Sergio Lourenço
I’m diving back into Elric of Melniboné by Michael Moorcock, because his doomed sorcerers never lose their edge. I’ve also lined up A Song for Quiet by Cassandra Khaw, which blends cosmic horror with haunting lyricism, and The Fisherman by John Langan, a modern classic of folk and cosmic dread. To balance the horror, I plan to revisit The Tower of the Elephant by Robert E. Howard — sometimes sword and sorcery is exactly what I need.
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