Stef > Stef's Quotes

“I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)”
― Sylvia Plath

“Giving is the highest expression of potency. In the very act of giving, I experience my strength, my wealth, my power. This experience of heightened vitality and potency fills me with joy. I experience myself as overflowing, spending, alive, hence as joyous. Giving is more joyous than receiving, not because it is a deprivation, but because in the act of giving lies the expression of my aliveness.”
― Erich Fromm, The Art of Loving

“Will it make me something? Will I be something? Am I something? And the answer comes, already am, always was, and I still have time to be”
― Anis Mojgani

“Cussing doesn’t come from a lack of vocabulary – I know all the other words. None of them speak the same language that my fucking heart does.”
― Anis Mojgani

“You make me feel like honey and trombones. You make me feel like honey and trombones.”
― Anis Mojgani

“When I go, bury me with nothing but my own skin. I spent far too many days trying to outrun this thing called mine. So, if I set myself into your arms would you hold me like the earth, quietly? I am yours. Give me a field, give me a big sky. A mountain. Give me your mouth. I’m just looking for a quiet place that I could die inside of.”
― Anis Mojgani

“People who deny the existence of dragons are often eaten by dragons. From within.”
― Ursula K. Le Guin, The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination

“We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.”
― Ursula K. LeGuin

“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.”
― Ursula K. LeGuin, The Ones Who Walk Away from Omelas

“The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book."

(Staying Awake: Notes on the alleged decline of reading, Harper's Magazine, February 2008)”
― Ursula K. Le Guin

“My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.”
― Ursula K. Le Guin

“As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.”
― Ursula K. Le Guin

“While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.”
― Ursula K. Le Guin

“What is an anarchist? One who, choosing, accepts the responsibility of choice.”
― Ursula K. Le Guin

“What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.”
― Yukio Mishima, The Temple of the Golden Pavilion

“Perfect purity is possible if you turn your life into a line of poetry written with a splash of blood.”
― Yukio Mishima, Runaway Horses

“An ugliness unfurled in the moonlight and soft shadow and suffused the whole world. If I were an amoeba, he thought, with an infinitesimal body, I could defeat ugliness. A man isn’t tiny or giant enough to defeat anything.”
― Yukio Mishima, The Sailor Who Fell from Grace with the Sea

“Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.”
― Yukio Mishima, The Temple of the Golden Pavilion

“Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it's a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won't find another job as dangerous as that. There isn't any fear in existence itself, or any uncertainty, but living creates it.”
― Yukio Mishima, The Sailor Who Fell from Grace with the Sea

“When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.”
― Yukio Mishima, Confessions of a Mask

“Mine was the unbearable jealousy a cultured pearl must feel toward a genuine one. Or can there be such a thing in this world as a man who is jealous of the woman who loves him, precisely because of her love?”
― Yukio Mishima, Confessions of a Mask

“His conviction of having no purpose in life other than to act as a distillation of poison was part of the ego of an eighteen-year-old. He had resolved that his beautiful white hands would never be soiled or calloused. He wanted to be like a pennant, dependent on each gusting wind. The only thing that seemed valid to him was to live for the emotions--gratuitous and unstable, dying only to quicken again, dwindling and flaring without direction or purpose.”
― Yukio Mishima, Spring Snow

“As to animals," said the Count unexpectedly, "whatever one says, I maintain that the rodent family has a certain charm about it."
"The rodent family . . . ?" replied the Baron, not getting the drift at all.
"Rabbits, marmots, squirrels, and the like."
"You have pets of that sort, sir?"
"No, sir, not at all. Too much of an odor. It would be all over the house."
"Ah, I see. Very charming, but you wouldn't have them in the house, is that it?"
"Well, sir, in the first place, they seem to have been ignored by the poets, d'you see. And what has no place in a poem has no place in my house. That's my family rule."
"I see."
"No, I don't keep them as pets. But they're such fuzzy, timid little creatures that I can't help thinking there's no more charming animal."
"Yes, Count, I quite agree."
"Actually, sir, every charming creature, no matter what sort, seems to have a strong odor."
"Yes, indeed, sir. I believe one might say so.”
― Yukio Mishima, Spring Snow

“I love three things, I then say. I love a dream of love I once had, I love you, and I love this patch of earth.

And which do you love best?

The dream.”
― Knut Hamsun, Pan

“Do not forget, some give little, and it is much for them, others give all, and it costs them no effort; who then has given most?”
― Knut Hamsun, Pan

“The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.”
― Knut Hamsun

“The heavy red roses smoldering in the foggy morning, blood-colored and uninhibited, made me greedy, and tempted me powerfully to steal one--I asked the prices merely so I could come as near them as possible.”
― Knut Hamsun, Hunger

“Small jerks began to appear in my legs, my walk became unsteady precisely because I wanted it to be smooth.”
― Knut Hamsun, Hunger

“And the great spirit of darkness spread a shroud over me...everything was silent-everything. But upon the heights soughed the everlasting song, the voice of the air, the distant, toneless humming which is never silent.”
― Knut Hamsun, Hunger

“There are some people who cannot help giving. Why? Because they experience a real psychological pleasure in doing so. They don't do it with an eye to their own advantage, they do it on the quiet; they detest doing it openly because that would take away some of the satisfaction. They do it in secret, with quick trembling hands, their breasts rocked by a spiritual well being which they do not themselves understand.”
― Knut Hamsun, Mysteries