Bert Hubinger > Bert's Quotes

“One is happy once one knows the necessary ingredients of happiness: simple tastes, a certain degree of courage, self denial to a point, love of work, and above all, a clear conscience.”
― George Sand, Correspondance, 1812-1876; Volume 5

“Mike nodded. A sombre nod. The nod Napoleon might have given if somebody had met him in 1812 and said, "So, you're back from Moscow, eh?”
― P.G. Wodehouse , Mike and Psmith

“When rivers flooded, when fire fell from the sky, what a fine place the library was, the many rooms, the books. With luck, no one found you. How could they!--when you were off to Tanganyika in '98, Cairo in 1812, Florence in 1492!?”
― Ray Bradbury, Something Wicked This Way Comes

“The United States tried, by depressing the clutch of diplomacy and downshifting the gearshift lever of rhetoric, to remain neutral, but it became increasingly obvious that the nation was going to get into a war, especially since it was almost 1812.”
― Dave Barry, Dave Barry Slept Here: A Sort of History of the United States

“History is the memory of States.”
― Henry Kissinger, A World Restored: Metternich, Castlereagh and the Problems of Peace, 1812-1822

“You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summer’s wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in ‘75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and plowing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment.”
― Henry David Thoreau, Henry David Thoreau: A Week, Walden, The Maine Woods, Cape Cod

“There's no present left. This is the problem for a novelist. [The problem] is the present is gone. We're all living in the future constantly . . . Back in the day Leo Tolstoy -- what a sweetheart of a count and of a writer -- in the 1860's he wanted to write about the Napoleonic Campaign, about 1812. If you write about 1812 in 1860, a horse is still a horse. A carriage is still a carriage. Obviously, there are been some technological advancements, et cetera, but you don't have to worry about explaining the next killer [iPhone] app or the next Facebook because right now things are happening so quickly. ("Gary Shteyngart: Finding 'Love' In A Dismal Future", NPR interview, August 2, 2010)”
― Gary Shteyngart

“Nonsense. Everyone knows Canadians are a peaceful people.” He was laughing now.
“Tell that to the White House circa 1812,” I told him.
“Oh? Why?”
“Because that’s the year the peace-loving Canadians burned it to the ground.”
Dominick grabbed an empty bottle and jumped onto his chair. The room got silent in an instant as everyone paused to look at him. “Cheers to 1812.” He lifted his empty bottle.
The whole room whooped and raised their full glasses, howling in unison.
I could barely hear over the sound of my own laughter.”
― Sierra Dean, Keeping Secret

“The Gedalists were nearly run down by a Dodge truck on which two grand pianos had been loaded: two uniformed officers were playing, in unison, with gravity and commitment, the 1812 Overture of Tchaikowsky, while the driver wove among the wagons with brusque swerves, pressing the siren at full volume, heedless of the pedestrians in his way.”
― Primo Levi, If Not Now, When?

“Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.”
― Michael Cunningham, By Nightfall

“And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.”
― Leo Tolstoy, War and Peace

“Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin.
He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.”
― Amy Plum, If I Should Die

“Never in the history of American warfare has this nation witnessed such an exhibition of cowardice, indecisiveness, incompetence, and laziness in the army’s senior officer ranks. Battle after battle was lost, untrained troops were sacrificed in fights they could never win, territories won were quickly squandered, and the chain of command was ignored to near-treasonous levels.”
― Dennis Byrne, Madness: The War of 1812

“America at a turning point! But in 1813 the United States and Nathan Jeffries may lose everything; blockaded, imprisoned, raided, massacred, Americans are feeling the wrath of British forces on land and sea. Nathan Jeffries, son of Captain William Jeffries and Quaker wife Amy, is also haunted by betrayal and a relentless, deadly enemy seeking to destroy him. Facing his own worst fears, Nathan is hunter and hunted in a violent world at war.”
― Bert J. Hubinger, 1813: Reprisal

“Huzzah! Free Trade and Sailors' Rights! But instead American ships are captured and sailors impressed by the thousands into the British Navy, becoming slaves to the lash, while the United States has virtually no navy to back them up. Baltimore native, Nathan Jeffries, son of an American hero, Captain William Jeffries, and his Quaker wife, Amy, is haunted by the memories of his fiancee, his best friend, his enemy's woman and his betrayal. Chesapeake Bay is no refuge aboard his father's brig Bucephalus;facing his worst fears, he is chased and captured by armed privateer schooner Scourge. In a violent world at war, Nathan must break his most solemn promise to his mother. For Nathan and the young United States, 1812 would severely challenge rights of passage.”
― Bert J. Hubinger, 1812: Rights of Passage