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  • #1
    C.P. Snow
    “A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is the scientific equivalent of: Have you read a work of Shakespeare's?
    I now believe that if I had asked an even simpler question -- such as, What do you mean by mass, or acceleration, which is the scientific equivalent of saying, Can you read? -- not more than one in ten of the highly educated would have felt that I was speaking the same language. So the great edifice of modern physics goes up, and the majority of the cleverest people in the western world have about as much insight into it as their neolithic ancestors would have had.”
    C.P. Snow

  • #2
    Aaron Swartz
    “Be curious. Read widely. Try new things. What people call intelligence just boils down to curiosity.”
    Aaron Swartz

  • #3
    Thomas Pynchon
    “If they can get you asking the wrong questions, they don't have to worry about answers.”
    Thomas Pynchon, Gravity’s Rainbow

  • #4
    Alfred Bester
    “Faith in faith' he answered himself. 'It isn't necessary to have something to believe in. It's only necessary to believe that somewhere there's something worthy of belief.”
    Alfred Bester, The Stars My Destination

  • #5
    Jonathan Franzen
    “Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular. But the realism is merely a mask for depression's actual essence, which is an overwhelming estrangement from humanity. The more persuaded you are of your unique access to the rottenness, the more afraid you become of engaging with the world; and the less you engage with the world, the more perfidiously happy-faced the rest of humanity seems for continuing to engage with it.”
    Jonathan Franzen, How to Be Alone

  • #6
    David Foster Wallace
    “The next suitable person you’re in light conversation with, you stop suddenly in the middle of the conversation and look at the person closely and say, “What’s wrong?” You say it in a concerned way. He’ll say, “What do you mean?” You say, “Something’s wrong. I can tell. What is it?” And he’ll look stunned and say, “How did you know?” He doesn’t realize something’s always wrong, with everybody. Often more than one thing. He doesn’t know everybody’s always going around all the time with something wrong and believing they’re exerting great willpower and control to keep other people, for whom they think nothing’s ever wrong, from seeing it.”
    David Foster Wallace, The Pale King

  • #7
    A.A. Milne
    “You can't stay in your corner of the Forest waiting for others to come to you. You have to go to them sometimes.”
    A.A. Milne, Winnie-the-Pooh

  • #8
    Leo Tolstoy
    “At school he had done things which had formerly seemed to him very horrid and made him feel disgusted with himself when he did them; but when later on he saw that such actions were done by people of good position and that they did not regard them as wrong, he was able not exactly to regard them as right, but to forget about them entirely or not be at all troubled at remembering them.”
    Leo Tolstoy, The Death of Ivan Ilych and Other Stories

  • #9
    Leo Tolstoy
    “There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.”
    Leo Tolstoy, A Confession

  • #10
    Dave Eggers
    “You know how you finish a bag of chips and you hate yourself? You know you’ve done nothing good for yourself. That’s the same feeling, and you know it is, after some digital binge. You feel wasted and hollow and diminished.”
    Dave Eggers, The Circle

  • #11
    Constantin Stanislavski
    “Every person who is really an artist desires to create inside of himself another, deeper, more interesting life than the one that actually surrounds him.”
    Constantin Stanislavski

  • #12
    Ursula K. Le Guin
    “I was afraid I'd fail. So I didn't work.'

    And there it was, plain as a glass of water, the truth, which he had never admitted to himself.


    Ursula K. Le Guin, Orsinian Tales

  • #13
    Ursula K. Le Guin
    “It is good to have an end to journey toward; but it is the journey that matters, in the end.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #14
    Ursula K. Le Guin
    “Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
    Ursula K. Le Guin, The Lathe of Heaven

  • #15
    Ursula K. Le Guin
    “We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.”
    Ursula K. LeGuin

  • #16
    Ursula K. Le Guin
    “When you light a candle, you also cast a shadow.”
    Ursula K. Le Guin

  • #17
    Ursula K. Le Guin
    “A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.”
    Ursula K. Le Guin

  • #18
    Ursula K. Le Guin
    “You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
    Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

  • #19
    Ursula K. Le Guin
    “Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.”
    Ursula K. Le Guin

  • #20
    Ursula K. Le Guin
    “To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #21
    Ursula K. Le Guin
    “It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.”
    Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

  • #22
    Ursula K. Le Guin
    “The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book."

    (Staying Awake: Notes on the alleged decline of reading, Harper's Magazine, February 2008)”
    Ursula K. Le Guin

  • #23
    Ursula K. Le Guin
    “Children know perfectly well that unicorns aren’t real, but they also know that books about unicorns, if they are good books, are true books.”
    Ursula K. Le Guin, The Language of the Night: Essays on Fantasy and Science Fiction

  • #24
    Ursula K. Le Guin
    “How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.”
    Ursula K. Le Guin, The Left Hand of Darkness

  • #25
    Ursula K. Le Guin
    “As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.”
    Ursula K. Le Guin

  • #26
    Ursula K. Le Guin
    “When mind uses itself without the hands it runs the circle and may go too fast.... The hand that shapes the mind into clay or written word slows thought to the gait of things and lets it be subject to accident and time. Purity is on the edge of evil, they say.”
    Ursula K. Le Guin, Always Coming Home

  • #27
    Ursula K. Le Guin
    “Bucket

    I feel so dreamy
    dreamy lazy, crazy sleepy
    like I want to be there
    in the doorway, the doorway
    or the porch corner
    be sitting, be empty
    notdoing not going
    an old bucket left there
    in the porch corner is like I am
    an old empty bucket somebody left there.”
    Ursula K. Le Guin, Always Coming Home

  • #28
    Ursula K. Le Guin
    “In a State, even a democracy, where power is hierarchic, how can you prevent the storage of information from becoming yet another source of power to the powerful—another piston in the great machine?”
    Ursula K. Le Guin, Always Coming Home

  • #29
    Charles Dickens
    “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.”
    Charles Dickens, A Tale of Two Cities

  • #30
    Charles Dickens
    “There can be no disparity in marriage like unsuitability of mind and purpose.”
    Charles Dickens, David Copperfield



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