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Martyr! Martyr! by Kaveh Akbar
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Martyr! Quotes Showing 1-30 of 359
“Eight of the ten commandments are about what thou shalt not. But you can live a whole life not doing any of that stuff and still avoid doing any good. That’s the whole crisis. The rot at the root of everything. The belief that goodness is built on a constructed absence, not-doing. That belief corrupts everything, has everyone with any power sitting on their hands.”
Kaveh Akbar, Martyr!
“Love was a room that appeared when you stepped into it.”
Kaveh Akbar, Martyr!
“If the mortal sin of the suicide is greed, to hoard stillness and calm for yourself while dispersing your riotous internal pain among all those who survive you, then the mortal sin of the martyr must be pride, the vanity, the hubris to believe not only that your death could mean more than your living, but that your death could mean more than death itself—which, because it is inevitable, means nothing.”
Kaveh Akbar, Martyr!
“It seems very American to expect grief to change something. Like a token you cash in. A formula. Grieve x amount, receive y amount of comfort. Work a day in the grief mines and get paid in tickets to the company store.”
Kaveh Akbar, Martyr!
“The performance of certainty seemed to be at the root of so much grief. Everyone in America seemed to be afraid and hurting and angry, starving for a fight they could win. And more than that even, they seemed certain their natural state was to be happy, contented, and rich. The genesis of everyone’s pain had to be external, such was their certainty. And so legislators legislated, building border walls, barring citizens of there from entering here. “The pain we feel comes from them, not ourselves,” said the banners, and people cheered, certain of all the certainty. But the next day they’d wake up and find that what had hurt in them still hurt.”
Kaveh Akbar, Martyr!
“Where does all our effort go? It’s hard not to envy the monsters when you see how good they have it. And how unbothered they are at being monsters.”
Kaveh Akbar, Martyr!
“It feels so American to discount dreams because they’re not built of objects, of things you can hold and catalogue and then put in a safe. Dreams give us voices, visions, ideas, mortal terrors, and departed beloveds. Nothing counts more to an individual, or less to an empire.”
Kaveh Akbar, Martyr!
“An alphabet, like a life, is a finite set of shapes. With it, one can produce almost anything.”
Kaveh Akbar, Martyr!
“Grace to live at all—none of us did anything to deserve it. Being born. We spend our lives trying to figure out how to pay back the debt of being. And to whom we might pay it.”
Kaveh Akbar, Martyr!
“Living happened until it didn't. There was no choice in it. To say no to a new day would be unthinkable. So each morning you said yes, then stepped into the consequence.”
Kaveh Akbar, Martyr!
“It’s easy for people who have sacrificed nothing to rationalize their own ordinariness by calling me lucky. But I sacrificed my entire life; I sold it to the abyss. And the abyss gave me art.”
Kaveh Akbar, Martyr!
“an anthropologist who wrote about how the first artifact of civilization wasn’t a hammer or arrowhead, but a human femur—discovered in Madagascar—that showed signs of having healed from a bad fracture. In the animal world, a broken leg meant you starved, so a healed femur meant that some human had supported another’s long recovery, fed them, cleaned the wound. And thus, the author argued, began civilization. Augured not by an instrument of murder, but by a fracture bound, a bit of food brought back for another.”
Kaveh Akbar, Martyr!
“there was a word for this: sonder. “The realization that each random passerby is living a life as vivid and complex as your own.” Incredible, how naming something took nothing away from its stagger. Language could be totally impotent like that.”
Kaveh Akbar, Martyr!
“When I say “nations,” I mean “armed marketplaces.” Always.”
Kaveh Akbar, Martyr!
“He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.”
Kaveh Akbar, Martyr!
“just being perceived, all the time being perceived, was itself exhausting.”
Kaveh Akbar, Martyr!
“There’s this story I read one time, some old-school Muslim fairy tale, maybe it was a discarded hadith I guess, but it was all about the first time Satan sees Adam. Satan circles around him, inspecting him like a used car or something, this new creation—God’s favorite, apparently. Satan’s unimpressed, doesn’t get it. And then Satan steps into Adam’s mouth, disappears completely inside him and passes through all his guts and intestines and finally emerges out his anus. And when he gets out, Satan’s laughing and laughing. Rolling around. He passes all the way through the first man and he’s rolling around laughing, in tears, and he says to God, ‘This is what you’ve made? He’s all empty! All hollow!’ He can’t believe his luck. How easy his job is going to be. Humans are just a long emptiness waiting to be filled.”
Kaveh Akbar, Martyr!
“Painting saved me, but I can’t say I loved painting. I painted because I needed to. What I really loved, what I love, is having-painted. That was the high. Making something that would never have existed in the entirety of humanity had I not been there at that specific moment to make it.”
