Whitney
asked
Scott Hawkins:
This question contains spoilers…
(view spoiler)[Pardon me if this has already been asked, or if it really is obvious in the book, but I didn't catch it, even after reading it twice.... How does it become David's "assignment" to rescue Steve from prison? Does Carolyn convince him? How does she convince everyone that Steve is "essential" but also disposable? And is his heart a McGuffin? (hide spoiler)]
Scott Hawkins
This answer contains spoilers…
(view spoiler)[Hi Whitney,
It didn't get a lot of page time, but at the end of Chapter 3 (about pg. 72-ish), right after Nobununga flamed out trying to get into Garrison Oaks, Carolyn & co. were talking about alternate strategies for getting back to the library.
Carolyn pointed out that regular Americans didn't seem to have a problem moving around inside the reissak. They decided they needed an American, and that Carolyn (as the only one who really spoke the language) should be the one to find him/her. She already had, ofc--that's why she set Steve up for the murder of Detective Miner. With a death penalty case hanging over his head, she had leverage.
Then, last line of the chapter, "They plotted together until well after dark. Carolyn pretended to resist at first, but eventually she let them convince her that David would have to be involved as well."
I never spelled it out, but it was probably something like "David we need a huge favor. We need you to break a guy out of jail, and there are liable to be A WHOLE LOT OF CASUALTIES. ARMED, FIGHTING-AGE CASUALTIES. WITH GUNS. YOU MIGHT HAVE TO KILL SOME OF THEM--MAYBE EVEN ALL OF THEM--IN HORRIBLE WAYS. You'll need to--" pause. "David, why are you drooling?"
HTH,
Scott (hide spoiler)]
It didn't get a lot of page time, but at the end of Chapter 3 (about pg. 72-ish), right after Nobununga flamed out trying to get into Garrison Oaks, Carolyn & co. were talking about alternate strategies for getting back to the library.
Carolyn pointed out that regular Americans didn't seem to have a problem moving around inside the reissak. They decided they needed an American, and that Carolyn (as the only one who really spoke the language) should be the one to find him/her. She already had, ofc--that's why she set Steve up for the murder of Detective Miner. With a death penalty case hanging over his head, she had leverage.
Then, last line of the chapter, "They plotted together until well after dark. Carolyn pretended to resist at first, but eventually she let them convince her that David would have to be involved as well."
I never spelled it out, but it was probably something like "David we need a huge favor. We need you to break a guy out of jail, and there are liable to be A WHOLE LOT OF CASUALTIES. ARMED, FIGHTING-AGE CASUALTIES. WITH GUNS. YOU MIGHT HAVE TO KILL SOME OF THEM--MAYBE EVEN ALL OF THEM--IN HORRIBLE WAYS. You'll need to--" pause. "David, why are you drooling?"
HTH,
Scott (hide spoiler)]
More Answered Questions
Jeannette
asked
Scott Hawkins:
First of all, the dork in me can't help but express how amazed and impressed I was with The Library at Mount Char. It's all I've talked about and I feel like no rebound book will be enough. The characters are all so fleshed out and different; I was wondering which characters are based off of or influenced by people you know. And if I can ask another question that is overly personal, which librarian would you be?
Jeannette
asked
Scott Hawkins:
It's been months and I'd still rather be reading about Mount Char. I was wondering, what scene were you most insecure about when writing it? I know when I write I am crippled with frustration and insecurity, particularly with heavily violent or dramatic scenes. Did you ever feel this way? Despite the book being brilliant.
MLO
asked
Scott Hawkins:
Not so much a question but an observation: I read a ridiculously embarrassing amount of books and, to this day, over a year later, The Library at Mount Char is still at the top of my Favorite Books of All Time list. Obligatory field-verification-question: What, if anything, made you decide to start writing fiction?
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