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  • #1
    “Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn.”
    Joss Whedon

  • #2
    “There's a time and place for everything, and I believe it’s called 'fan fiction'.”
    Joss Whedon

  • #3
    Virginia Woolf
    “But for pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space; the sense also of extreme fixity in passing objects; and sounds very remote and then very close; flesh being gashed and blood spurting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.”
    Virginia Woolf, The Waves

  • #4
    David Foster Wallace
    “I felt despair. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously. For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death. It’s maybe close to what people call dread or angst. But it’s not these things, quite. It’s more like wanting to die in order to escape the unbearable feeling of becoming aware that I’m small and weak and selfish and going without any doubt at all to die. It’s wanting to jump overboard.”
    David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

  • #5
    Stanisław Lem
    “Each of us is aware he's a material being, subject to the laws of physiology and physics, and that the strength of all our emotions combined cannot counteract those laws. It can only hate them. The eternal belief of lovers and poets in the power of love which is more enduring that death, the finis vitae sed non amoris that has pursued us through the centuries is a lie. But this lie is not ridiculous, it's simply futile. To be a clock on the other hand, measuring the passage of time, one that is smashed and rebuilt over and again, one in whose mechanism despair and love are set in motion by the watchmaker along with the first movements of the cogs. To know one is a repeater of suffering felt ever more deeply as it becomes increasingly comical through a multiple repetitions. To replay human existence - fine. But to replay it in the way a drunk replays a corny tune pushing coins over and over into the jukebox?”
    Stanisław Lem, Solaris

  • #6
    David Foster Wallace
    “The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes.

    But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole.

    So cry all you want, I won't tell anybody.”
    David Foster Wallace, Oblivion

  • #7
    Yukio Mishima
    “The past does not only draw us back to the past. There are certain memories of the past that have strong steel springs and, when we who live in the present touch them, they are suddenly stretched taut and then they propel us into the future.”
    Yukio Mishima, The Temple of the Golden Pavilion

  • #8
    Yukio Mishima
    “For clearly it is impossible to touch eternity with one hand and life with the other.”
    Yukio Mishima, The Temple of the Golden Pavilion

  • #9
    Vladimir Nabokov
    “It is late now, I am a bit tired; the sky is irritated by stars. And I love you, I love you, I love you – and perhaps this is how the whole enormous world, shining all over, can be created – out of five vowels and three consonants.”
    Vladimir Nabokov, Letters to Vera

  • #10
    Vladimir Nabokov
    “The sun is a thief: she lures the sea
    and robs it. The moon is a thief:
    he steals his silvery light from the sun.
    The sea is a thief: it dissolves the moon.”
    Vladimir Nabokov, Pale Fire

  • #11
    Milan Kundera
    Because to live in a world in which no one is forgiven, where all are irredeemable, is the same as living in hell.
    Milan Kundera, The Joke
    tags: hell



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