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  • #1
    Hermann Hesse
    “La nostra meta non è di trasformarci l'un l'altro, ma di conoscerci l'un l'altro e d'imparare a vedere e a rispettare nell'altro ciò che egli è: il nostro opposto e il nostro completamento.”
    Hermann Hesse, Narcissus and Goldmund

  • #2
    Hermann Hesse
    “Un veggente e un cieco: così camminavano a fianco; e se il cieco ignorava la sua cecità, il sollievo era solo suo.”
    Hermann Hesse, Narcissus and Goldmund

  • #3
    Hermann Hesse
    “Ma come vuoi morire un giorno, Narciso, se non hai una madre? Senza madre non si può amare. Senza madre non si può morire. Ciò che mormorò ancora inseguito non fu più comprensibile. Le due ultime giornate Narciso rimase seduto al suo letto giorno e notte, e lo guardò spegnersi. Le ultime parole di Boccadoro gli bruciavano nel cuore come fuoco.”
    Hermann Hesse, Narcissus and Goldmund

  • #4
    Hermann Hesse
    “Se tuttavia so che cos’è l’amore, è per merito tuo. Te ho potuto amare, te solo fra gli uomini. Tu non puoi misurare ciò che significhi. Significa la sorgente in un deserto, l’albero fiorito in un terreno selvaggio. A te solo debbo che il mio cuore non sia inaridito, che sia rimasto in me un punto accessibile alla grazia.”
    Hermann Hesse

  • #5
    Margaret Atwood
    “But a chair, sunlight, flowers: these are not to be dismissed. I am alive, I live, I breathe, I put my hand out, unfolded, into the sunlight.”
    Margaret Atwood, The Handmaid's Tale

  • #6
    Frank Bidart
    “God said: GOD MADE YOU. GOD DOES NOT CARE IF YOU ARE "GUILTY" OR NOT. I said: I CARE IF I AM GUILTY! I CARE IF I AM GUILTY!... God was silent. Everything was SILENT.”
    Frank Bidart, Half-Light: Collected Poems 1965-2016
    tags: god, guilt

  • #7
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #8
    Ocean Vuong
    “In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

    I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #9
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #10
    Richard Siken
    “The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
    Richard Siken, Crush

  • #11
    Richard Siken
    “You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you didn’t even have a name for.”
    richard siken

  • #12
    “if Moses had seen the way my friend’s face blushes when he’s drunk, and his beautiful curls and wonderful hands, he would not have written in his Torah: do not lie with a man”
    Judah Alharizi, The Book of Tahkemoni: Jewish Tales from Medieval Spain

  • #13
    Franz Kafka
    “You are free and that is why you are lost.”
    Franz Kafka, Letter to His Father

  • #14
    John Berger
    “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
    John Berger, Ways of Seeing

  • #15
    Ursula K. Le Guin
    “Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
    Ursula K. Le Guin, The Lathe of Heaven

  • #16
    Ursula K. Le Guin
    “The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.”
    Ursula K. LeGuin, The Ones Who Walk Away from Omelas

  • #17
    Susan Abulhawa
    “No one had ever kissed me with such love, and it occurred to me that happiness can reach such depths that it becomes something akin to grief.”
    Susan Abulhawa, Against the Loveless World

  • #18
    Susan Abulhawa
    “I colonized the colonizer’s space of authority. I made myself free in chains and held that courtroom captive to my freedom.”
    Susan Abulhawa, Against the Loveless World

  • #19
    Susan Abulhawa
    “It seemed to me that fate was inherited, like eye color. I wondered if she had felt the same disorientation that now ruled my days. Had it been all she could think about—the incomprehensibility of forced, permanent displacement?”
    Susan Abulhawa, Against the Loveless World

  • #20
    Kaveh Akbar
    “Love was a room that appeared when you stepped into it.”
    Kaveh Akbar, Martyr!

  • #21
    Kaveh Akbar
    “At the intersection of Iranian-ness and Midwestern-ness was pathological politeness, an immobilizing compulsivity to avoid causing distress in anyone else. Cyrus thought about this a lot. You cooed at their ugly babies, nodded along with their racist bullshit. In Iran it was called taarof, the elaborate and almost entirely unspoken choreography of etiquette that directs every social interaction. The old joke, that two Iranian men could never get on an elevator because they’ll just keep saying “you go,” “no you,” “no no please,” “I insist,” as the doors opened and closed. Midwestern politeness felt that way too, Cyrus learned, like it was burning cigarette holes in your soul. You bit your tongue, then bit it a little harder. You tried to keep your face still enough to tell yourself you hadn’t been complicit, that at least you weren’t encouraging what was happening around you. To you.”
    Kaveh Akbar, Martyr!

  • #22
    James Baldwin
    “We are in the middle of an immense metamorphosis here, a metamorphosis which will, it is devoutly to be hoped, rob us of our myths and give us our history, which will destroy our attitudes and give us back our personalities. The mass culture, in the meantime, can only reflect our chaos: and perhaps we had better remember that this chaos contains life—and a great transforming energy.”
    James Baldwin, The Cross of Redemption: Uncollected Writings

  • #23
    James Baldwin
    “You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less.”
    James Baldwin, The Cross of Redemption: Uncollected Writings

  • #24
    Toshio Meronek
    “most people don’t know what Pride is about. The anguish, and the hurt, and the reason why Pride started in the first place—it was an anti-cop event. Look, yes—I know there are trans police officers. You have Black people who are police officers, and women police officers. All that’s cute, but guess what: It’s blue first, your other allegiances second. Once you get on that blue, child, it goes straight through to your brain, dyes your brain blue, and you’re no longer whoever the fuck you were before. So no, they don’t need to be there. That’s where their loyalty lies. So stay the fuck away from me.”
    Toshio Meronek, Miss Major Speaks: Conversations with a Black Trans Revolutionary

  • #25
    Ottessa Moshfegh
    “Here is how I spend my days now. I live in a beautiful place. I sleep in a beautiful bed. I eat beautiful food. I go for walks through beautiful places. I care for people deeply. At night my bed is full of love, because I alone am in it. I cry easily, from pain and pleasure, and I don’t apologize for that. In the mornings I step outside and I’m thankful for another day. It took me many years to arrive at such a life.”
    Ottessa Moshfegh, Eileen

  • #26
    Suzanne Collins
    “You were capable of imagining a different future. And maybe it won’t be realized today, maybe not in our lifetime. Maybe it will take generations. We’re all part of a continuum. Does that make it pointless?”
    Suzanne Collins, Sunrise on the Reaping

  • #27
    “Peach pits are poisonous. This is not a mistake. Girlhood is growing fruit around cyanide. It will never be your for swallowing.”
    Brenna Twohy, Swallowtail

  • #28
    Mieko Kawakami
    “But I wasn’t crying because I was sad. I guess I was crying because we had nowhere else to go, no choice but to go on living in this world. Crying because we had no other world to choose, and crying at everything before us, everything around us.”
    Mieko Kawakami, Heaven

  • #29
    Mieko Kawakami
    “Everything was beautiful. Not that there was anyone to share it with, anyone to tell. Just the beauty.”
    Mieko Kawakami, Heaven

  • #30
    Mieko Kawakami
    “Listen, if there is a hell, we're in it. And if there's a heaven, we're already there. This is it.”
    Mieko Kawakami, Heaven



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