grandparents often found themselves
    in dark rooms, mapping out
    each other’s bodies,
     
    claiming whole countries
    with their mouths.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #293
    Warsan Shire
    “Fire
     
     
     
     
    i
     
    The morning you were made to leave
    she sat on the front steps,
    dress tucked between her thighs,
    a packet of Marlboro Lights
    near her bare feet, painting her nails
    until the polish curdled.
    Her mother phoned–
     
    What do you mean he hit you?
    Your father hit me all the time
    but I never left him.
    He pays the bills
    and he comes home at night,
    what more do you want?
     
    Later that night she picked the polish off
    with her front teeth until the bed you shared
    for seven years seemed speckled with glitter
    and blood.
     
     
     
    ii
     
    On the drive to the hotel, you remember
    “the funeral you went to as a little boy,
    double burial for a couple who
    burned to death in their bedroom.
    The wife had been visited
    by her husband’s lover,
    a young and beautiful woman who paraded
    her naked body in the couple’s kitchen,
    lifting her dress to expose breasts
    mottled with small fleshy marks,
    a back sucked and bruised, then dressed herself
    and walked out of the front door.
    The wife, waiting for her husband to come home,
    doused herself in lighter fluid. On his arrival
    she jumped on him, wrapping her legs around
    his torso. The husband, surprised at her sudden urge,
    carried his wife to the bedroom, where
    she straddled him on their bed, held his face
    against her chest and lit a match.
     
     
     
    iii
     
    A young man greets you in the elevator.
    He smiles like he has pennies hidden in his cheeks.
    You’re looking at his shoes when he says
    the rooms in this hotel are sweltering.
    Last night in bed I swear I thought
    my body was on fire.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #294
    Warsan Shire
    “The Kitchen
     
     
     
     
     
    Half a papaya and a palmful of sesame oil;
    lately, your husband’s mind has been elsewhere.
     
    Honeyed dates, goat’s milk;
    you want to quiet the bloating of salt.
     
    Coconut and ghee butter;
    he kisses the back of your neck at the stove.
     
    Cayenne and roasted pine nuts;
    you offer him the hollow of your throat.
     
    Saffron and rosemary;
    you don’t ask him her name.
     
    Vine leaves and olives;
    you let him lift you by the waist.
     
    Cinnamon and tamarind;
    lay you down on the kitchen counter.
     
    Almonds soaked in rose water;
    your husband is hungry.
     
    Sweet mangoes and sugared lemon;
    he had forgotten the way you taste.

    Sour dough and cumin;
    but she cannot make him eat, like you.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #295
    Warsan Shire
    “Old Spice
     
     
     
     
     
    Every Sunday afternoon he dresses in his old army uniform,
    tells you the name of every man he killed.
    His knuckles are unmarked graves.
     
    Visit him on a Tuesday and he will describe
    the body of every woman he could not save.
    He’ll say she looked like your mother
    and you will feel a storm in your stomach.
     
    Your grandfather is from another generation–
    Russian degrees and a school yard Cuban national anthem,
    communism and religion. Only music makes him cry now.
     
    He married his first love, her with the long curls down
    to the small of her back. Sometimes he would
    pull her to him, those curls wrapped around his hand
    like rope.
     
    He lives alone now. Frail, a living memory
    reclining in a seat, the room orbiting around him.
    You visit him but never have anything to say.
    When he was your age he was a man.
    You retreat into yourself whenever he says your name.
     
    Your mother’s father,
    “the almost martyr,
    can load a gun under water
    in under four seconds.
     
    Even his wedding night was a battlefield.
    A Swiss knife, his young bride,
    his sobs as he held Italian linen between her legs.
     
    His face is a photograph left out in the sun,
    the henna of his beard, the silver of his eyebrows
    the wilted handkerchief, the kufi and the cane.
     
    Your grandfather is dying.
    He begs you Take me home yaqay,
    I just want to see it one last time;
    you don’t know how to tell him that it won’t be
    anything like the way he left it.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #296
    Virginia Woolf
    “The most important thing is not to think very much about oneself. To investigate candidly the charge; but not fussily, not very anxiously. On no account to retaliate by going to the other extreme -- thinking too much.”
    Virginia Woolf, A Writer's Diary

  • #297
    Virginia Woolf
    “But for pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space; the sense also of extreme fixity in passing objects; and sounds very remote and then very close; flesh being gashed and blood spurting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.”
    Virginia Woolf, The Waves



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