Elias P. > Elias's Quotes

“Every artist is a cannibal/every poet is a thief/all kill for inspiration/and then sing about the grief.”
― Bono

“So many books, so little time.”
― Frank Zappa

“The philosophers have only interpreted the world, in various ways. The point, however, is to change it.

[These words are also inscribed upon his grave]”
― Karl Marx, Eleven Theses on Feuerbach

“The less you eat, drink and read books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorize, sing, paint, fence, etc., the more you save-the greater becomes your treasure which neither moths nor dust will devour-your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life-the greater is the store of your estranged being.”
― Karl Marx and Friedrich Engels

“Tomorrow when the farm boys find this
freak of nature, they will wrap his body
in newspaper and carry him to the museum.
But tonight he is alive and in the north
field with his mother. It is a perfect
summer evening: the moon rising over
the orchard, the wind in the grass. And
as he stares into the sky, there are
twice as many stars as usual.”
― Laura Gilpin, The Weight of a Soul

“A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
― Robert Frost

“I shut my eyes and all the world drops dead;
I lift my eyes and all is born again.”
― Sylvia Plath, The Bell Jar

“You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
― richard siken

“Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
― Richard Siken

“We have not touched the stars,
nor are we forgiven, which brings us back
to the hero’s shoulders and the gentleness that comes,
not from the absence of violence, but despite
the abundance of it.”
― Richard Siken, Crush

“Sorry about the blood in your mouth. I wish it was mine.

I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
― Richard Siken, Crush

“A man takes his sadness down to the river and throws it in the river
                    but then he’s still left
with the river. A man takes his sadness and throws it away
                                                                        but then he’s still left with his hands.”
― Richard Siken, Crush

“If you love me, Henry, you don’t love me in a way I understand.”
― Richard Siken, Crush

“I sleep. I dream. I make up things that I would never say. I say them very quietly.”
― Richard Siken

“I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.”
― Richard Siken, Crush

“Tell me about the dream where we pull the bodies out of the lake
                                                                                and dress them in warm clothes again.
          How it was late, and no one could sleep, the horses running
until they forget that they are horses.
                    It’s not like a tree where the roots have to end somewhere,
          it’s more like a song on a policeman’s radio,
                              how we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
                                                                                                                        to slice into pieces.
Look at the light through the windowpane. That means it’s noon, that means
          we're inconsolable.
                                                            Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
                                                                                          Tell me we’ll never get used to it.”
― Richard Siken, Crush

“He was pointing at the moon, but I was looking at his hand.”
― Richard Siken

“Someone has to leave first. This is a very old story. There is no other version of this story.”
― Richard Siken, War of the Foxes

“You go to work the next day pretending nothing happened.
Your co-workers ask
if everything's okay and you tell them
you're just tired.
And you're trying to smile. And they're trying to smile.”
― Richard Siken

“The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
― Richard Siken, Crush

“How much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
― Richard Siken, War of the Foxes

“Here is the repeated image of the lover destroyed.”
― Richard Siken, Crush

“You play along, because you want to die for love, you always have.”
― Richard Siken

“This,” Neil flicked his finger to indicate the two of them, “isn’t worthless.”
“There is no ‘this’. This is nothing.”
“And I am nothing,” Neil prompted. When Andrew gestured confirmation, Neil said, “And as you’ve always said, you want nothing.”
Andrew stared stone-faced back at him.”
― Nora Sakavic, The King's Men

“I hate you,” Andrew said casually. He took a last long drag from his cigarette and flicked it off the roof. “You were supposed to be a side effect of the drugs.”
“I’m not a hallucination,” Neil said, nonplussed.
“You are a pipe dream,” Andrew said.”
― Nora Sakavic, The King's Men

“Thank you," he finally said. He couldn't say he meant thanks for all of it: the keys, the trust, the honesty and the kisses. Hopefully Andrew would figure it out eventually. "You were amazing.”
― Nora Sakavic, The King's Men

“Who said 'please' that made you hate the word so much?"
Andrew gazed at him in silence for a minute. "I did.”
― Nora Sakavic, The King's Men

“He was their family. They were his. They were worth every cut and bruise and scream.”
― Nora Sakavic, The Raven King

“Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine.”
― Nora Sakavic, The King's Men

“Fight because you don't know how to die quietly. Win because you don't know how to lose. This king's ruled long enough—it's time to tear his castle down.”
― Nora Sakavic, The King's Men