Veronica > Veronica's Quotes

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  • #1
    George Eliot
    “But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
    George Eliot, Middlemarch

  • #2
    Sebastian Faulks
    “Memory is the only thing that binds you to earlier selves; for the rest, you become an entirely different being every decade or so, sloughing off the old persona, renewing and moving on. You are not who you were, he told her, nor who you will be.”
    Sebastian Faulks, Charlotte Gray

  • #3
    Bob Dylan
    “Even if you don't have all the things you want, be grateful for the things you don't have that you don't want (Bob Dylan's dad)”
    Bob Dylan, Chronicles, Volume One

  • #4
    Mihály Csíkszentmihályi
    “Enjoyment appears at the boundary between boredom and anxiety, when the challenges are just balanced with the person's capacity to act.”
    Mihaly Csikszentmihalyi

  • #6
    Rebecca West
    “I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat, or a prostitute.”
    Rebecca West, The Young Rebecca: Writings, 1911-1917

  • #6
    Ingrid Betancourt
    “In this condition of the most devastating humiliation, I still possessed the most precious of liberties, that no-one could take away from me: that of deciding who I wanted to be.”
    Ingrid Betancourt, Even Silence Has an End: My Six Years of Captivity in the Colombian Jungle

  • #7
    Hilary Mantel
    “Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.”
    Hilary Mantel

  • #8
    Colette
    “There are no ordinary cats.”
    Colette
    tags: cats

  • #9
    Robert Louis Stevenson
    “There are no foreign lands. It is the traveler only who is foreign.”
    Robert Louis Stevenson, The Silverado Squatters

  • #10
    Franklin D. Roosevelt
    “The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little.”
    Franklin D. Roosevelt

  • #11
    Henry Miller
    “The moment one gives close attention to anything, even a blade of grass, it becomes a mysterious, awesome, indescribably magnificent world in itself.”
    Henry Miller

  • #12
    Tell me, what is it you plan to do with your one wild and precious
    “Tell me, what is it you plan to do
    with your one wild and precious life?”
    Mary Oliver

  • #13
    Thomas Mann
    “A writer is someone for whom writing is more difficult than it is for other people.”
    Thomas Mann, Essays of Three Decades

  • #14
    Dorothea Lange
    “The camera is an instrument that teaches people how to see without a camera.”
    Dorothea Lange

  • #15
    Antonio Machado
    “Wanderer, your footsteps are the road, and nothing more; wanderer, there is no road, the road is made by walking. By walking one makes the road, and upon glancing behind one sees the path that never will be trod again. Wanderer, there is no road-- Only wakes upon the sea.

    Caminante, son tus huellas el camino, y nada más; caminante, no hay camino, se hace camino al andar. Al andar se hace camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. Caminante, no hay camino, sino estelas en la mar.”
    Antonio Machado, Campos de Castilla

  • #16
    Hilary Mantel
    “History is not the past – it is the method we have evolved of organising our ignorance of the past”
    Hilary Mantel

  • #17
    Elizabeth Jane Howard
    “He always -- or always tried -- to do things from larger principles, not out of what he felt about people, or any particular people, but what he thought people ought to feel about -- humanity. He wasn't really interested in people singly or personally.”
    Elizabeth Jane Howard, After Julius

  • #18
    Elizabeth Jane Howard
    “... the house seemed filled with dusty sunlight, which rose politely from wherever it had been resting on floors and windowsills, and then hung motionless and golden in the air until they moved to another room.”
    Elizabeth Jane Howard, The Long View

  • #19
    Rebecca West
    “You must always believe that life is as extraordinary as music says it is.”
    Rebecca West, The Fountain Overflows

  • #20
    Ralph Waldo Emerson
    “Let me never fall into the vulgar mistake of dreaming that I am persecuted whenever I am contradicted.”
    Ralph Waldo Emerson, Emerson in His Journals

  • #21
    F. Scott Fitzgerald
    “They were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made.”
    F. Scott Fitzgerald, The Great Gatsby

  • #22
    Ralph Waldo Emerson
    “Write it on your heart
    that every day is the best day in the year.
    He is rich who owns the day, and no one owns the day
    who allows it to be invaded with fret and anxiety.

