Morgan > Morgan's Quotes

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  • #1
    Anaïs Nin
    “Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #2
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #3
    Anaïs Nin
    “And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”
    Anais Nin

  • #4
    Anaïs Nin
    “Life shrinks or expands in proportion to one's courage.”
    Anais Nin

  • #5
    William  James
    “To change one’s life:
    1. Start immediately.
    2. Do it flamboyantly.
    3. No exceptions.”
    William James

  • #6
    Clarissa Pinkola Estés
    “There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind.

    If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged."

    "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks.

    There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other.

    But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world?

    The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #7
    Clarissa Pinkola Estés
    A Prayer
    Refuse to fall down
    If you cannot refuse to fall down,
    refuse to stay down.
    If you cannot refuse to stay down,
    lift your heart toward heaven,
    and like a hungry beggar,
    ask that it be filled.
    You may be pushed down.
    You may be kept from rising.
    But no one can keep you from lifting your heart
    toward heaven
    only you.
    It is in the middle of misery
    that so much becomes clear.
    The one who says nothing good
    came of this,
    is not yet listening.

    Clarissa Pinkola Estés, The Faithful Gardener: A Wise Tale About That Which Can Never Die

  • #8
    Friendship ... is born at the moment when one man says to another What! You
    “Friendship ... is born at the moment when one man says to another "What! You too? I thought that no one but myself . . .”
    C.S. Lewis, The Four Loves

  • #9
    Steve Jobs
    “Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.”
    Steve Jobs

  • #10
    William Goldman
    “Her heart was a secret garden and the walls were very high.”
    William Goldman, The Princess Bride

  • #11
    Robert Graves
    “When the immense drugged universe explodes
    In a cascade of unendurable colour
    And leaves us gasping naked,
    This is no more than the ectasy of chaos:
    Hold fast, with both hands, to that royal love
    Which alone, as we know certainly, restores
    Fragmentation into true being.

    Ecstasy of Chaos”
    Robert Graves, Poems 1965-1968

  • #12
    William Goldman
    “I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.”
    William Goldman, The Princess Bride

  • #13
    Haruki Murakami
    “I have this strange feeling that I'm not myself anymore. It's hard to put into words, but I guess it's like I was fast asleep, and someone came, disassembled me, and hurriedly put me back together again. That sort of feeling.”
    Haruki Murakami, Sputnik Sweetheart

  • #14
    Shel Silverstein
    “If you are a dreamer come in
    If you are a dreamer a wisher a liar
    A hoper a pray-er a magic-bean-buyer
    If youre a pretender com sit by my fire
    For we have some flax golden tales to spin
    Come in!
    Come in!”
    Shel Silverstein

  • #15
    “Such elusive puzzles recall the historian's basic dilemma: the absence of evidence does not always signify evidence of absence. In the end, we will likely never know.”
    Howard Markel, An Anatomy of Addiction: Sigmund Freud, William Halsted, and the Miracle Drug Cocaine

  • #16
    Oscar Wilde
    “You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?”
    Oscar Wilde, The Picture of Dorian Gray

  • #17
    A.A. Milne
    “Piglet sidled up to Pooh from behind.
    "Pooh!" he whispered.
    "Yes, Piglet?"
    "Nothing," said Piglet, taking Pooh's paw. "I just wanted to be sure of you.”
    A.A. Milne, The House at Pooh Corner

  • #18
    Criss Jami
    “Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.”
    Criss Jami, Killosophy

  • #19
    George R.R. Martin
    “The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.

    Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?

    We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.

    They can keep their heaven. When I die, I'd sooner go to middle Earth.”
    George R.R. Martin

  • #20
    J.R.R. Tolkien
    “I wish it need not have happened in my time," said Frodo.
    "So do I," said Gandalf, "and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”
    J.R.R. Tolkien, The Fellowship of the Ring

  • #21
    Janet Fitch
    “If I were a poet, that’s what I’d write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, “How’s it going, how’s the kids?” They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.”
    Janet Fitch, White Oleander

  • #22
    Nenia Campbell
    “What will you do to me, my little sparrow? Beat your hands against my chest? Scratch me up? Shout at me in that sweet, trembling voice? If that’s the case, you tempt me to villainy, simply by making me crave the punishment.”
    Nenia Campbell, Raise the Blood



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