Eldon Krapp > Eldon's Quotes

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  • #1
    Steve Snyder
    “It Is Our Duty To Remember”
    Steve Snyder, Shot Down: The True Story of Pilot Howard Snyder and the Crew of the B-17 Susan Ruth

  • #2
    Kirsten Fullmer
    “Mildred adjusted the papers and scribbled some more. When she was finished, she took off her glasses, leaving them to swing from the chain around her neck. She gave the women around the table a pointed look. “Now think hard, ladies, can you come up with anything else?”
    Kirsten Fullmer

  • #3
    Jason Latshaw
    “The greatest pain is the love you leave behind.”
    Jason Latshaw, The Threat Below

  • #4
    “I marveled at the beauty of all life and savored the power and possibilities of my imagination. In these rare moments, I prayed, I danced, and I analyzed. I saw that life was good and bad, beautiful and ugly. I understood that I had to dwell on the good and beautiful in order to keep my imagination, sensitivity, and gratitude intact. I knew it would not be easy to maintain this perspective. I knew I would often twist and turn, bend and crack a little, but I also knew that…I would never completely break.”
    Maria Nhambu, Africa's Child

  • #5
    Robyn Mundell
    “Life is funny that way. Sometimes the dumbest thing you do turns out to be the smartest.”
    Robyn Mundell, Brainwalker

  • #6
    Hubert Selby Jr.
    “They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.”
    Hubert Selby Jr., Requiem for a Dream

  • #7
    Tennessee Williams
    “I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.”
    Tennessee Williams, A Streetcar Named Desire

  • #8
    Mary Doria Russell
    “God save us from idealists! They dream of a world without injustice, and what crime won't they commit to get it! I swear, Mirella, I'll settle for a world with good manners.”
    Mary Doria Russell, A Thread of Grace

  • #9
    John Steinbeck
    “We find after years of struggle that we do not take a trip; a trip takes us.”
    John Steinbeck, Travels with Charley: In Search of America

  • #10
    Bev Stout
    “He glared at her. "Aye, and you shall be the best cabin boy I have ever had or I will feed you to the sharks. Savvy?" He turned and stomped back to the
    ship”
    Bev Stout, Secrets of the Realm

  • #11
    Philip Pullman
    “We all show false faces to the world, and a good thing too, for a hundred reasons. We should be consistent with our friends and lovers, so as not to be unkind. But if in your heart you are not kind, it's better to be false, to act kindly even if you don't feel it, because the deed is important and not the reason for it.
    That kind of falsity is the triumph of our civilization.”
    Philip Pullman, Galatea

  • #12
    Tim Butcher
    “I was entertained with a song setting forth the delights of cannibalism, in which the flesh of the men was said to be good but that of women was bad and only eaten in time of scarcity; nevertheless, it was not to be despised when man meat was unobtainable.”
    Tim Butcher, Blood River: A Journey to Africa's Broken Heart

  • #13
    James Fenimore Cooper
    “The air, the water, and the ground are free gifts to man, and no one has the power to portion them out in parcels. Man must drink, breath, and walk - and therefore each has a right to his share of earth.”
    James Fenimore Cooper, The Prairie

  • #14
    Ruta Sepetys
    “We'd be trying to touch the sky from the bottom of the ocean. I realize that if we boosted one another, maybe we'd get a little closer.”
    Ruta Sepetys, Between Shades of Gray

  • #15
    Irène Némirovsky
    “Ma perché a noi tocca sempre soffrire? Alla gente come noi, alla gente comune, ai piccoli borghesi? Quando arriva una guerra, o il franco è in ribasso, o ci sono disoccupazione, crisi e rivoluzioni, gli altri se la cavano sempre. E siamo noi a pagare! Perché? Che cosa abbiamo fatto? Paghiamo per gli errori di tutti. Certo, di noi nessuno ha paura!”
    Irène Némirovsky, Suite Française

  • #16
    Malorie Blackman
    “You remind me of a boy I used to know
    Same Smile, same easy, laid-back style
    And man, could he kiss
    Blew my mind the very first time
    His lips touched mine.
    You remind me

    You remind me of a boy I used to like.
    Same eyes, strong arms, same open mind
    And man, could he dance
    Arms around me, lost in a trance
    I'd hear his heart
    You remind me

    I'm scared of you
    How did you find me?
    Turn and walk away
    'Cause you remind me

    You remind me of a boy I used to love
    Same laughter and tears, shared through the years
    And man, how he felt

    Made my bones more than melt
    He touched my soul.
    You remind me

    I'm scared of you
    How did you find me?
    Turn and walk away
    'Cause you remind me”
    Malorie Blackman, Checkmate

  • #17
    Robert Graves
    “Manticor in Arabia

    (The manticors of the montaines
    Mighte feed them on thy braines.--Skelton.)


