Daniel > Daniel's Quotes

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  • #1
    David Wojnarowicz
    “Darkness has completely descended onto the landscape and I stood up and stretched my arms above my head and I wondered what it would be like if it were a perfect world. Only god knows. And he is dead.”
    David Wojnarowicz, Close to the Knives: A Memoir of Disintegration

  • #2
    David Wojnarowicz
    “With all these occurrences of death facing me, I thought about issues of freedom. If government projects the idea that we, as people inhabiting this particular land mass, have freedom, then for the rest of our lives we will go out and find what appear to be the boundaries and smack against them like a heart against the rib cage. If we reveal boundaries in the course of our movements, then we will expose the inherent lie in the use of the word freedom. I want to keep breathing and moving until I arrive at a place where motion and strength and relief intersect. I don't know what's ahead of me in the course of my life and this civilization. I just don't feel I have reached the necessary things inside my history that would ease the pressure in my skull and in my future and in my present. It is exhausting, living in a population where people don't speak up if what they witness doesn't directly threaten them.”
    David Wojnarowicz, Close to the Knives: A Memoir of Disintegration

  • #3
    Jean Genet
    “Limited by the world, which I oppose, jagged by it, I shall be all the more handsome and sparkling as the angles which wound me and give me shape are more acute and the jagging more cruel.”
    Jean Genet, The Thief's Journal

  • #4
    Jean Genet
    “...beauty is the projection of ugliness and by developing certain monstrosities we obtain the purest ornaments.”
    Jean Genet, Miracle of the Rose

  • #5
    Samuel R. Delany
    “The pleasures of love are really quite wonderful--though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering.”
    Samuel R. Delany, Conversations with Samuel R. Delany

  • #6
    Jean Genet
    “Thereafter, he ennobled shame. He bore it in my presence like a burden, like a tiger clinging to his shoulders, the threat of which imparted to his shoulders a most insolent submissiveness.”
    Jean Genet, The Thief's Journal

  • #7
    William W. Purkey
    “You've gotta dance like there's nobody watching,
    Love like you'll never be hurt,
    Sing like there's nobody listening,
    And live like it's heaven on earth.”
    William W. Purkey

  • #8
    James P. Carse
    “Strength is paradoxical. I am not strong because I can force others to do what I wish as a result of my play with them, but because I can allow them to do what they wish in the course of my play with them.”
    James P. Carse, Finite and Infinite Games: A Vision of Life as Play and Possibility

  • #9
    Samuel R. Delany
    “Neurotics, proceed with delusions of grandeur. Napoleon Bonaparte, take the lead. Jesus Christ, bring up the rear. Simulate severe depression. Non-communicative with repressed hostility.”
    Samuel R. Delany, Babel-17

  • #10
    “What better allies are there than those organized around their own needs and demands, a functional and not merely charitable alliance?”
    Amy Sonnie, Hillbilly Nationalists, Urban Race Rebels, and Black Power: Community Organizing in Radical Times

  • #11
    Gabor Maté
    “Not why the addiction but why the pain.”
    Gabor Maté

  • #12
    “When you go to power without a base, your demand becomes a request.”
    Barbara Major, Mentoring Faculty of Color: Essays on Professional Development and Advancement in Colleges and Universities

  • #13
    Johann Wolfgang von Goethe
    “Ich habe so viel, und die Empfindung an ihr verschlingt alles; ich habe so viel, und ohne sie wird mir alles zu Nichts.”
    Johann Wolfgang von Goethe, The Sorrows of Young Werther

  • #14
    Ursula K. Le Guin
    “When action grows unprofitable, gather information; when information grows unprofitable, sleep.”
    Ursula K. LeGuin, The Left Hand of Darkness

  • #15
    David Wojnarowicz
    “I lean back and tilt my head so all I see are the clouds in the sky. I'm looking back inside my head with my eyes wide open. I still don't know where I'm going; I decided I'm not crazy or alien. It's just that I'm more like one of those kids they find in remote jungles or forests []. A wolf child. And they've dragged me into this fucking schizo-culture, snarling and spitting and walking around on curled knuckles.”
    David Wojnarowicz, The Waterfront Journals

  • #16
    John   Waters
    “Our assholes will be clean but we must never wash our hands. Our immune systems will be strengthened by our being dirty. Not filthy. Just mildly grimy. Filthy fingernails have always been a favorite fashion accessory of mine. Especially when you place your hands in the prayer positions. Matter of fact, I urge all my followers to forgo nail polish permanently and replace it with expertly applied soot. The nonexistent gods above will ignore our prayers better this way.”
    John Waters, Role Models

  • #17
    John   Waters
    “I'd rather have a daughter in a whorehouse than a son in the police force,' Esther used to rage to anyone who would listen.”
    John Waters, Role Models

  • #18
    “As they walked out onto Second Avenue, with David in a body bag, there was one last surreal moment. The singer and composer Diamanda Galás happened to be walking by. She and David had never met, but they'd spoken once on the phone. She shared his commitment to addressing AIDS, in her case through 'The Plague Mass,' which showcased her five-octave range and fierce persona.
    Galás does not remember being on Second Avenue that night, but she made an indelible impression on Zimmerman and Glantzman.
    She had walked by, but as they were putting David into the hearse, she spun around and ran back, yelling, 'Who is that? Is that David Wojnarowicz?' Zimmerman and Brown didn't answer. What Glantzman remembers is that Diamanda Galás was there at the door, screaming. 'As if our feelings were amplified,' said Glantzman. 'Hysterical screaming.”
    Cynthia Carr, Fire in the Belly: The Life and Times of David Wojnarowicz

