Salome G > Salome's Quotes

“Curiosity, especially intellectual inquisitiveness, is what separates the truly alive from those who are merely going through the motions.”
― Tom Robbins

“...disbelief in magic can force a poor soul into believing in government and business....”
― Tom Robbins, Even Cowgirls Get the Blues

“That's the thing about magic; you've got to know it's still here, all around us, or it just stays invisible for you.”
― Charles de Lint

“You can always count on a murderer for a fancy prose style.”
― Vladimir Nabokov, Lolita

“Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.”
― Vladimir Nabokov, Lectures on Literature

“Curiosity is insubordination in its purest form.”
― Vladimir Nabokov

“My loathings are simple. stupidity, oppression, crime, cruelty, soft music. My pleasures are the most intense known to man: writing and butterfly hunting.”
― Vladmir Nabakov, Strong Opinions

“We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night — every night, every night — the moment I feigned sleep.”
― Vladimir Nabokov, Lolita

“And the rest is rust and stardust.”
― Vladimir Nabokov, Lolita

“Our lives are not as limited as we think they are; the world is a wonderfully weird place; consensual reality is significantly flawed; no institution can be trusted, but love does work; all things are possible; and we all could be happy and fulfilled if we only had the guts to be truly free and the wisdom to shrink our egos and quit taking ourselves so damn seriously.”
― Tom Robbins

“I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.”
― Vladimir Nabokov

“Every society honors its live conformists and its dead troublemakers.”
― Marshall McLuhan

“Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.”
― Tom Robbins, Still Life with Woodpecker

“Albert Camus wrote that the only serious question is whether to kill yourself or not.
Tom Robbins wrote that the only serious question is whether time has a beginning and an end.
Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm.
There is only one serious question. And that is: Who knows how to make love stay?
Answer me that and I will tell you whether or not to kill yourself.”
― Tom Robbins, Still Life with Woodpecker

“There is no such thing as a weird human being, It's just that some people require more understanding than others.”
― Tom Robbins

“Those who shun the whimsy of things will experience rigor mortis before death.”
― Tom Robbins

“People tend the take everything too seriously. Especially themselves. Yep. And that's probably what makes 'em scared and hurt so much of the time. Life is too serious to take that seriously.”
― Tom Robbins

“The unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. When you're unhappy, you get to pay a lot of attention to yourself. You get to take yourself oh so very seriously.”
― Tom Robbins, Jitterbug Perfume

“What difference does it make if the Gospel is mostly a lie? It's an engrossing story and the words of its hero are excellent words to live by, even today.”
― Tom Robbins

“Death is simple. Life is messy. Give me life, the more complicated the better.”
― Tom Robbins

“Oh God, are there so many of them in our land! Students who can’t be happy until they’ve graduated, servicemen who can’t be happy until they are discharged, single folks who can’t be happy until they’ve found a mate, workers who can’t be happy until they’ve retired, adolescents who aren’t happy until they’re grown, ill people who aren’t happy until they’re well, failures who aren’t happy until they succeed, restless who can’t wait until they get out of town, and in most cases, vice versa, people waiting, waiting for the world to begin.”
― Tom Robbins

“The world is a wonderfully weird place, consensual reality is significantly flawed, no institution can be trusted, certainty is a mirage, security a delusion, and the tyranny of the dull mind forever threatens -- but our lives are not as limited as we think they are, all things are possible, laughter is holier than piety, freedom is sweeter than fame, and in the end it's love and love alone that really matters.”
― Tom Robbins

“He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on.
In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung.

Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect.

From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.”
― Tom Robbins

“Growing up is a trap," snapped Dr. Robbins. "When they tell you to shut up, they mean stop talking. When they tell you to grow up, they mean stop growing. Reach a nice level plateau and settle there, predictable and unchanging, no longer a threat.”
― Tom Robbins, Even Cowgirls Get the Blues

“manuscripts don't burn" - "(рукописи не горят)”
― Mikhail Bulgakov, The Master and Margarita

“If I didn't have writing, I'd be running down the street hurling grenades in people's faces.”
― Paul Fussell

“But would you kindly ponder this question: What would your good do if
evil didn't exist, and what would the earth look like if all the shadows
disappeared? After all, shadows are cast by things and people. Here is the
shadow of my sword. But shadows also come from trees and living beings.
Do you want to strip the earth of all trees and living things just because
of your fantasy of enjoying naked light? You're stupid.”
― Mikhail Bulgakov, The Master and Margarita

“I hereby certify that the bearer of this note, Nikolai Ivanovich, spent the night in question at Satan's ball, having been lured there in a transportational capacity... Hella, put in parentheses! And write 'hog.' Signed- Behemoth.”
― Mikhail Bulgakov, The Master and Margarita

“As I exclaimed 'Jane! Jane! Jane!' a voice- I cannot tell whence the voice came, but I know whose voice it was- replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words- 'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents- as certain as I live- they were yours!" Reader, it was on Monday night- near midnight- that I too had received the mysterious summons: those were the very words by which I replied to it.
(Mr. Rochester and Jane Eyre)”
― Charlotte Brontë , Jane Eyre

“I have hated words and I have loved them, and I hope I have made them right.”
― Markus Zusak, The Book Thief