Natalia Panina
asked
Lois McMaster Bujold:
Hello, Lois! First of all I want to thank you very much for the Vorkosigan Saga. I read it first more than 20 years ago, in Russian. I just swallowed it overnight and hunted down all published books written by you. Right now I am reading Miles's story for the fourth time and can't sleep if not finish it overnight ))) My question: do you ever feel scared or stumbled when starting a new story? How do you manage?
Lois McMaster Bujold
I've answered my-process questions in a lot of places, including (somewhere) in this Q&A file, so you might find more detail if you hunt a bit. "Stumbling" happens all the time, I suppose, but I do a lot of it before starting to type out first drafts, in my notes-and-outlines phase, which also get constantly redeveloped as I go. The worst part of a book or story for me is not the beginning, but the middle. Middles are the pits. So I suppose I manage bit by bit, breaking down the process to chewable bites.
Separate from the actual writing is all the business stuff -- contracts, deadlines, promotional duties -- which can add stress depending. Which is why one of the conditions of my current semi-retirement is to neither contract nor announce new work, if any, till the first draft is bagged. (It's normal business practice not to publicly discuss any contract or other negotiations till they're over. Since many of us writers are sort of raised by wolves, business etiquette, too, can take some learning.)
Pat Wrede had a good post recently on the topic --
https://www.pcwrede.com/advice-for-cr...
If you scroll back through her blog, she has a lot of cogent remarks recently on middles and their hazards, too.
Ta, L.
I've answered my-process questions in a lot of places, including (somewhere) in this Q&A file, so you might find more detail if you hunt a bit. "Stumbling" happens all the time, I suppose, but I do a lot of it before starting to type out first drafts, in my notes-and-outlines phase, which also get constantly redeveloped as I go. The worst part of a book or story for me is not the beginning, but the middle. Middles are the pits. So I suppose I manage bit by bit, breaking down the process to chewable bites.
Separate from the actual writing is all the business stuff -- contracts, deadlines, promotional duties -- which can add stress depending. Which is why one of the conditions of my current semi-retirement is to neither contract nor announce new work, if any, till the first draft is bagged. (It's normal business practice not to publicly discuss any contract or other negotiations till they're over. Since many of us writers are sort of raised by wolves, business etiquette, too, can take some learning.)
Pat Wrede had a good post recently on the topic --
https://www.pcwrede.com/advice-for-cr...
If you scroll back through her blog, she has a lot of cogent remarks recently on middles and their hazards, too.
Ta, L.
More Answered Questions
Jerri
asked
Lois McMaster Bujold:
Did Penric ever visit his birth family after his studies and taking up work for the Bastard's Order? Or did any of them manage to visit him? Or did they exchange letters? We know that he learned of the death of his mother, but not much more. Love the novella's and waiting in hope for the next, one of these days.
 
A Goodreads user
asked
Lois McMaster Bujold:
Why would you wish to write this story??? It inspires me yet I wonder why make this story specifically?
Fraser Turner
asked
Lois McMaster Bujold:
I just got caught up listening to the last three hours of the audiobook "The Warrior's Apprentice" after the bedtime I was aiming for. Shame on you for making it so riveting. Seriously though, after Shards of Honour (Barrayar was unavailable, so I'm still waiting for it), it was a fantastic ... listen, I suppose (seeing as I didn't technically read it). My question requires a question mark. (?) Thank you :)
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