Kaveh Akbar, Martyr!
“The only people who speak in certainties are zealots and tyrants.”
Kaveh Akbar, Martyr!
“Cyrus prided himself in descending from people comfortable sitting in uncertainty. He himself knew little about anything and tried to remember that. He read once about a Sufi prayer that went “Lord, increase my bewilderment.” That was the prayer in its entirety.”
Kaveh Akbar, Martyr!
“Expendable” may seem a bad word to use to describe your own life, except I actually find it liberating. The way it vents away all pressure to become. How it asks only that you be.”
Kaveh Akbar, Martyr!
“At the intersection of Iranian-ness and Midwestern-ness was pathological politeness, an immobilizing compulsivity to avoid causing distress in anyone else. Cyrus thought about this a lot. You cooed at their ugly babies, nodded along with their racist bullshit. In Iran it was called taarof, the elaborate and almost entirely unspoken choreography of etiquette that directs every social interaction. The old joke, that two Iranian men could never get on an elevator because they’ll just keep saying “you go,” “no you,” “no no please,” “I insist,” as the doors opened and closed. Midwestern politeness felt that way too, Cyrus learned, like it was burning cigarette holes in your soul. You bit your tongue, then bit it a little harder. You tried to keep your face still enough to tell yourself you hadn’t been complicit, that at least you weren’t encouraging what was happening around you. To you.”
Kaveh Akbar, Martyr!
“Behind me is silence, and ahead of me is silence.’ And that was it. That was her whole answer. Isn’t that perfect?” “Yeah, that’s beautiful,” said Cyrus, though it confused him. “What I mean is, I think maybe you’ll find your real ending once you stop looking for it,” Orkideh said. “I think real endings tend to work their way in from the outside.”
Kaveh Akbar, Martyr!
“When asked about the difficulties of sculpture, Michelangelo said, “It is easy. You just chip away all the stone that isn’t David.” It’s simple to cut things out of a life. You break up with a shitty partner, quit eating bread, delete the Twitter app. You cut it out, and the shape of what’s actually killing you clarifies a little. The whole Abrahamic world invests itself in this promise: Don’t lie, don’t cheat, don’t fuck or steal or kill, and you’ll be a good person. Eight of the ten commandments are about what thou shalt not. But you can live a whole life not doing any of that stuff and still avoid doing any good. That’s the whole crisis. The rot at the root of everything. The belief that goodness is built on a constructed absence, not-doing. That belief corrupts everything, has everyone with any power sitting on their hands. A rich man goes a whole day without killing a single homeless person and so goes to sleep content in his goodness. In another world, he’s buying crates of socks and Clif bars and tents, distributing them in city centers. But for him, abstinence reigns.”
Kaveh Akbar, Martyr!
“Cyrus thought about what an aggressively human leader on earth might look like. One who, instead of defending decades-old obviously wrong positions, said, “Well, of course I changed my mind, I was presented with new information, that’s the definition of critical thinking.” That it seemed impossible to conceive of a political leader making such a statement made Cyrus mad, then sad.”
Kaveh Akbar, Martyr!
“Nobody thinks of now as the future past.”
Kaveh Akbar, Martyr!
“We won't grow old together, Cyrus. But can't you feel this mattering? Right now?”
Kaveh Akbar, Martyr!
“For our species, the idea of art as ornament is a relatively new one. Our ape brains got too big, too big for our heads, too big for our mothers to birth them. So we started keeping all our extra knowing in language, in art, in stories and books and songs. Art was a way of storing our brains in each other’s. It wasn’t until fairly recently in human history, when rich landowners wanted something pretty to look at in winter, that the idea of art-as-mere-ornament came around. A painting of a blooming rose to hang on the mantel when the flowers outside the window had gone to ice. And still in the twenty-first century, it’s hard for folks to move past that. This idea that beauty is the horizon toward which all great art must march. I’ve never been interested in that. “As heaven spins, I fall into bedlam.”
Kaveh Akbar, Martyr!
“The iron law of sobriety, with apologies to Leo Tolstoy: the stories of addicts are all alike; but each person gets sober their own way. Addiction is an old country song: you lose the dog, lose the truck, lose the high school sweetheart. In recovery you play the song backward, and that’s where things get interesting. Where’d you find the truck? Did the dog remember you? What’d your sweetheart say when they saw you again?”
Kaveh Akbar, Martyr!
“As if to incentivize the whole ordeal, the body offered you dreams. In exchange for a third of your living, you were offered sprawling feasts, exotic adventures, beautiful lovers, wings. Or at least the promise of them, made only slightly less intoxicating by the curious threat of nightmare. How sometimes, at random, your mind would decide to reduce you to a whimper, or a gasp, in the night.”
Kaveh Akbar, Martyr!

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