“Readers generally find nothing as enthralling as conflict. Most popular novels, for example, are basically the record of a prolonged struggle. But as we mentioned in chapter 2, a story of any length must have some sort of movement or progress; you can’t expect a reader to be patient very long with a story that drags out a single, unchanging conflict over many, many pages. You know the kind of static, unchanging conflict I mean; you see it when small children argue: Mary: “Mommy, make him stop! He hit me!”
Billy: “I did not!”
“Did so!”
“Did not!”
“Did so!”
“Did not!”
“Did so!”
“Did not!” Maybe the story question at the start of this little plot was: “Will Mary get mommy to make Billy stop?” And this question very quickly became: “Will Mary convince mommy in light of Billy’s denial?” But that’s as far as it got; Mary and Billy kept fighting about exactly the same issue, over and over and over again, ad infinitum. Fusses like this drive mommies nuts.”