Michael A. Arnzen
"Like Sand in the Hourglass"
The sculptor's greatest life achievement was a public piece called "Doomsdate" -- a staggering large sundial, constructed entirely of solar-powered clocks gathered from around the globe. On the day of his death, the silence stunned us as every clock hand suddenly stopped spinning at the exact same moment -- as did the Earth.
The sculptor's greatest life achievement was a public piece called "Doomsdate" -- a staggering large sundial, constructed entirely of solar-powered clocks gathered from around the globe. On the day of his death, the silence stunned us as every clock hand suddenly stopped spinning at the exact same moment -- as did the Earth.
More Answered Questions
Tanya Twombly
asked
Michael A. Arnzen:
Recently there's been an increase in female-centric, women-directed horror films (many receiving industry, audience, & critical acclaim). Since horror is often viewed as a "masculine" genre (esp. in terms of target audience) and has been accused of deeply misogynistic tropes, do you feel the increased deployment of the "female gaze" might change and maybe even revive the horror industry?
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