Lilah > Lilah's Quotes

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  • #1
    Dr. Seuss
    “The storm starts, when the drops start dropping
    When the drops stop dropping then the storm starts stopping.”
    Dr. Seuss

  • #2
    Dorothy Parker
    Inventory:

    "Four be the things I am wiser to know:
    Idleness, sorrow, a friend, and a foe.
    Four be the things I'd been better without:
    Love, curiosity, freckles, and doubt.
    Three be the things I shall never attain:
    Envy, content, and sufficient champagne.
    Three be the things I shall have till I die:
    Laughter and hope and a sock in the eye.”
    Dorothy Parker, The Complete Poems of Dorothy Parker

  • #3
    Chuck Palahniuk
    “Remember this. The people you're trying to step on, we're everyone you depend on. We're the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you're asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life.

    We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact. So don't fuck with us.”
    Chuck Palahniuk, Fight Club

  • #4
    Flannery O'Connor
    “I write to discover what I know.”
    Flannery O'Connor

  • #5
    Cintra Wilson
    “If Marilyn Monroe and Princess Diana were "candles in the wind," and Anna Nicole Smith was a bonfire in a hailstorm, and Lindsay Lohan is an electric toaster thrown intentionally into a Jacuzzi, then Paris Hilton s a strobe light in an epilepsy ward.”
    Cintra Wilson

  • #6
    Erica Jong
    “And the crazy part of it was even if you were clever, even if you spent your adolescence reading John Donne and Shaw, even if you studied history or zoology or physics and hoped to spend your life pursuing some difficult and challenging career, you still had a mind full of all the soupy longings that every high-school girl was awash in... underneath it, all you longed to be was annihilated by love, to be swept off your feet, to be filled up by a giant prick spouting sperm, soapsuds, silk and satins and, of course, money.”
    Erica Jong

  • #7
    Dorothy Parker
    “Oh, both my shoes are shiny new,
    And pristine is my hat
    My dress is 1922…
    My life is all like that.”
    Dorothy Parker

  • #8
    James St. James
    “Funny, that no matter where you are in the world, there's always someone eager to help you destroy yourself.”
    James St. James, Party Monster: A Fabulous But True Tale of Murder in Clubland

  • #9
    Raymond Chandler
    “I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.”
    Raymond Chandler, The Long Goodbye

  • #10
    Nicole Blackman
    “Girls have to go somewhere dangerous every now and then just so they know they can find their way home.”
    Nicole Blackman

  • #11
    James St. James
    “People die all around us all the time. Drop like flies. Overdose. Aids. Sometimes they kill themselves. People come. They go. Dying is the same as rehab or moving back to Missouri. It just means I won't be seeing them again”
    James St. James, Party Monster: A Fabulous But True Tale of Murder in Clubland

  • #12
    Rebecca Godfrey
    “I saw this girl dancing, and I moved closer to her because I liked the way she looked, haughty and sexy but not in a slutty way, and when I got closer to her, I realized she was me and I was looking at my reflection in the mirror. I looked like the kind of girl I'd always wanted to befriend.”
    Rebecca Godfrey

  • #13
    Mary Woronov
    “All of this is not just a battle plan, it's a vacation too. For instance: you don't like the life you are living? Escape into another world by taking a lover. Men can't do this. When they take on a woman she becomes part of their life, but a woman gets to change lives with every man she sleeps with. In fact men are like magic flying carpets; you can visit different lands, become rich or poor without working, become religious by marrying a priest, become a cowboy by having an affair in Texas, join the political game by blowing the President, and tomorrow get high with a pop star. Society is a wonderful thing if you're a woman, you really can go anywhere so long as a man's first priority is to get laid, and that will never change.”
    Mary Woronov

  • #14
    Kathe Koja
    “Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don't think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I'm not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be. Not you. Not me either. Because it's rarely bliss saved up, is it, when you finally get there. I'll take my now, waking with a lover's scent on me, around me, take my hopes before they're maybe tragedy; a good morning is a good morning, even if it leads to apocalypse at night.”
    Kathe Koja

  • #15
    Lydia Lunch
    “I decided to lock myself in. A forced segregation. Sabbatical. A retreat into myself. My selves. Play hide and go seek in the looking-glass. The mirror angled at the foot of my bed. Twisted reflections bouncing off into infinity. Obsessed with my image, the myriad of distored figurines who danced in front of me in rapid succession, every feature exaggerated, every slight imperfection a new delicacy.”
    Lydia Lunch

  • #16
    Jeff                    Johnson
    “Crazy people can add character to a place. If the ambience in your bar is off, or your lobby has gone inexplicably stale, consider picking up a lunatic. They're not hard to come by, and the often work for free. A lot of tattoo shops have one. Larger places might find it handy to keep two or three around.”
    Jeff Johnson

