Shaun
asked
Mark Lawrence:
The way you write about maountains and climbing ring very true to me. As an alpinist and rock climber, I think it had to come from real experience. I have used several quotes from your books on the subject. I would just like to know if it is something you have personal experience with, because you cover the essence of it very well. Does it come from first hand experience?
Mark Lawrence
This is a question I've been asked quite a few times. Today I got a message from someone who said I had captured the essence of being given a cancer diagnosis as a teen - something that had happened to them. There are other examples I could give.
And in this case as with the others it's just imagination at work. I find that if I use my imagination to connect emotionally with a character in a particular circumstance, then the rest largely takes care of itself (barring some serious technical error). The art of writing is to strike chords in the reader - to wake up what is already there and let them do the heavy lifting. The page isn't big enough for anything else. I can't describe everything in minute detail, I just have to remind the reader that they know these things already. Thus the images that form in the mind of the reader are largely their own. If they have strong personal experience of the situation, be it chemotherapy or hanging above a long fall (both of which are actually quite similar if you pare them down to the bone) then those images will be filled with all sorts of detail and authenticity that actually comes from reader.
Edit: I can now add caving and sword fighting to the list of things readers have asked if I have personal experience of because of the veracity of my descriptions.
I'm very pleased to hear the quotes were useful!
I hope you enjoyed the books too :D
And in this case as with the others it's just imagination at work. I find that if I use my imagination to connect emotionally with a character in a particular circumstance, then the rest largely takes care of itself (barring some serious technical error). The art of writing is to strike chords in the reader - to wake up what is already there and let them do the heavy lifting. The page isn't big enough for anything else. I can't describe everything in minute detail, I just have to remind the reader that they know these things already. Thus the images that form in the mind of the reader are largely their own. If they have strong personal experience of the situation, be it chemotherapy or hanging above a long fall (both of which are actually quite similar if you pare them down to the bone) then those images will be filled with all sorts of detail and authenticity that actually comes from reader.
Edit: I can now add caving and sword fighting to the list of things readers have asked if I have personal experience of because of the veracity of my descriptions.
I'm very pleased to hear the quotes were useful!
I hope you enjoyed the books too :D
More Answered Questions
Marco Silva
asked
Mark Lawrence:
Hello, Mark. Love your work and world building. I don't want to be splitting hairs here but I feel that I'm reading sci-fi when reading the Broken Empire.. the fantasy tropes are there but you give a scientific reason for the way the world is as it is... I'm reading "Emperor of Thorns" now. My question is: what are the main magical systems you researched to create your own?
Mitch Kable
asked
Mark Lawrence:
Hi Mark, I just finished Red Sister, and thought it was great. It's so different from your first two trilogies, yet just as powerful and enjoyable. Arse kissing aside, I was wondering if you ever write while drunk? Do you find it helps or hinders your creative ability? Thanks! And now I'm off to read Grey Sister.
Derek
asked
Mark Lawrence:
I have just finished One Word Kill, and really enjoyed it. I have a quibble, though - "Sorry" is played with cards not dice. The Pop-o-Matic shaker was "Frustration" - unless you were playing some obscure hybrid version "popping the dice bubble to take your turn at Sorry." Has nobody else noticed this?
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