bianca > bianca's Quotes

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  • #1
    Jennifer Niven
    “The thing I realize is, that it's not what you take, it's what you leave.”
    Jennifer Niven, All the Bright Places

  • #2
    David Sheff
    “Why does it help to read others' stories? It is not only that misery loves company, because (I learned) misery is too self-absorbed to want much company. Others' experiences did help with my emotional struggle...”
    David Sheff, Beautiful Boy: A Father's Journey Through His Son's Addiction

  • #3
    Sally Rooney
    “Marianne, he said, I'm not a religious person but I do sometimes think God made you for me.”
    Sally Rooney, Normal People

  • #4
    Bodil Malmsten
    “Nothing must happen to you No, what am I saying Everything must happen to you And it must be wonderful.”
    Bodil Malmsten

  • #5
    Sally Rooney
    “Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.”
    Sally Rooney, Beautiful World, Where Are You

  • #6
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #7
    Amal El-Mohtar
    “I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious—I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand. Flowers grow far away on a planet they’ll call Cephalus, and these flowers bloom once a century, when the living star and its black-hole binary enter conjunction.I want to fix you a bouquet of them, gathered across eight hundred thousand years, so you can draw our whole engagement in a single breath, all the ages we’ve shaped together.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #8
    Amal El-Mohtar
    “I want to meet you in every place I have loved.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #9
    Amal El-Mohtar
    “It's amazing how much blue there is in the world if you look. You're different colors of flame. Bismuth burns blue, and cerium, germanium, and arsenic. See? I pour you into things.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #10
    Amal El-Mohtar
    “To paraphrase a prophet: Letters are structures, not events. Yours give me a place to live inside”
    Amal El-Mohtar, Max Gladstone, This Is How You Lose the Time War

  • #11
    Amal El-Mohtar
    “So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #12
    Ocean Vuong
    “They say nothing lasts forever but they're just scared it will last longer than they can love it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #13
    Kelly Quindlen
    “I hate you," I say. Then I kiss her and kiss her and kiss her.”
    Kelly Quindlen, She Drives Me Crazy

  • #14
    Kelly Quindlen
    “Our fingers brush and I feel the electricity on our skin, radiant enough to power this street full of lights”
    Kelly Quindlen, She Drives Me Crazy

  • #15
    Seneca
    “You act like mortals in all that you fear, and like immortals in all that you desire”
    Lucius Annaeus Seneca, On the Shortness of Life: Life Is Long if You Know How to Use It

  • #16
    Seneca
    “It is not that we have so little time but that we lose so much. ... The life we receive is not short but we make it so; we are not ill provided but use what we have wastefully.”
    Lucius Annaeus Seneca, On the Shortness of Life: Life Is Long if You Know How to Use It

  • #17
    Franz Kafka
    “I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”
    Franz Kafka, The Metamorphosis

  • #18
    Franz Kafka
    “How about if I sleep a little bit longer and forget all this nonsense",”
    Franz Kafka, Metamorphosis

  • #19
    Franz Kafka
    “The sister played so beautifully. Her face was tilted to one side and she followed the notes with soulful and probing eyes. Gregor advanced a little, keeping his eyes low so that they might possibly meet hers. Was he a beast if music could move him so?”
    Franz Kafka, The Metamorphosis

  • #20
    Sally Rooney
    “It suggests to Connell that the same imagination he used as a reader is necessary to understand real people also, and to be intimate with them.”
    Sally Rooney, Normal People

  • #21
    Sally Rooney
    “Marianne wanted her life to mean something then, she wanted to stop all violence committed by the strong against the weak, and she remembered a time several years ago when she had felt so intelligent and young and powerful that she almost could have achieved such a thing, and now she knew she wasn’t at all powerful, and she would live and die in a world of extreme violence against the innocent, and at most she could only help a few people. It was so much harder to reconcile herself to the idea of helping a few, like she would rather help no one than do something so small and feeble”
    Sally Rooney, Normal People

  • #22
    Sally Rooney
    “Multiple times he has tried writing his thoughts about Marianne down on paper in an effort to make sense of them. He's moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann's Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-coloured spine. Her long fingers turning the pages. She's not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works... He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to recreate a precise copy of Marianne in print, as if he can preserve her completely for future review.”
    Sally Rooney, Normal People

  • #23
    Sally Rooney
    “It feels intellectually unserious to concern himself with fictional people marrying one another. But there it is: literature moves him. One of his professors calls it “the pleasure of being touched by great art.” In those words it almost sounds sexual.”
    Sally Rooney, Normal People

  • #24
    William Shakespeare
    “Doubt thou the stars are fire;
    Doubt that the sun doth move;
    Doubt truth to be a liar;
    But never doubt I love.”
    William Shakespeare, Hamlet

  • #25
    William Shakespeare
    “To be, or not to be: that is the question:
    Whether 'tis nobler in the mind to suffer
    The slings and arrows of outrageous fortune,
    Or to take arms against a sea of troubles,
    And by opposing end them? To die: to sleep;
    No more; and by a sleep to say we end
    The heart-ache and the thousand natural shocks
    That flesh is heir to, 'tis a consummation
    Devoutly to be wish'd. To die, to sleep;
    To sleep: perchance to dream: ay, there's the rub;
    For in that sleep of death what dreams may come
    When we have shuffled off this mortal coil,
    Must give us pause: there's the respect
    That makes calamity of so long life;
    For who would bear the whips and scorns of time,
    The oppressor's wrong, the proud man's contumely,
    The pangs of despised love, the law's delay,
    The insolence of office and the spurns
    That patient merit of the unworthy takes,
    When he himself might his quietus make
    With a bare bodkin? who would fardels bear,
    To grunt and sweat under a weary life,
    But that the dread of something after death,
    The undiscover'd country from whose bourn
    No traveller returns, puzzles the will
    And makes us rather bear those ills we have
    Than fly to others that we know not of?
    Thus conscience does make cowards of us all;
    And thus the native hue of resolution
    Is sicklied o'er with the pale cast of thought,
    And enterprises of great pith and moment
    With this regard their currents turn awry,
    And lose the name of action.--Soft you now!
    The fair Ophelia! Nymph, in thy orisons
    Be all my sins remember'd!”
    William Shakespeare, Hamlet



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