Anna Bright > Anna's Quotes

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  • #1
    J.R.R. Tolkien
    “It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous things that happened afterward were as nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait.”
    J.R.R. Tolkien, The Hobbit, or There and Back Again

  • #2
    Ovid
    “Perfer et obdura, dolor hic tibi proderit olim. (Be patient and tough; someday this pain will be useful to you.)”
    Ovid

  • #3
    C.S. Lewis
    “First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done.

    I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye.

    But I have forgotten. And only partly do I remember the unbearable beauty of her face.

    “Is it?...is it?” I whispered to my guide.
    “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.”
    “She seems to be...well, a person of particular importance?”
    “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.”
    “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?”
    “Haven't ye read your Milton? A thousand liveried angels lackey her.”
    “And who are all these young men and women on each side?”
    “They are her sons and daughters.”
    “She must have had a very large family, Sir.”
    “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.”
    “Isn't that a bit hard on their own parents?”
    “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.”
    “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.”
    “They are her beasts.”
    “Did she keep a sort of zoo? I mean, this is a bit too much.”
    “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.”
    I looked at my Teacher in amazement.
    “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.”
    C.S. Lewis, The Great Divorce

  • #4
    Maggie Stiefvater
    “From Ronan's room, he heard Noah's laugh. He and Ronan were throwing various objects from the second-story window to the parking low below. There was a terrific crash.

    Ronan's voice rose, exasperated. "Not that one, Noah.”
    Maggie Stiefvater, The Dream Thieves

  • #5
    Maggie Stiefvater
    “When Ronan thought of Gansey, he thought of moving into Monmouth Manufacturing, of nights spent in companionable insomnia, of a summer searching for a king, of Gansey asking the Gray Man for his life. Brothers.”
    Maggie Stiefvater, The Dream Thieves

  • #6
    C.S. Lewis
    “Son,'he said,' ye cannot in your present state understand eternity...That is what mortals misunderstand. They say of some temporal suffering, "No future bliss can make up for it," not knowing that Heaven, once attained, will work backwards and turn even that agony into a glory. And of some sinful pleasure they say "Let me have but this and I'll take the consequences": little dreaming how damnation will spread back and back into their past and contaminate the pleasure of the sin. Both processes begin even before death. The good man's past begins to change so that his forgiven sins and remembered sorrows take on the quality of Heaven: the bad man's past already conforms to his badness and is filled only with dreariness. And that is why...the Blessed will say "We have never lived anywhere except in Heaven, : and the Lost, "We were always in Hell." And both will speak truly.”
    C.S. Lewis, The Great Divorce

  • #7
    Diana Wynne Jones
    “I'm delirious. Spots are crawling before my eyes."
    "Those are spiders.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #8
    Nick Hornby
    “Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person?

    People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.”
    Nick Hornby, High Fidelity

  • #10
    C.S. Lewis
    “You can never get a cup of tea large enough or a book long enough to suit me.”
    C.S. Lewis

  • #10
    Be glad. Be good. Be brave.
    “Be glad. Be good. Be brave.”
    Eleanor Hodgman Porter

  • #11
    Lauren Oliver
    “I love you. Remember. They cannot take it”
    Lauren Oliver, Delirium

  • #12
    J.K. Rowling
    “He must have known I'd want to leave you."
    "No, he must have known you would always want to come back.”
    J.K. Rowling, Harry Potter and the Deathly Hallows

  • #13
    J.K. Rowling
    “No story lives unless someone wants to listen. The stories we love best do live in us forever. So whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.”
    J.K. Rowling

  • #14
    George Orwell
    “It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone you loved him and when you had nothing else to give you still gave him love. When the last of the chocolate was gone his mother had clasped the child in her arms. It was no use it changed nothing it did not produce more chocolate it did not avert the child's death of her own but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm which was no more use against the bullets than a sheet of paper...What mattered were individual relationships and a completely helpless gesture an embrace a tear a word spoken to a dying man could have value in itself.”
    George Orwell, 1984

  • #15
    William Saroyan
    “The most solid advice for a writer is this, I think: Try to learn to breathe deeply, really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.”
    William Saroyan, The Daring Young Man on the Flying Trapeze and Other Stories

