kay > kay's Quotes

“But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
― Madeline Miller, Circe

“He showed me his scars, and in return he let me pretend that I had none.”
― Madeline Miller, Circe

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
― Madeline Miller, The Song of Achilles

“He is half of my soul, as the poets say.”
― Madeline Miller, The Song of Achilles

“In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
― Madeline Miller, The Song of Achilles

“Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.”
― Madeline Miller, The Song of Achilles

“When he died, all things soft and beautiful and bright would be buried with him.”
― Madeline Miller, The Song of Achilles

“I am made of memories.”
― Madeline Miller, The Song of Achilles

“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
― Madeline Miller, The Song of Achilles

“I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
"Go," she says. "He waits for you."

In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
― Madeline Miller, The Song of Achilles

“I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
“Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

“That is — your friend?"
"Philtatos," Achilles replied, sharply. Most beloved.”
― Madeline Miller, The Song of Achilles

“Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”

My scalp prickled where his fingers had been. “You haven’t,” I said.

“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”

“No,” I said.

“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”

“That you have told me.” My breath caught a little as I spoke.

“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”

“You have.”

“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”

“You did not.”

“There is this too.” His hand was ceaseless now. “I know I have told you of this.”

I closed my eyes. “Tell me again,” I said.”
― Madeline Miller, The Song of Achilles

“A feminism that seeks power instead of questioning it does not care about justice.”
― Lola Olufemi, Feminism, Interrupted: Disrupting Power

“If feminism means freedom, it means the right to self-determination and the right to be multi-dimensional, disorganised and even incoherent.”
― Lola Olufemi, Feminism, Interrupted: Disrupting Power

“Legality does not equal access.”
― Lola Olufemi, Feminism, Interrupted: Disrupting Power

“He saw me watching and rubbed self-consciously at his calloused hands. “I know I am ugly to you.” No, I thought. My grandfather’s halls are filled with shining nymphs and muscled river-gods, but I would rather gaze on you than any of them.”
― Madeline Miller, Circe

“I am a cage, in search of a bird.”
― Franz Kafka

“I long for you; I who usually longs without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.”
― Franz Kafka, Letters to Milena

“You once said you would like to sit beside me while I write. Listen, in that case I could not write (I can’t do much, anyway), but in that case I could not write at all. For writing means revealing oneself to excess; that utmost of selfrevelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind—for everyone wants to live as long as he is alive —even that degree of selfrevelation and surrender is not enough for writing. Writing that springs from the surface of existence— when there is no other way and the deeper wells have dried up—is nothing, and collapses the moment a truer emotion makes that surface shake. This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one’s disposal, for the roads are long and it is easy to go astray, there are even times when one becomes afraid and has the desire—even without any constraint or enticement—to run back (a desire always severely punished later on), how much more so if one were suddenly to receive a kiss from the most beloved lips! I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar’s outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure—which perhaps even in these circumstances could not be avoided—would be bound to end in a grandiose fit of madness.”
― Franz Kafka, Letters to Felice

“I will cross hundreds of seas and oceans without sinking to reach you, see your eyes and sink completely into their depths.”
― Franz Kafka

“You are the knife I turn inside myself; that is love. That, my dear, is love.”
― Franz Kafka, Letters to Milena

“I miss you deeply, unfathomably, senselessly, terribly.”
― Franz Kafka, Letters to Milena

“I want in fact more of you. In my mind I am dressing you with light; I am wrapping you up in blankets of complete acceptance and then I give myself to you. I long for you; I who usually long without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.”
― Franz Kafka, Letters to Milena

“Milena, if a million loved you, I am one of them, and if one loved you, it was me, if no one loved you then know that I am dead.”
― Franz Kafka, Letters to Milena

“German is my mother tongue and as such more natural to me, but I consider Czech much more affectionate, which is why your letter removes several uncertainties; I see you more clearly, the movements of your body, your hands, so quick, so resolute, it’s almost like a meeting.”
― Franz Kafka, Letters to Milena

“Everywhere I went, I would be looking for her. In every pair of eyes I would be searching for the Madonna in a fur coat. I knew from the outset that I would never find her. Yet it was not in my power to give up searching. She had condemned me to a lifelong quest for a cipher for someone that did not exist. She should never have done this to me”
― Ali Sabahatin, Madona u bundi

“In the beginning it was curiosity that kept us talking. We were always looking for new things in each other. Over time, curiosity gave way to habit. If, for whatever reason, we couldn’t see each other for a few days, we’d begin to miss each other. When at last we met, we would walk down the streets hand in hand, as happy as children who’d been kept apart too long. How I loved her! I had opened my heart to the world I saw in her.”
― Sabahattin Ali, Madonna in a Fur Coat

“Having never known such intimacy before, I was desperate to protect it. And perhaps what I desired most was to possess her wholly and absolutely, body and soul, but I was so fearful of losing what I already had that I did not dare look away from it. I was, in effect, watching the most beautiful bird in all creation and keeping perfectly still for fear of frightening it away with a sudden movement.”
― Sabahattin Ali, Madonna in a Fur Coat

“How easily people can read each other!…And there I was, trying so hard to penetrate someone else’s mind, to find out if the soul hiding inside it was ordered or in turmoil. For even the most wretched and simpleminded man could be a surprise, even a fool could have a soul whose torments were a constant source of amazement. Why are we so slow to see this, and why do we assume that it is the easiest thing in the world to know and judge another? Why, when we are reluctant even to describe a wedge of cheese we are seeing for the first time, do we draw our final conclusions from our first encounters with people, and happily dismiss them?”
― Sabahattin Ali, Madonna in a Fur Coat