Natalie Ruiz > Natalie's Quotes

“We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?”
― N.H. Kleinbaum, Dead Poets Society

“So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won’t do in your essays.”
― N.H. Kleinbaum, Dead Poets Society

“You can justify anything if you do it poetically enough.”
― M.L. Rio, If We Were Villains

“Were you in love with him?'
'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
― M.L. Rio, If We Were Villains

“But that is how a tragedy like ours or King Lear breaks your heart—by making you believe that the ending might still be happy, until the very last minute.”
― M.L. Rio, If We Were Villains

“How tremendous the agony of unmade decisions.”
― M.L. Rio, If We Were Villains

“Per aspera ad astra. I’d heard a variety of translations, but the one I liked best was Through the thorns, to the stars.”
― M.L. Rio, If We Were Villains

“There is no comfort like complicity.”
― M.L. Rio, If We Were Villains

“The things about Shakespeare is, he's so eloquent...he speaks the unspeakable. He turns grief and triumph and rapture and rage into words, into something we can understand. He renders the whole mystery of humanity comprehensible.”
― M.L. Rio, If We Were Villains

“Do you blame Shakespeare for any of it?”
The question is so unlikely, so nonsensical coming from such a sensible man, that I can’t suppress a smile. “I blame him for all of it.”
― M.L. Rio, If We Were Villains

“That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.”
― R.F. Kuang, Babel

“English did not just borrow words from other languages; it was stuffed to the brim with foreign influences, a Frankenstein vernacular. And Robin found it incredible, how this country, whose citizens prided themselves so much on being better than the rest of the world, could not make it through an afternoon tea without borrowed goods.”
― R.F. Kuang, Babel

“But what is the opposite of fidelity?' asked Professor Playfair. He was approaching the end of his dialitic; now he needed only to draw it to a close with a punch. 'Betrayal. Translation means doing violence upon the original, it means warping and distorting it for foreign, unintended eyes. So, where does that leave us? How can we conclude except by acknowledging that an act of translation is always an act of betrayal?”
― R.F. Kuang, Babel

“Betrayal. Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes. So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?”
― R.F. Kuang, Babel

“How strange,’ said Ramy. ‘To love the stuff and the language, but to hate the country.’

‘Not as odd as you’d think,’ said Victoire. ‘There are people, after all, and then there are things.”
― R.F. Kuang, Babel

“So, you see, translators do not so much deliver a message as the rewrite the original. And herein lies the difficulty - rewriting is still writing, and writing always reflects the authors ideology and biases.”
― R.F. Kuang, Babel

“We have to die to get their pity. We have to die for them to find us noble. Our deaths are thus great acts of rebellion, a wretched lament that highlights their inhumanity. Our deaths become their battle cry. I don't want to be their Imoinda, their Oroonoko. I don't want to be their tragic, lovely lacquer figure. I want to live.”
― R.F. Kuang, Babel

“Don't make your life about the loss. Make it about the love.”
― Tracy Deonn, Legendborn

“Some truths only tragedy can teach. The first one I learned is that when people acknowledge your pain, they want your pain to acknowledge them back. They need to witness it in real time, or else you're not doing your part.”
― Tracy Deonn, Legendborn

“Who's the literary nerd? The quoter or the one who recognizes the quote?”
― Tracy Deonn, Legendborn

“And then I unwind her.
One strand for my mother.
One for my father.
One for me.
I unravel the rage until it courses through my veins like fuel in an engine. I let it become a part of me, but not all of me. Hot, scorching pain under my skin, under my tongue, under my nails. I let it spread through me—until there is no more “Before” and no more “After.”
I am her and she is me.”
― Tracy Deonn, Legendborn

“Everything has two histories. Especially in the South.”
― Tracy Deonn, Legendborn

“Some truths only tragedy can teach.”
― Tracy Deonn, Legendborn

“Growing up Black in the South, it’s pretty common to find yourself in old places that just… weren’t made for you. Maybe it’s a building, a historic district, or a street. Some space that was originally built for white people and white people only, and you just have to hold that knowledge while going about your business.”
― Tracy Deonn, Legendborn

“Grief does strange things to people’s minds. This I know. One morning a couple of weeks after my mother died, my dad said he thought he could smell her cheesy grits cooking on the stove—my favorite and my mother’s specialty. Once, I heard her humming down the hall from my bedroom. Something so mundane and simple, so regular and small, that for a moment, the prior weeks were just a nightmare, and I was awake now and she was alive. Death moves faster than brains do.”
― Tracy Deonn, Legendborn

“The worst part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.”
― Lois Lowry, The Giver

“If everything's the same, then there aren't any choices! I want to wake up in the morning and decide things!”
― Lois Lowry, The Giver

“And why did he have to call me “quiet”? I hated being called quiet. People always said it like it was some kind of deficiency—like just because I didn’t put everything out there right away, I was unfriendly or arrogant. My mom had understood. You may be slow to warm up, but once you do, you light up the whole room”
― Jenna Evans Welch, Love & Gelato

“Hey, I just thought of something.”
“What?”
“When we’re together, we make one whole Italian.”
― Jenna Evans Welch, Love & Gelato

“To the quiet girls with stories in their heads.
To their dreams—and their nightmares.”
― Rachel Gillig, One Dark Window