  • #17
    “There are countless horrible things happening all over the world and horrible people prospering, but we must never allow them to disturb our equanimity or deflect us from our sacred duty to sabotage and annoy them whenever possible.”
    Auberon Waugh

  • #18
    Samuel R. Delany
    “Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.”
    Samuel R. Delany

  • #19
    Anthony Bourdain
    “The mishandling of food and equipment with panache was always admired; to some extent, this remains true to this day. Butchers still slap down prime cuts with just a little more force and noise than necessary. Line cooks can't help putting a little English on outgoing plates, spinning them into the pass-through with reverse motion so they curl back just short of the edge. Oven doors in most kitchens have to be constantly tightened because of repeatedly being kicked closed by clog-shod feet. And all of us dearly love to play with knives.”
    Anthony Bourdain

  • #20
    “I thank her for starting that rumor in my brain that I was lovable. I thank her for her one-woman cult of blood, cum, spit, and razors that called me exquisite and shunned all the winners, cheerleaders, cops, and clear-skinned Hollywood movie stars.”
    Lynn Breedlove

  • #21
    “Cool isn't for sale at the bondage store. You make it up yourself, pull it outta your asshole, your own unique brand that starts when you're born, and when you die, it's gone.”
    Lynn Breedlove

  • #22
    Mary Gaitskill
    “When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door.
    I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.”
    Mary Gaitskill

  • #23
    Kate Braverman
    “I feel you're far away,” the man might say. He is observing you, calculating, forming equations he may take to a representative of the patriarchy, such as a doctor, a lawyer, or military official. He is considering physical incarceration and/or biochemical imprisonments such as occur with antidepressants. He is dangerous.
    This is a juncture where you may smile. This is optional. You might allow your lips to form the ambiguous seductive shape of slow regret. Or let your mouth fill with too much night, incinerated maple leaves and fox teeth. What you mean is, not yet.”
    Kate Braverman

  • #24
    Kate Braverman
    “It's not platinum, which suggests constellations and redemption. It's another yellow entirely. Asthma yellow. It comes from rotting petals and camera flashes that permanently scar your face. It leaks from clusters of stucco that remind me of blisters and lumps you get on your lips from kissing the wrong people.”
    Kate Braverman

  • #25
    Candy Darling
    “I'd rather be a silly old fool than a lonely old woman.”
    Candy Darling

  • #26
    Kate Braverman
    “You're carrying so much excess baggage,” a therapist she saw only once had told her. He was employing the expensive sifting-of-tea-leaves voice that she holds with utmost contempt.
    “Baggage?” Julia had repeated. She stood up. “Like I'm dragging bundles of old clothes? I'm carrying artifacts that breathe fire. I'm talking about a language of smoke. These are three-dimensional creatures that can mate. I'd no more leave them go by the side of the trail than I would my child. I'll carry them until someone amputates my arms.”
    Kate Braverman

  • #27
    Mary Woronov
    “There are cameras and mirrors watching us everywhere. I fix my hair and try not to look too drunk. At the checkout stand we line up on the border of sanity holding our passports, our visa cards. Some women will make it. Others will be asked to stay with their carts, they will be given different clothes, lobotomies, and schizophrenic outbursts, until they look like they grew out of the pavement without mothers or fathers. A number will be tattooed on their neck and they will be ushered outside through special doors that never let you back in.”
    Mary Woronov

  • #28
    “He loved me, but I also think he was infatuated with somebody in me I wasn't so crazy about. If Nate was the one who saw Kate Pierson underneath my grubby disaffect when we met, David tried to strip away all of Kate's lovely lashes and wigs and iridescent outfits to reveal what he was confident was the mousy, wide-eyed ragamuffin little girl that he wanted to love me as, and who he wanted me to be.”
    Julie Klausner

  • #29
    James St. James
    “I was so scared it was all going to be gone by the time I got there. Ninth grade, tenth grade - can't this thing go any faster?
    In the magazine, there were funny people with funny names like John Sex, who had wild white hair and a snake!-and didn't that just open up a kaleidoscope of new possibilities?
    And how long the years are-endless! And the minutae of your daily life! So tedious, when there are BIG THINGS happening a thousand miles away. And when you go to bed at night, it's hard to believe those people, those fabulous, daunting people, are out there right now!
    So we wait, and we endure, and someday we will be there, and we will make it.”
    James St. James

  • #30
    “You and me,” she says, “we're two sides of the same coin. Gender's a box you turn inside out, tear up, and sew a gown out of.” She says most people are bored and hateful because they can't fuck with the box. They think prison's protection. They take what they're served and think they like it, but deep down they want to be something else, and they'll kill anyone sewing gowns they're afraid to wear.”
    Lynn Breedlove



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