Max > Max's Quotes

“Today the individual has become the highest form, and the greatest bane, of artistic creation. The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny each other's existence. We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal.”
― Ingmar Bergman

“The world is a den of thieves, and night is falling. Evil breaks its chains and runs through the world like a mad dog. The poison affects us all. No one escapes. Therefore let us be happy while we are happy. Let us be kind, generous, affectionate and good. It is necessary and not at all shameful to take pleasure in the little world.”
― Ingmar Bergman

“Sometimes I go for days without speaking to a soul. I think, “I should make that call", but I put it off. Because there’s something pleasurable about not talking. But then I love talking, so it’s not that. But sometimes it can be nice. It’s not like I sit here philosophizing, because I’ve no talent for that. It’s just this thing about silence that’s so wonderful.”
― Ingmar Bergman

“I usually take a walk after breakfast, write for three hours, have lunch and read in the afternoon. Demons don’t like fresh air - they prefer it if you stay in bed with cold feet; for a person who is as chaotic as me, who struggles to be in control, it is an absolute necessity to follow these rules and routines. If I let myself go, nothing will get done.”
― Ingmar Bergman

“When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence.”
― Ingmar Bergman

“Everyone likes happiness, no one likes pain. But you can't have a rainbow without a little rain.”
― Ingmar Bergman

“Actually it deals ("as usual" I was about to say!) with Life, Love and Death. Because nothing in fact is more important. To occupy oneself with. To think of. To worry over. To be happy about. And so on.”
― Ingmar Bergman, Face to Face: A Film

“I once had a dream, or a vision, and I imagined that dream to be of importance to other people, so I wrote the manuscript and made the film. But it is not until the moment when my dream meets with your emotions and your minds that my shadows come to life. It is your recognition that brings them to life. It is your indifference that kills them. I hope that you will understand; that you when you leave the cinema will take with you an experience or a sudden thought—or maybe a question. The efforts of my friends and myself have then not been in vain…”
― Ingmar Bergman

“I make all my decisions on intuition. But then, I must know why I made that decision. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.”
― Ingmar Bergman

“There is no end. There is no beginning. There is only the infinite passion of life. ”
― Fellini

“You have to live spherically - in many directions. Never lose your childish enthusiasm - and things will come your way.”
― Federico Fellini

“Don't tell me what I'm doing; I don't want to know.”
― Federico Fellini

“Life is a combination of magic and pasta.”
― Federico Fellini

“I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.”
― Federico Fellini

“There is abundant testimony that if we choose love rather than self, we gain immeasurably.”
― Federico Fellini

“Let everything that's been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
― Andrei Tarkovsky

“...what nobody seems to understand is that love can only be one-sided, that no other love exists, that in any other form it is not love. If it involves less than total giving, it is not love. It is impotent; for the moment it is nothing.”
― Andrei Tarkovsky

“My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child—incidentally children understand my pictures very well, and I haven’t met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.”
― Andrei Tarkovsky

“The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.”
― Andrei Tarkovsky

“Of course life has no point. If it had, man would not be free, he'd become a slave to that point and his life would be governed by completely new criteria: the criteria of slavery. Like an animal, the point of whose life is that life itself, the continuation of the species.
An animal carries out its slavish activities because it can feel the point of its life instinctively. Therefore its sphere is restricted. Man, on the other hand, claims to aspire to the absolute.”
― Andrei Tarkovsky, Journal 1970-1986

“I see it as my duty to stimulate reflection on what is essentially human and eternal in each individual soul, and which all too often a person will pass by, even though his fate lies in his hands. He is too busy chasing after phantoms and bowing down to idols. In the end, everything can be reduced to the one simple element which is all a person can count upon in his existence: the capacity to love. That element can grow within the soul to become the supreme factor which determines the meaning of a person's life. My function is to make whoever sees my films aware of his need to love and to give his love, and aware that beauty is summoning him.”
― Andrei Tarkovsky, Sculpting in Time

“What will our children be like ? A lot depends on us. But it's up to them as well. What must be alive in them is a striving for freedom. That depends on us. People who have been born into slavery find it hard to lose the habit.”
― Andrei Tarkovsky, Journal 1970-1986

“Do not be afraid to take a chance on peace, to teach peace, to live peace...Peace will be the last word of history.”
― John Paul II

“The very meaninglessness of life forces man to create his own meaning. Children, of course, begin life with an untarnished sense of wonder, a capacity to experience total joy at something as simple as the greenness of a leaf; but as they grow older, the awareness of death and decay begins to impinge on their consciousness and subtly erode their joie de vivre, their idealism – and their assumption of immortality. As a child matures, he sees death and pain everywhere about him, and begins to lose faith in the ultimate goodness of man. But, if he’s reasonably strong – and lucky – he can emerge from this twilight of the soul into a rebirth of life’s elan. Both because of and in spite of his awareness of the meaninglessness of life, he can forge a fresh sense of purpose and affirmation. He may not recapture the same pure sense of wonder he was born with, but he can shape something far more enduring and sustaining. The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the boundaries of death – however mutable man may be able to make them – our existence as a species can have genuine meaning and fulfillment. However vast the darkness, we must supply our own light.”
― Stanley Kubrick

“A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.”
― Stanley Kubrick

“Observation is a dying art.”
― Stanley Kubrick, Stanley Kubrick: Interviews

“You sit at the board and suddenly your heart leaps. Your hand trembles to pick up the piece and move it. But what chess teaches you is that you must sit there calmly and think about whether it's really a good idea and whether there are other, better ideas.”
― Stanley Kubrick

“If chess has any relationship to film-making, it would be in the way it helps you develop patience and discipline in choosing between alternatives at a time when an impulsive decision seems very attractive.”
― Stanley Kubrick

“I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized "realistic" story in which a great deal of selectivity and omission has to occur in order to preserve its "realist" style.”
― Stanley Kubrick

“I don't have the slightest doubt that to tell a story like this, you couldn't do it with words. There are only 46 minutes of dialogue scenes in the film, and 113 of non-dialogue. There are certain areas of feeling and reality—or unreality or innermost yearning, whatever you want to call it—which are notably inaccessible to words. Music can get into these areas. Painting can get into them. Non-verbal forms of expression can. But words are a terrible straitjacket. It's interesting how many prisoners of that straitjacket resent its being loosened or taken off. There's a side to the human personality that somehow senses that wherever the cosmic truth may lie, it doesn't lie in A, B, C, D. It lies somewhere in the mysterious, unknowable aspects of thought and life and experience. Man has always responded to it. Religion, mythology, allegories—it's always been one of the most responsive chords in man. With rationalism, modern man has tried to eliminate it, and successfully dealt some pretty jarring blows to religion. In a sense, what's happening now in films and in popular music is a reaction to the stifling limitations of rationalism. One wants to break out of the clearly arguable, demonstrable things which really are not very meaningful, or very useful or inspiring, nor does one even sense any enormous truth in them.”
― Stanley Kubrick