  • #19
    Samuel R. Delany
    “stupidity: a process, not a state. A human being takes in far more information than he or she can put out. “Stupidity” is a process or strategy by which a human, in response to social denigration of the information she or he puts out, commits him or herself to taking in no more information than she or he can put out. (Not to be confused with ignorance, or lack of data.) Since such a situation is impossible to achieve because of the nature of mind/perception itself in its relation to the functioning body, a continuing downward spiral of functionality and/or informative dissemination results,’ and he understood why! ‘The process, however, can be reversed,’ the voice continued, ‘at any time.”
    Samuel R. Delany, Stars in My Pocket Like Grains of Sand

  • #20
    “I ended up going into this big art historical argument.' [Barry Blinderman] invoked, for example, Matthias Grünewald’s Isenheim altarpiece, painted in the sixteenth century for a monastery where monks cared for people with skin diseases—so the suffering Christ in that painting shows symptoms of skin disease. 'It’s because he’s the man of sorrows,' Blinderman argued. 'He takes on the suffering of the world. So if Christ were to appear physically today, one of the sicknesses he would have to take on would be drug addiction.”
    Cynthia Carr, Fire in the Belly: The Life and Times of David Wojnarowicz

  • #21
    Helen Oyeyemi
    “Please tell a story about a girl who gets away.”
    I would, even if I had to adapt one, even if I had to make one up just for her. “Gets away from what, though?”
    “From her fairy godmother. From the happy ending that isn’t really happy at all. Please have her get out and run off the page altogether, to somewhere secret where words like ‘happy’ and ‘good’ will never find her.”
    “You don’t want her to be happy and good?”
    “I’m not sure what’s really meant by happy and good. I would like her to be free. Now. Please begin.”
    Helen Oyeyemi, White Is for Witching

  • #22
    Sarah Schulman
    “It drives me crazy how quickly the great ones get canonized. 'Blah-blah-blah is such a terrible loss.' Does that mean that the death of one mediocre slob is not as terrible? Do fags have to be geniuses to justify living?”
    Sarah Schulman, Rat Bohemia

  • #23
    Paulo Freire
    “But one does not liberate someone by alienating them. Authentic liberation--the process of humanization--is not another deposit to be made in a person. Liberation is a praxis: action and reflection upon the world in order to transform it. Those truly committed to the cause of liberation can accept neither the mechanistic concept of consciousness as an empty vessel to be filled, nor the use of banking [pedagogical] methods of domination (propaganda, slogans--deposits) in the name of liberation.”
    Paulo Freire, Pedagogy of the Oppressed

  • #24
    Paulo Freire
    “In a situation of manipulation, the Left is almost always tempted by a “quick return to power,” forgets the necessity of joining with the oppressed to forge an organization, and strays into an impossible “dialogue” with the dominant elites. It ends by being manipulated by these elites, and not infrequently itself falls in an elitist game, which it calls “realism.”

    Manipulation, like the conquest whose objectives it serves, attempts to anesthetize the people so they will not think. For if the people join to their presence in the historical process critical thinking about that process, the threat of their emergence materializes in revolution…One of the methods of manipulation is to inoculate individuals with the bourgeois appetite for personal success. This manipulation is sometimes carried out directly by the elites and sometimes indirectly, through populist leaders.”
    Paulo Freire, Pedagogy of the Oppressed

  • #25
    Philip K. Dick
    “We didn't have sense enough to take care of it. Now it's torn. And the artist is dead.”
    Philip K. Dick, The Selected Stories of Philip K. Dick, Volume 1

  • #26
    Philip K. Dick
    “Thank you, Mr. Bibleman," the robot said. 'I am very proud of you.”
    Philip K. Dick, The Selected Stories of Philip K. Dick, Volume 1

  • #27
    Mattilda Bernstein Sycamore
    “cruise the ones in the flesh, not the ghosts on the internet”
    Mattilda Bernstein Sycamore, Why Are Faggots So Afraid of Faggots?: Flaming Challenges to Masculinity, Objectification, and the Desire to Conform

  • #28
    Weiwei Ai
    “At different times I've worked in different mediums. For me, the variation is not an artistic judgment, but a necessary choice. It's just as normal to eat with chopsticks, as it is to eat with forks or hands. Different circumstances call for different tools. I try to express ideas with the most appropriate available materials and forms. Very often the medium comes first, and then my reasons for it. Sometimes, I work with a medium I don't like out of curiosity. It is an experiment to challenge my pre-existing concepts and tastes. I've taken hundreds and thousands of photographs, and it's not because I like the medium. I wanted something to parallel my daily activities, and photography is the most logical way of doing that. I filmed documentaries because the medium reflects real conditions the most completely. I don't think artists should only work with what is handiest and most familiar, because the unfamiliar provides a challenge, and it creates another language. It defines the condition for new possibilities.”
    Ai Weiwei

  • #29
    Candy Darling
    “I'm a thousand different people. Every one is real.”
    Candy Darling, My Face for the World to See: The Diaries, Letters, and Drawings of Candy Darling, Andy Warhol Superstar

  • #30
    Candy Darling
    “Do what you can because there are many things that need doing.”
    Candy Darling, My Face for the World to See: The Diaries, Letters, and Drawings of Candy Darling, Andy Warhol Superstar



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