“Now: We’ve opened a potential scene. We have a character, we have a goal that relates to the story goal, and this short-term scene goal has been stated in no uncertain terms. What next? It must be conflict. Why? Not just because readers like conflict, but – again – because a prompt, satisfactory answer ends the scene at once and relaxes all tension in the reader. Let’s imagine Mr. Greenback says, “I love mountain climbers, Fred, and I like you! Sure, you can have $75,000! But are you sure that will be enough? Are you sure you wouldn’t like to borrow more?” If you let this happen, the “scene” collapsed before it could get under way. Furthermore, Fred leaves happy and relaxed. The reader relaxes, too – and so loses interest in the story.”