wella
asked
Michael J. Sullivan:
Hi Michael! Just read your Age of Myths and was finished in a day. It was spectacular, the last time I read something that felt in the same vein as this book was Anne McCaffrey's Pern series. My question is, as a writer are you an architect or the gardener type?
Michael J. Sullivan
Hey Wella,
So glad you enjoyed the read! When it comes to writing...I'm a bit a both. You see, before I start writing, I do outline the entire book. But it's kind of like putting up big-top with a number of tent poles. I know where I'll start, where I plan to end, and several key scenes. After doing that, I start fleshing in more of the story and before I start typing page #1, I have at least 3 - 5 bullet points for each chapter. So that's the architect part.
But then...the writing starts and as I write many things happen. Things such as, I stumble across a new character or a minor character types taking a more central role. I also am constantly looking at the story as a whole and challenging myself to take it to a new level. This means I'll deviate from the original outline...but never without knowing where I'm going. So there is always an "outline" but it changes with time. Does that help?
You might want to give The Death of Dulgath a try, the reason I bring it up is it is (a) standalone and (b) has an entire ebook dedicated to how I write. It answers your question above in much more detail, but without the context of reading The Death of Dulgath, it won't make much sense. The companion book (The Making of the Death of Dulgath) is completely free (just send me a message saying you want a copy. But as I said, without reading the novel first, a lot of the stuff in that bonus piece won't make much sense. Thanks again for stopping by and asking a question.
So glad you enjoyed the read! When it comes to writing...I'm a bit a both. You see, before I start writing, I do outline the entire book. But it's kind of like putting up big-top with a number of tent poles. I know where I'll start, where I plan to end, and several key scenes. After doing that, I start fleshing in more of the story and before I start typing page #1, I have at least 3 - 5 bullet points for each chapter. So that's the architect part.
But then...the writing starts and as I write many things happen. Things such as, I stumble across a new character or a minor character types taking a more central role. I also am constantly looking at the story as a whole and challenging myself to take it to a new level. This means I'll deviate from the original outline...but never without knowing where I'm going. So there is always an "outline" but it changes with time. Does that help?
You might want to give The Death of Dulgath a try, the reason I bring it up is it is (a) standalone and (b) has an entire ebook dedicated to how I write. It answers your question above in much more detail, but without the context of reading The Death of Dulgath, it won't make much sense. The companion book (The Making of the Death of Dulgath) is completely free (just send me a message saying you want a copy. But as I said, without reading the novel first, a lot of the stuff in that bonus piece won't make much sense. Thanks again for stopping by and asking a question.
More Answered Questions
A Goodreads user
asked
Michael J. Sullivan:
Hi Michael I know you are probably fed up of answering this, however, I just had my third read through of Riyria Revalations, I know, I’m a lightweight.... have a word with your Wife because you MOST certainly need to continue this Series, so much more to write about and new things to reveal, it’s Xmas so let’s please have a lot more of Hadrian, Arista and Royce...?
Steven Williamson
asked
Michael J. Sullivan:
Michael, first of all, thanks for being an inspiration to budding authors like myself. I appreciate the feedback and insight you gave me during the writing phase of my first book, Ohlen's Arrow. And now onto my question: What do you think of that old writer's adage, "Beer for creativity, coffee for productivity" ?
A Goodreads user
asked
Michael J. Sullivan:
Are you following the Alan Dean Foster legal situation with regards to the (opinion incoming) super shady way in which Disney is refusing to pay him for all the books he wrote?
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