    Thick and scented daisies spread
    Where with surface dull like lead
    Arabian pools of slime invite
    Manticors down from neighbouring height
    To dip heads, to cool fiery blood
    In oozy depths of sucking mud.
    Sing then of ringstraked manticor,
    Man-visaged tiger who of yore
    Held whole Arabian waste in fee
    With raging pride from sea to sea,
    That every lesser tribe would fly
    Those armed feet, that hooded eye;
    Till preying on himself at last
    Manticor dwindled, sank, was passed
    By gryphon flocks he did disdain.
    Ay, wyverns and rude dragons reign
    In ancient keep of manticor
    Agreed old foe can rise no more.
    Only here from lakes of slime
    Drinks manticor and bides due time:
    Six times Fowl Phoenix in yon tree
    Must mount his pyre and burn and be
    Renewed again, till in such hour
    As seventh Phoenix flames to power
    And lifts young feathers, overnice
    From scented pool of steamy spice
    Shall manticor his sway restore
    And rule Arabian plains once more.”
    Robert Graves

  • #18
    Junot Díaz
    “You guys know about vampires? … You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all. I was like, “Yo, is something wrong with me? That the whole society seems to think that people like me don’t exist?" And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might see themselves reflected back and might not feel so monstrous for it.”
    Junot Díaz

  • #19
    “When you are an addict and you get caught, you always seem to be at your lowest point.”
    Andrew Mann, Such Unfortunates

  • #20
    Rebecca Wells
    “Shep claimed eating cake like that so early in the morning was a 'whore's breakfast.' The rest of them didn't care. They were happy little whores who didn't worry about saving a morsel. ”
    Rebecca Wells, Divine Secrets of the Ya-Ya Sisterhood
    tags: humor

  • #21
    Ellen Raskin
    “Your trouble comes from years of wearing the wrong kind of shoes. - Jake Wexler”
    Ellen Raskin, The Westing Game

  • #22
    Edith Wharton
    “It was easy enough to despise the world, but decidedly difficult to find any other habitable region.”
    Edith Wharton

  • #23
    Ray Bradbury
    “What is it about fire that's so lovely? No matter what age we are, what draws us to it?...The thing man wanted to invent, but never did...If you let it go on, it'd burn our lifetimes out. What is fire? It is a mystery. Scientists give us gobbledygook about friction and molecules. But they don't really know. Its real beauty is that it destroys responsibility and consequences.”
    Ray Bradbury, Fahrenheit 451

  • #24
    Therisa Peimer
    “Her husband's visage captivated her from the first moment she saw him step out of the royal carriage a hundred years ago. How could it not? Flaminius was utterly gorgeous. But once she fell in love with him, she became happily enslaved.”
    Therisa Peimer, Taming Flame

  • #25
    Sara Pascoe
    “With our beloved prairie voles the female has her ovulation induced by the smell of male urine. It’s a sure sign there’s a male nearby and so her body gets ready for mating. The exact opposite of a human female getting a whiff of urinals in a nightclub and her vagina falling off in disgust”
    Sara Pascoe

  • #26
    Jean-Dominique Bauby
    “In the past, it was known as a "massive stroke," and you simply died. But improved resuscitation techniques have now prolonged and refined the agony.”
    Jean-Dominique Bauby

  • #27
    Henry David Thoreau
    “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
    Henry David Thoreau

  • #28
    Barbara W. Tuchman
    “Survivors of the plague, finding themselves neither destroyed nor improved, could discover no Divine purpose in the pain they had suffered. God’s purposes were usually mysterious, but this scourge had been too terrible to be accepted without questioning. If a disaster of such magnitude, the most lethal ever known, was a mere wanton act of God or perhaps not God’s work at all, then the absolutes of a fixed order were loosed from their moorings. Minds that opened to admit these questions could never again be shut. Once people envisioned the possibility of change in a fixed order, the end of an age of submission came in sight; the turn to individual conscience lay ahead. To that extent the Black Death may have been the unrecognized beginning of modern man.”
    Barbara W. Tuchman, A Distant Mirror: The Calamitous 14th Century

  • #29
    Stephen Crane
    “I SAW A MAN PURSUING THE HORIZON;
    ROUND AND ROUND THEY SPED.
    I WAS DISTURBED AT THIS;
    I ACCOSTED THE MAN.
    "IT IS FUTILE," I SAID,
    "YOU CAN NEVER"—

    "YOU LIE," HE CRIED,
    AND RAN ON.”
    Stephen Crane, The Black Riders and Other Lines

  • #30
    Karl Marx
    “Money is the universal equivalent form of all commodities, which already show in their prices that they ideally represent a specific sum of money, expect to be transformed into money, and only receive the form in which they can be converted into use-values for their possessor by changing places with money.”
    Karl Marx, Capital: Critique of Political Economy, Vol 2



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