Kylie > Kylie's Quotes

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“It was the best of times, it was the worst of times.”
― Charles Dickens, A Tale of Two Cities

“Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.”
― Tana French, Broken Harbour

“Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.”
― Oscar Wilde, De Profundis

“Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.”
― Oscar Wilde, The Canterville Ghost

“I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.”
― Tana French, In the Woods

“Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.”
― Tana French, In the Woods

“Wisely and slow; they stumble that run fast.”
― William Shakespeare, Romeo and Juliet

“My ability to turn good news into anxiety is rivaled only by my ability to turn anxiety into chin acne.”
― Tina Fey, Bossypants

“You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
― Oscar Wilde, The Picture of Dorian Gray

“I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it.”
― Gillian Flynn, Dark Places

“Coffee goes great with sudden death.”
― Gillian Flynn, Dark Places

“I was not a lovable child, and I'd grown into a deeply unlovable adult. Draw a picture of my soul, and it'd be a scribble with fangs.”
― Gillian Flynn, Dark Places

“Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
― Gillian Flynn, Gone Girl

“There’s something disturbing about recalling a warm memory and feeling utterly cold.”
― Gillian Flynn, Gone Girl

“The face you give the world tells the world how to treat you.”
― Gillian Flynn, Sharp Objects

“It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.”
― Gillian Flynn, Gone Girl

“There's a difference between really loving someone and loving the idea of her.”
― Gillian Flynn, Gone Girl

“I feel myself trying to be charming, and then I realize I’m obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I’ve basically turned into Liza Minnelli: I’m dancing in tights and sequins, begging you to love me. There’s a bowler and jazz hands and lots of teeth.”
― Gillian Flynn, Gone Girl

“A lot of people lacked that gift: knowing when to fuck off.”
― Gillian Flynn, Gone Girl

“Sometimes if you let people do things to you, you're really doing it to them.”
― Gillian Flynn, Sharp Objects

“There was nothing I wanted to do more than be unconscious again, wrapped in black, gone away. I was raw. I felt swollen with potential tears, like a water balloon filled to burst. Begging for a pin prick.”
― Gillian Flynn, Sharp Objects

“Safer to be feared than loved.”
― Gillian Flynn, Sharp Objects

“I felt something loosen in me, that shouldn't have loosened. A stitch come undone.”
― Gillian Flynn, Dark Places

“Like walking through a door. Our relationship immediately attained a sepia tone: the past.”
― Gillian Flynn, Gone Girl

“To spend a life in dreams, that sounded too lovely.”
― Gillian Flynn, Sharp Objects

“I just think some women aren't made to be mothers. And some women aren't made to be daughters.”
― Gillian Flynn, Sharp Objects

“It's impossible to compete with the dead. I wished I could stop trying.”
― Gillian Flynn, Sharp Objects

“They always call depression the blues, but I would have been happy to waken to a periwinkle outlook. Depression to me is urine yellow, washed out, exhausted miles of weak piss.”
― Gillian Flynn, Sharp Objects

“This is the unforgiving light of the morning, time to drop the illusion.”
― Gillian Flynn, Sharp Objects