Robyn McIntyre
asked
Lois McMaster Bujold:
I just finished "Pendric's Demon." It was very satisfying and that's not something I've found in the last few books I've read. I think the reason I find your work satisfying is not only your world-building, but your characters. They are interesting and complete - even when they don't have bodies! Would you say characterization is something you particularly try to focus on?
Lois McMaster Bujold
I can't say that characterization is something I try to focus on... it seems to come "for free" for me. (Referring to a metaphor about writing where every writer has different aspects of the craft that seem to come easily to them, and others they have to work for.) I have to work for plot, and setting, and, argh! names, tech and worldbuilding, and magic systems if extant, theology, politics, architecture and clothing design and so on. But if a character presents him/her/itself as interesting enough to write about in the first place, they seem to come walking onstage already pretty integral. Also, nearly impossible to alter in any arbitrary fashion, even though they grow and change with the story. Mountains are easier to move.
Though they do tend to go through a stage early in their development (and, indeed, later on in the tale) where I keep trying story and backstory on them to see what fits, like a frustrating shopping trip, but that feels more like discovery than invention.
Once I have a character, everything else can be added. Without a character, everything else is useless.
Ta, L.
Though they do tend to go through a stage early in their development (and, indeed, later on in the tale) where I keep trying story and backstory on them to see what fits, like a frustrating shopping trip, but that feels more like discovery than invention.
Once I have a character, everything else can be added. Without a character, everything else is useless.
Ta, L.
More Answered Questions
Ara Sedaka
asked
Lois McMaster Bujold:
This question contains spoilers…
(view spoiler)[
The ending of Cryoburn was brilliant + beautiful + heartbreaking. I was intrigued by the closing lines that link back to Shards of Honor and imply that Cordelia has come to embrace the Barrayaran concept that sometimes life is not worth living. I felt this intensifies and complicates the series' message of disability rights. Does this reflect a change in your own philosophy or were you always planning to end there?
(hide spoiler)]
Tyler
asked
Lois McMaster Bujold:
Strange question: I found out about your books from a recommendation by author Jim Butcher, of the Dresden Files. He said of you, "One of the Best craftsman working in science fiction today." I've since devoured nearly everything you've written. He also said, "Wants to have her Babies." Then clarified by saying, he would personally bear children for you. He's a big fan. Are you aware of this proposal from Jim?
Kevin Reitz
asked
Lois McMaster Bujold:
There is more information in the average sentence you write, or the average paragraph, than most other writers I can think of. Is this consciously done? To explain what I mean, when I first saw a Michelangelo sculpture up close, I was amazed at how much information was contained in all the subtle carving choices he made. Far more observations, say, than in the Mona Lisa.
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