    Finish every day and be done with it.
    You have done what you could.
    Some blunders and absurdities, no doubt crept in.
    Forget them as soon as you can, tomorrow is a new day;
    begin it well and serenely, with too high a spirit
    to be cumbered with your old nonsense.

    This new day is too dear,
    with its hopes and invitations,
    to waste a moment on the yesterdays.”
    Ralph Waldo Emerson, Collected Poems and Translations

  • #23
    Niall Williams
    “Her mind was like a bookcase whose shelves had been pulled away, leaving the books pell-mell. All the stories of her life were in there, only confounded one into the other.”
    Niall Williams, This Is Happiness

  • #24
    Niall Williams
    “Nobody in Faha could remember when it started. Rain there on the western seaboard was a condition of living. It came straight-down and sideways, frontwards, backwards and any other wards God could think of. It came in sweeps, in waves, sometimes in veils. It came dressed as drizzle, as mizzle, as mist, as showers, frequent and widespread, as a wet fog, as a damp day, a drop, a dripping, and an out-and-out downpour. It came the fine day, the bright day, and the day promised dry. It came at any time of the day and night, and in all seasons, regardless of calendar and forecast, until in Faha your clothes were rain and your skin was rain and your house was rain with a fireplace. It came off the grey vastness of an Atlantic that threw itself against the land like a lover once spurned and resolved not to be so again. It came accompanied by seagulls and smells of salt and seaweed. It came with cold air and curtained light. It came like a judgment, or, in benign version, like a blessing God had forgotten he had left on. It came for a handkerchief of blue sky, came on westerlies, sometimes—why not?—on easterlies, came in clouds that broke their backs on the mountains in Kerry and fell into Clare, making mud the ground and blind the air. It came disguised as hail, as sleet, but never as snow. It came softly sometimes, tenderly sometimes, its spears turned to kisses, in rain that pretended it was not rain, that had come down to be closer to the fields whose green it loved and fostered, until it drowned them.”
    Niall Williams, This is Happiness

  • #25
    Niall Williams
    “It seems to me the quality that makes any book, music, painting worthwhile is life, just that. Books, music, painting are not life, can never be as full, rich, complex, surprising or beautiful, but the best of them can catch an echo of that, can turn you back to look out the window, go out the door aware that you’ve been enriched, that you have been in the company of something alive that has caused you to realise once again how astonishing life is, and you leave the book, gallery or concert hall with that illumination, which feels I’m going to say holy, by which I mean human raptness.”
    Niall Williams, This Is Happiness

  • #26
    Niall Williams
    “The evenings that fell then were like embroidered cloths, warm and blue before the stars came out, a living embodiment of the soft permissive comfort in the sound May. Say it and you sound the evening coming down over Faha and the fields about, the cattle standing in them and the river behind the street wearing the navy sky like a favoured scarf. May. A sound that comes around you. A sound that has your mother in it.”
    Niall Williams, History of the Rain

  • #27
    Gustave Flaubert
    “La parole humaine est comme un chaudron fêlé où nous battons des mélodies à faire danser les ours, quand on voudrait attendrir les étoiles.”
    Gustave Flaubert, Madame Bovary

  • #28
    Evelyn Waugh
    “Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people’s conversation. One has for one’s raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them.”
    Evelyn Waugh

  • #29
    Sylvia Townsend Warner
    “And here am I, she thought, fixed in the religious life like a candle on a spike. I consume, I burn away, always lighting the same corner, always beleaguered by the same shadows; and in the end I shall burn out and another candle will be fixed in my stead.”
    Sylvia Townsend Warner, The Corner That Held Them

  • #30
    Sylvia Townsend Warner
    “There is pleasure in watching the sophistries of mankind, his decisions made and unmade like the swirl of a mill-race, causation sweeping him forward from act to act while his reason dances on the surface of action like a pattern of foam. Yes, and the accumulations of human reason, she thought, the proofs we all assent to, the truths established beyond shadow of doubt, these are like the stale crusts of foam that lie along the river-bank and look solid enough, till a cloudburst further up the valley sends down a force of water that breaks them up and sweeps them away.”
    Sylvia Townsend Warner, The Corner That Held Them



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