Riley > Riley's Quotes

“Madness does not come by breaking out, but by giving in; by settling down in some dirty, little, self-repeating circle of ideas; by being tamed.”
― G.K. Chesterton, Manalive

“Is the spring coming?" he said. "What is it like?"...
"It is the sun shining on the rain and the rain falling on the sunshine...”
― Frances Hodgson Burnett, The Secret Garden

“She made herself stronger by fighting with the wind.”
― Frances Hodgson Burnett, The Secret Garden

“of being strong and brave. The strong can not be brave. Only the weak can be brave; and yet again, in practice, only those who can be brave can be trusted, in time of doubt, to be strong.”
― G.K. Chesterton, Heretics

“We ought to be interested in that darkest and most real part of a man in which dwell not the vices that he does not display, but the virtues that he cannot.”
― G.K. Chesterton, Heretics

“Take the case of courage. No quality has ever so much addled the brains and tangled the definitions of merely rational sages. Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. 'He that will lose his life, the same shall save it,' is not a piece of mysticism for saints and heroes. It is a piece of everyday advice for sailors or mountaineers. It might be printed in an Alpine guide or a drill book. This paradox is the whole principle of courage; even of quite earthly or brutal courage. A man cut off by the sea may save his life if we will risk it on the precipice.

He can only get away from death by continually stepping within an inch of it. A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine. No philosopher, I fancy, has ever expressed this romantic riddle with adequate lucidity, and I certainly have not done so. But Christianity has done more: it has marked the limits of it in the awful graves of the suicide and the hero, showing the distance between him who dies for the sake of living and him who dies for the sake of dying.”
― G.K. Chesterton, Orthodoxy

“Life's under no obligation to give us what we expect.”
― Margaret Mitchell

“Burdens are for shoulders strong enough to carry them.”
― Margaret Mitchell, Gone with the Wind

“With enough courage, you can do without a reputation.”
― Margaret Mitchell

“Life's under no obligation to give us what we expect. We take what we get and are thankful it's no worse than it is.”
― Margaret Mitchell, Gone with the Wind

“Be the weirdo who dares to enjoy.”
― Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

“You can measure your worth by your dedication to your path, not by your successes or failures.”
― Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

“Recognizing that people's reactions don't belong to you is the only sane way to create. If people enjoy what you've created, terrific. If people ignore what you've created, too bad. If people misunderstand what you've created, don't sweat it. And what if people absolutely hate what you've created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest - as politely as you possibly can - that they go make their own fucking art. Then stubbornly continue making yours.”
― Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

“Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
― Elizabeth Gilbert, Big Magic: How to Live a Creative Life, and Let Go of Your Fear

“creative entitlement simply means believing that you are allowed to be here, and that—merely by being here—you are allowed to have a voice and a vision of your own.”
― Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

“perfectionism is just fear in fancy shoes and a mink coat,”
― Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

“Compassionate people ask for what they need. They say no when they need to, and when they say yes, they mean it. They're compassionate because their boundaries keep them out of resentment.”
― Brené Brown, Rising Strong: The Reckoning. The Rumble. The Revolution

“Vulnerability is not winning or losing; it’s having the courage to show up and be seen when we have no control over the outcome. Vulnerability is not weakness; it’s our greatest measure of courage.”
― Brené Brown, Rising Strong: The Reckoning. The Rumble. The Revolution.

“How can we expect people to put value on our work when we don't value ourselves enough to set and hold uncomfortable boundaries?”
― Brené Brown, Rising Strong: The Reckoning. The Rumble. The Revolution

“When I fully enter time’s swift current, enter into the current moment with the weight of all my attention, I slow the torrent with the weight of me all here.”
― Ann Voskamp, One Thousand Gifts: A Dare to Live Fully Right Where You Are

“His principle can be quite simply stated: he refuses to die while he is still alive. He seeks to remind himself, by every electric shock to the intellect, that he is still a man alive, walking on two legs about the world. For this reason he fires bullets at his best friends; for this reason he arranges ladders and collapsible chimneys to steal his own property; for this reason he goes plodding around a whole planet to get back to his own home; and for this reason he has been in the habit of taking the woman whom he loved with a permanent loyalty, and leaving her about (so to speak) at schools, boarding-houses, and places of business, so that he might recover her again and again with a raid and a romantic elopement. He seriously sought by a perpetual recapture of his bride to keep alive the sense of her perpetual value, and the perils that should be run for her sake.”
― G.K. Chesterton, Manalive

“Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, 'You lie!' No agonies can be too great to buy the right to say to this accuser, 'We also have suffered.”
― G.K. Chesterton, The Man Who Was Thursday: A Nightmare

“Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front--”
― G.K. Chesterton, The Man Who Was Thursday

“Through all this ordeal his root horror had been isolation, and there are no words to express the abyss between isolation and having one ally. It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one. That is why, in spite of a hundred disadvantages, the world will always return to monogamy.”
― G.K. Chesterton, The Man Who Was Thursday: A Nightmare

“I seem to remember only centuries of heroic war, in which you were always heroes--epic on epic, Iliad on Iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself...But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you.”
― G. K. Chesterton, The Man Who Was Thursday

“He wondered why the pelican was the symbol of charity, except it was that it wanted a good deal of charity to admire a pelican.”
― G.K. Chesterton

“You've got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists; they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn't; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists”
― G.K. Chesterton, The Man Who Was Thursday: A Nightmare

“Who would condescend to strike down the mere things that he does not
fear? Who would debase himself to be merely brave, like any common
prizefighter? Who would stoop to be fearless--like a tree? Fight the
thing that you fear. You remember the old tale of the English clergyman
who gave the last rites to the brigand of Sicily, and how on his
death-bed the great robber said, 'I can give you no money, but I can
give you advice for a lifetime: your thumb on the blade, and strike
upwards.' So I say to you, strike upwards, if you strike at the stars.”
― G.K. Chesterton, The Man Who Was Thursday: A Nightmare

“There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical...It is things going right," he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry...the most poetical thing in the world is not being sick.”
― G.K. Chesterton, The Man Who Was Thursday: A Nightmare

“It never occurred to him to be spiritually won over to the enemy. Many moderns, inured to a weak worship of intellect and force, might have wavered in their allegiance under this oppression of a great personality. . . . But this was a kind of modern meanness to which Syme could not sink even in his extreme morbidity. Like any man, he was coward enough to fear great force; but he was not coward enough to admire it.”
― G.K. Chesterton, The Man Who Was Thursday