Beth Swahn
asked
Lois McMaster Bujold:
I am reading the Sharing Knife Series and I love it, but I have to wonder why you made the age difference so great between the couple. It seems like a very thought out choice, but I have to admit I just don’t get it! Can you explain?
Lois McMaster Bujold
Two reasons, well, three, one extrinsic and two intrinsic. Extrinsically, the age gap gives a proxy visceral response to some readers parallel to the in-story visceral response of characters to the bloodline gap. Modern readers, well, any that are likely to pick up my books, would presumably scorn a negative response to the latter; quite a few of them recoil from the former. Alas, absolutely no one other than myself has ever made this mirroring cultural compare-and-contrast connection, one of the many sub-components of the long journey-of-understanding the books try to give to both characters and readers.
Intrinsically, this is what the characters were when they walked into my head. I don't argue with that gift.
But more specifically, Dag and Fawn stitch together what were at the time the two emotional ends of my own generational life experiences. I was 55 when I started writing the tetralogy, as post-adult as I'd ever been, and I most certainly remembered being a late-teen girl-woman, desperate to start my adult life. (Which makes Dag, not Fawn, my Mary Sue, but a lot of people don't seem to realize that strong identification with characters, for media creators and consumers, crosses genders. Which is a whole 'nother essay.)
So, yeah, very thought out.
Ta, L.
Two reasons, well, three, one extrinsic and two intrinsic. Extrinsically, the age gap gives a proxy visceral response to some readers parallel to the in-story visceral response of characters to the bloodline gap. Modern readers, well, any that are likely to pick up my books, would presumably scorn a negative response to the latter; quite a few of them recoil from the former. Alas, absolutely no one other than myself has ever made this mirroring cultural compare-and-contrast connection, one of the many sub-components of the long journey-of-understanding the books try to give to both characters and readers.
Intrinsically, this is what the characters were when they walked into my head. I don't argue with that gift.
But more specifically, Dag and Fawn stitch together what were at the time the two emotional ends of my own generational life experiences. I was 55 when I started writing the tetralogy, as post-adult as I'd ever been, and I most certainly remembered being a late-teen girl-woman, desperate to start my adult life. (Which makes Dag, not Fawn, my Mary Sue, but a lot of people don't seem to realize that strong identification with characters, for media creators and consumers, crosses genders. Which is a whole 'nother essay.)
So, yeah, very thought out.
Ta, L.
More Answered Questions
Jacey
asked
Lois McMaster Bujold:
Hi Lois, I bought Penric's Demon from Amazon - a kindle edition published by Spectrum and sold by Amazon. Worryingly someone has just posted this on my review: Marc Wilson says: This is a stolen book, published without the author's permission and very likely illegally scanned from an eARC (electronic Advanced Reading Copy).. Can you clarify, please. Is there a problem with this?
Jana
asked
Lois McMaster Bujold:
Quick fangirling - I discovered the Vorkosigan Saga a while back and I adore it, thank you so much. To business - I'm an aspiring writer currently at the end of editing my first draft manuscript. Since I've decided to try the traditional publishing route first, I'm currently starting the search for an agent and the whole process is, frankly, terrifying. How did you find / settle on your agent?
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