Myesha Montjoy > Myesha's Quotes

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  • #1
    Barry Kirwan
    “That was how you survived. See the world as it is. Not as you think it is. Not as you want it to be, or think it should be. Not even as it was yesterday. See it exactly as it is, right now.”
    Barry Kirwan, When the children come

  • #2
    Dean Mafako
    “The entire belief was insulting to many of us, but nonetheless, the term “top trained,” which would come to be regurgitated with great regularity by hospital administration and by Dr. Kowatch, would eventually evolve to become what I would describe as an unhealthy infatuation, one that I now understand represented the developing disconnect between the majority of the Heart Center team and hospital administration, which would ultimately have detrimental effects on the program, which would become visible to all in the near future.”
    DEAN MAFAKO, M.D., Burned Out

  • #3
    Susan  Rowland
    “Mary stared at the dreamlike happenings on the page. Human figures faced each other; the man’s head was a golden ball with rays reaching up to huge stars and out to the distant mountains; the woman’s silver head was sickle-shaped and surrounded by birds like eagles with white beaks. Some of the black letters glowed because they had tips like tiny flames.”
    Susan Rowland, The Alchemy Fire Murder

  • #4
    Aimee Cabo Nikolov
    “#metooasachild”
    Aimee Cabo Nikolov, Love is the Answer, God is the Cure: A True Story of Abuse, Betrayal and Unconditional Love

  • #5
    Max Nowaz
    “You can’t escape me, I’m coming for you soon,” shrieked his hellish voice. Whether the beast was a man in a mask or a demon of his imagination, made little difference to Adam, He was petrified.”
    Max Nowaz, The Three Witches and the Master

  • #6
    Steven Decker
    “The structure was like an aquarium filled with air instead of water, and Dani and Zephyr were the “fish” inside, there for the enjoyment of the Water People, or for whatever other purpose their captors had in mind.”
    Steven Decker, The Balance of Time

  • #7
    Michael Shaara
    “When he thought of the old man he could see him suddenly in a field in the spring, trying to move a gray boulder. He always knew instinctively the ones you could move, even though the greater part was buried in the earth, and he expected you to move the rock and not discuss it. A hard and silent man, an honest man, a noble man. Little humor but sometimes the door opened and you saw the warmth within a long way off, a certain sadness, a slow, remote, unfathomable quality as if the man wanted to be closer to the world but did not know how. Once Chamberlain had a speech memorized from Shakespeare and gave it proudly, the old man listening but not looking, and Chamberlain remembered it still: 'What a piece of work is man...in action how like an angel!' And the old man, grinning, had scratched his head and then said stiffly, 'Well, boy, if he's an angel, he's sure a murderin' angel.' And Chamberlain had gone on to school to make an oration on the subject: Man, the Killer Angel. And when the old man heard about it he was very proud, and Chamberlain felt very good remembering it. The old man was proud of his son, the colonel.”
    Michael Shaara, The Killer Angels

  • #8
    Simone de Beauvoir
    “Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.”
    Simone de Beauvoir, The Second Sex

  • #9
    Irvine Welsh
    “Un tizietto in tuta mi grida dal pianerottolo in alto che non dovrei stare qui. E’ la storia della mia vita. Sempre in un posto dove non dovrei stare.”
    Irvine Welsh

  • #10
    Junot Díaz
    “We all know that there are language forms that are considered impolite and out of order, no matter what truths these languages might be carrying. If you talk with a harsh, urbanized accent and you use too many profanities, that will often get you barred from many arenas, no matter what you’re trying to say. On the other hand, polite, formal language is allowed almost anywhere even when all it is communicating is hatred and violence. Power always privileges its own discourse while marginalizing those who would challenge it or that are the victims of its power.”
    Junot Díaz

  • #11
    David Foster Wallace
    “It may sound reactionary, I know. But we can all feel it. We've changed the way we think of ourselves as citizens. We don't think of ourselves as citizens in the old sense of being small parts of something larger and infinitely more important to which we have serious responsibilities. We do still think of ourselves as citizens in the sense of being beneficiaries--we're actually conscious of our rights as American citizens and the nation's responsibilities to us and ensuring we get our share of the American pie. We think of ourselves now as eaters of the pie instead of makers of the pie. So who makes the pie?
    ...
    Something has happened where we've decided on a personal level that it's all right to abdicate our individual responsibility to the common good and let government worry about the common good while we all go about our individual self-interested business and struggle to gratify our various appetites.”
    David Foster Wallace, The Pale King

  • #12
    Tom Robbins
    “It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.”
    Tom Robbins, Still Life with Woodpecker

  • #13
    Max Nowaz
    “Every night I dream a lot. Every day I live a little.”
    Max Nowaz, Get Rich or Get Lucky

  • #14
    K.  Ritz
    “The early women rise before I do. Their lamps splinter the gloom of the kitchens. They chatter in whispers as they brew tea for the cooks. Windows are open to counter the heat of the ovens. Outside, the sky is as black as my soul.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #15
    Gayle Forman
    “Letting go. Everyone talks about it like it's the easiest thing. Unfurl your fingers one by one until your hand is open.”
    Gayle Forman, Where She Went

  • #16
    Cornelia Funke
    “you can not fully read a book without being alone. But through this very solitude you become intimately involved with people whom you might never have met otherwise, either because they have been dead for centuries or because they spoke languages you cannot understand. And, nonetheless, they have become your closest friends, your wisest advisors, the wizards that hypnotize you, the lovers you have always dreamed of.
    -Antonio munoz molinas, "the power of the pen”
    Cornelia Funke, Inkdeath

  • #17
    “Although it is uncomfortable to admit it, and many scientists especially try to brush it under the carpet, each of us is a bundle of rational and irrational impulses, and the attempt to divorce the two is doomed to failure...In this sense the Presocratic combination of vision and logic is a precise model for two strands of future development in human intellectual endeavor, which should not perhaps have been allowed to separate from each other as far as they sometimes have. Or rather, the attempt to separate them is ultimately unreal, a violation which leads to abominations such as the rape of the planet and the dehumanizing loss of imagination...As Homer well knew, the gods in some disguise or other never die.”
    Robin Waterfield

  • #18
    Judith Viorst
    “...we should never grow so old, or change so much, that we cannot find room in our hearts for the wisdom of children's books.”
    Judith Viorst, What the Dormouse Said: Lessons for Grown-ups from Children's Books

  • #19
    Isaac Asimov
    “A circle has no end.”
    Isaac Asimov, Second Foundation

  • #20
    Stendhal
    “Scopul ei era să nu facă nicio mărturisire compromiţătoare, dar logica pasiunii este cu totul alta: interesul nestăvilit de a afla adevărul nu îţi îngăduie, cu niciun chip, să-ţi măsori vorbele şi, în acelaşi timp, devotamentul fără de margini faţă de fiinţa iubită te face să uiţi teama că ai putea s-o ofensezi.”
    Stendhal, Manastirea din Parma #1



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