Lucy > Lucy's Quotes

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  • #1
    Victoria Chang
    “Blame has no face. I have walked on its staircase, around and around, trying to slap its face but only hitting my own cheeks.”
    Victoria Chang, Obit

  • #2
    Victoria Chang
    “To love anyone means to admit extinction. I tell myself this, so I never fall in love, so that the fire lights just me.”
    Victoria Chang, Obit

  • #3
    Victoria Chang
    “My mother, now covered, was no longer my mother. A covered apple is no longer an apple. A sketch of a person isn’t the person. Somewhere, in the morning, my mother had become the sketch. And I would spend the rest of my life trying to shade her back in.”
    Victoria Chang, Obit

  • #4
    Chuck Palahniuk
    “your handwriting. the way you walk. which china pattern you choose. it's all giving you away. everything you do shows your hand. everything is a self portrait. everything is a diary.”
    Chuck Palahniuk, Diary

  • #5
    Chuck Palahniuk
    “Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.”
    Chuck Palahniuk, Diary

  • #6
    Savannah   Brown
    “I have so much practice now breathing,
    which from a distance looks like

    I'm finally deciding to ask for what I need,
    but at the last moment changing my mind.”
    Savannah Brown, Closer Baby Closer

  • #7
    Savannah   Brown
    “Everyone wants somebody
    to understand their personality
    and their childhood
    and what each of those things
    has done to the other one”
    Savannah Brown, Closer Baby Closer

  • #8
    Shel Silverstein
    “My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.”
    Shel Silverstein, Where the Sidewalk Ends

  • #9
    Shel Silverstein
    “So I'm all of love that could make it today.”
    Shel Silverstein, Where the Sidewalk Ends

  • #10
    Shel Silverstein
    “There are no happy endings.
    Endings are the saddest part,
    So just give me a happy middle
    And a very happy start.”
    Shel Silverstein, Every Thing on It

  • #11
    Shel Silverstein
    “She had blue skin,
    And so did he.
    He kept it hid
    And so did she.
    They searched for blue
    Their whole life through,
    Then passed right by-
    And never knew.”
    Shel Silverstein, Every Thing on It

  • #12
    Eden Robinson
    “You can put your strength down. I'm sitting here with you at your kitchen table. You don't need to say anything.”
    Eden Robinson

  • #13
    John Berger
    “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
    John Berger, Ways of Seeing

  • #14
    John Berger
    “A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....

    One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.”
    John Berger, Ways of Seeing

  • #15
    John Berger
    “The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.”
    John Berger, Ways of Seeing

  • #16
    “Godhood is just like girlhood: a begging to be believed”
    Kristin Chang

  • #17
    “I want people to stop asking if I love this country. No. Ask if it loves me.”
    Noor Hindi, Dear God. Dear Bones. Dear Yellow.

  • #18
    “Colonizers write about flowers.
    I tell you about children throwing rocks at Israeli tanks
    seconds before becoming daisies.”
    Noor Hindi, Dear God. Dear Bones. Dear Yellow.

  • #19
    “I know I’m American because when I walk into a room something dies.”
    Noor Hindi, Dear God. Dear Bones. Dear Yellow.

  • #20
    “I dream
    of the big dumb heart my mother
    hands me. She tells me to carry it.
    I drop it every time.”
    Noor Hindi, Dear God. Dear Bones. Dear Yellow.

  • #21
    Hanif Abdurraqib
    “If I am going to be afraid, I might as well do it honest. Arm in arm with everyone I love, adorned in blood and bruises, singing jokes on our way to the grave.”
    Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance

  • #22
    Miranda July
    “Finally, in a low whisper, he said, ‘I think I might be a terrible person.’ For a split second I believed him - I thought he was about to confess a crime, maybe a murder. Then I realized that we all think we might be terrible people. But we only reveal this before asking someone to love us. It is a kind of undressing.”
    Miranda July, The First Bad Man
    tags: love

  • #23
    Miranda July
    “Maybe he wouldn't say anything, which is the worst thing men do.”
    Miranda July , The First Bad Man

  • #24
    Miranda July
    “We had fallen in love; that was still true. But given the right psychological conditions, a person could fall in love with anyone or anything. A wooden desk—always on all fours, always prone, always there for you. What was the lifespan of these improbable loves? An hour. A week. A few months at best. The end was a natural thing, like the seasons, like getting older, fruit turning. That was the saddest part—there was no one to blame and no way to reverse it.”
    Miranda July, The First Bad Man

  • #25
    Miranda July
    “Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you.”
    Miranda July

  • #26
    Miranda July
    “All I ever really want to know is how other people are making it through life—where do they put their body, hour by hour, and how do they cope inside of it.”
    Miranda July, It Chooses You

  • #27
    Charles Dickens
    “You are in every line I have ever read.”
    Charles Dickens, Great Expectations
    tags: pip

  • #28
    Charles Dickens
    “I have been bent and broken, but - I hope - into a better shape.”
    Charles Dickens, Great Expectations

  • #29
    Charles Dickens
    “I am what you designed me to be.I am your blade. You cannot now complain if you also feel the hurt”
    Charles Dickens, Great Expectations

  • #30
    Desireé Dallagiacomo
    “And I think that's what a father is
    -- a blade that never stops cutting.”
    Desireé Dallagiacomo



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