  • #16
    “The words you speak become the house you live in.”
    Hafiz

  • #17
    Maggie Stiefvater
    “Gansey had no idea how old Blue was. He knew she'd just finished eleventh grade. Maybe she was sixteen. Maybe she was eighteen. Maybe she was twenty-two and just very short and remedial.”
    Maggie Stiefvater, The Dream Thieves

  • #18
    Maggie Stiefvater
    “One moment, she was wearing clothing, and the next moment, she was wearing a bikini. Fifty percent of the world was brown skin and fifty percent was orange nylon. From the Mona Lisa smile on Orla's lips, it was clear she was pleased to finally be allowed to demonstrate her true talents.
    A tiny part of Gansey's brain said: You have been staring for too long.
    The larger part of his brain said: ORANGE.
    Maggie Stiefvater, The Dream Thieves

  • #19
    Maggie Stiefvater
    “I know you think you're a punk," Declan said. "But you aren't nearly as bad ass as you think you are."
    "Oh, go to hell," Ronan snapped, just as the alter boys broached the rear doors.
    "Guys," Matthew pleaded. "Be holy.”
    Maggie Stiefvater, The Dream Thieves

  • #20
    Maggie Stiefvater
    “In some parallel universe, there was a Gansey who could tell Blue that he found the ten inches of her bare calves far more tantalizing than the thirteen cubic feet of bare skin Orla sported. But in this universe, that was Adam’s job.
    He was in a terrible mood.”
    Maggie Stiefvater, The Dream Thieves

  • #21
    Dorothy Parker
    “London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it.”
    Dorothy Parker

  • #22
    Diana Wynne Jones
    “Howl said to Sophie, "I've been wondering all along if you would turn out to be that lovely girl I met on May Day. Why were you scared then?”
    Diana Wynne Jones, Howl’s Moving Castle

  • #23
    Diana Wynne Jones
    “I'm going up to my room now, where I may die.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #24
    Nick Hornby
    “It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
    Nick Hornby

  • #25
    Nick Hornby
    “See, records have helped me to fall in love, no question. I hear something new, with a chord change that melts my guts, and before I know it I’m looking for someone, and before I know it I’ve
    found her.”
    Nick Hornby, High Fidelity

  • #26
    Nick Hornby
    “How had I managed to edit all this out in the intervening years? How had I managed to turn her into the answer to all the world’s problems?”
    Nick Hornby, High Fidelity

  • #27
    Nick Hornby
    “You just...you just don't do anything. You get lost in your head, and you sit around thinking instead of getting on with something, and most of the time you think rubbish. You always seem to miss what's really happening. Do you know that expression, 'Time on his hands and himself on his mind'? That's you.

    So what should I be doing?

    I don't know. Something. Working. Seeing people. Running a scout troop, or running a club even. Something more than waiting for life to change and keeping your options open. You'd keep your options open for the rest of your life if you could. You'll be lying on your deathbed, dying of some smoking-related disease, and you'll be thinking, 'Well at least I've kept my options open. At least I never ended up doing something I couldn't back out of.' And all the time you're keeping your options open, you're closing them off. You're thirty-six and you don't have children. So when are you going to have them? When you're forty? Fifty? Say you're forty, and say your kid doesn't want kids until he's thirty-six. That means you'd have to live much longer than your allotted three-score years and ten just to catch so much as a glimpse of your grandchild. See how you're denying yourself things?”
    Nick Hornby, High Fidelity

  • #28
    Nick Hornby
    “...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains.
    I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.”
    Nick Hornby, High Fidelity

  • #29
    Sharon Shinn
    “Do you love me?" he asked.
    I fell silent.
    "For the rest of it is glitter and noise," he said. "At the heart of it all is love. You make that choice, and you go forward from there.”
    Sharon Shinn, Summers at Castle Auburn

  • #30
    C.S. Lewis
    “You have a traitor there, Aslan," said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he'd been through and after the talk he'd had that morning. He just went on looking at Aslan. It didn't seem to matter what the Witch said.”
    C.S. Lewis, The Lion, the Witch and the Wardrobe



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